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Manual Overdrive: The Jesus And Mary Chain: Honey's Dead (blanco y negro BYNLP 26)

Keith Cameron, Vox, April 1992

SINCE THEIR last album, 1989's impressive but thinly spread Automatic, a host of fledgling noise outfits have weighed in with claims for the Mary Chain's throne, after taking their initial cue from the Reid brothers' mid-'80s distress aesthetic.

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