Beat, The
ARTICLES IN LIBRARY
The Beat: I Just Can't Stop It (Go Feet)****
Review by Peter Silverton, Sounds, May 1980
A JOURNALIST of this periodical on being asked if he fancied interviewing the Beat remarked that, although he'd nothing against the idea in principle, he'd ...
Talking Heads and The Beat at the Greek Theater Los Angeles
Live Review by Sylvie Simmons, Sounds, November 1980
THIS WAS no mere toe-tapper. We're talking worn shoe-leather tonight, holes in the soles and corns on the toes, sore feet in a venue more ...
Report and Interview by Jon Young, Trouser Press, February 1981
SOONER OR later, every British band of any significance has to decide what to do about America. ...
Interview by Mike Stand, Face, The, April 1981
"GOD HOLD you in the palm of His hand," said Saxa pulling the bedclothes up to his chin. "He close it and you are dead. ...
The Beat: Wha'ppen? (Go Feet) ****
Review by Mark Cooper, Record Mirror, May 1981
IN WHICH the Beat define their sound over a whole album, realise their strengths (most notably the individuality of each performer) and, in general, settle ...
The Beat: Heartbeat & Strangelove
Interview by Vivien Goldman, NME, November 1981
Vivien Goldman witnesses the subversive pop of The Beat at work in New York against the nuclear age. ...
Interview by Richard Cook, NME, November 1981
A SHAKY YEAR for The Beat so far was compounded last week by a mix-up over their new single, 'Hit It'. The twelve-inch copy that ...
Report by Barney Hoskyns, NME, September 1982
That Woz the Fest that Woz! Barney Hoskyns takes a bite of the rotten Apple and hangs his head in despair ...
The English Beat: 2-Tone Survivors Make a Joyful Noise
Interview by Bill Holdship, Musician, February 1983
"THE CIRCUMSTANCES that brought the Beat together make us tenuous, in a way," observes singer/guitarist Dave Wakeling. "With any one set of musicians, sooner or ...
see also Fine Young Cannibals
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