Villains and Heroes: In Defense of the Beach Boys

BRIAN WILSON AND COMPANY are currently at the center of an intense contemporary rock controversy, involving the academic "rock as art" critic-intellectuals, the AM-tuned teenies, and all the rest of us in between. As the California sextet is simultaneously hailed as genius incarnate and derided as the archetypical pop music copouts, one clear-cut and legitimate query is seen at the base of all the turmoil: how seriously can the 1968 rock audience consider the work of a group of artists who, just four years earlier, represented the epitome of the whole commercial-plastic "teenage music industry?"...