Lee Michaels Is Over The Barrel
Danny Goldberg, Circus, January 1971
IT WILL COME as no surprise to followers of Lee Michaels that his sound has changed again. On the heels of his most successful album, Barrel, the master west coast keyboard artist has, so to speak, thrown it all away for the fourth time in his brief public career, leaving his old fans a bit bewildered but attracting new ones at a startling rate.
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