Bonnie Raitt
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Bonnie Raitt: Home Plate (Warner Bros.)
Review by Penny Valentine, Sounds, November 1975
BONNIE RAITT is an intriguing talent, firmly rooted in the music of men like Otis Rush and Fred McDowell whom she met and worked with ...
Bonnie Raitt: The Bonnie Raitt Collection
Review by Mark Cooper, Q, September 1990
THE RELEASE OF this 20-track retrospective of her nine Warners albums must be sweet revenge for Bonnie Raitt. ...
ARTICLES IN LIBRARY
Bonnie Raitt: Give It Up (Warner Bros.)
Review by Loraine Alterman, New York Times, December 1972
Bonnie Branches Out ...
Interview by David Rensin, Crawdaddy!, March 1973
LOS ANGELES – Bonnie Raitt is by nature a purposeful woman. On a personal level, she is attempting to forge a new ethic reaching beyond ...
Review by Noe Gold, Crawdaddy!, January 1974
SPUNKY, THAT'S got to be the word for it. A hybrid of spicy and funky. ...
Review by Bob Woffinden, NME, February 1974
THE COVER of this album has real style. Bonnie Raitt is photographed in one of those cavernous early-twentieth century railway stations, slumped in a large ...
Bonnie Raitt: Raitt Place, Raitt Time
Interview by Chris Charlesworth, Melody Maker, January 1975
BONNIE RAITT JUGGLED happily between the various lines on the desk telephone in an office at Warner Brothers' New York headquarters. She seemed to be ...
Profile and Interview by Penny Valentine, Let It Rock, August 1975
WHEN SHE SINGS 15 year old girls run out of the audience, down the auditorium, arms raised in a two fisted salute. What they are ...
Bonnie Raitt: Home Plate (Warner Bros.)
Review by Penny Valentine, Street Life, November 1975
BONNIE RAITT is an intriguing talent, firmly rooted in the music of men like Otis Rush and Fred McDowell whom she met and worked with ...
Review by John Morthland, Rolling Stone, December 1975
DESPITE ITS UNEVENNESS, this is a vast improvement over Street Lights and accomplishes much of what that LP set out to do in the first ...
Interview by Max Bell, NME, April 1976
AT FIRST SIGHT, Bonnie Raitt isn't the world's most startling human being. In fact, she seems pretty damn ordinary. Quiet; medium height; plain; unkempt red ...
Profile and Interview by Penny Valentine, Street Life, May 1976
FREEBOS SHAGGY, morose head appears through the doors of the van: "There is no truth in the rumour," he shouts, "that when Bonnie Raitt arrived ...
Interview by John Tobler, ZigZag, June 1976
On examining her albums, of which there are five to date, I drew various conclusions about Bonnie Raitt's recording career. ...
Profile by Don Snowden, Rock Around The World, March 1977
ON THE EVE of the release of her sixth album, Sweet Forgiveness, Bonnie Raitt still remains something of an anomaly in a music biz that ...
Bonnie Raitt: Freebo's Travels With Bonnie
Interview by John Mendelsohn, Rolling Stone, April 1978
LOS ANGELES AT AN age when most rock musicians are superstars in decline, prosperous session players, or in their fifth or so year of ...
Live Review by Mark Williams, Melody Maker, August 1979
IT'S IRONIC that Little Feat were never adjudged sufficiently commercial to have headlined a concert at Los Angeles' massive Forum, since the place was bursting ...
Bonnie Raitt Plus a Surprise Co-Star
Live Review by Don Snowden, Los Angeles Times, December 1979
Bonnie Raitt: Santa Monica Civic, Los Angeles ...
Interview by Andy Gill, Q, September 1991
Collectors of happy endings, look no further. Bonnie Raitt's career was dumper-bound until a P45 from her record company inspired her to rediscover her musical ...
Bonnie Raitt: Still Burning Down The House
Interview by Steven P. Wheeler, Music Connection, October 1995
This redheaded Grammy Queen is back with the first live album of her long career an album that harkens back to her grittier pre-platinum ...
Jackson Browne and Bonnie Raitt: Rock for Java
Live Review by Charles Bermant, Rolling Stone, June 2001
BACK IN THE 1970s, when Jackson Browne and Bonnie Raitt became notorious for spearheading benefit concerts, the issues were, well, more clear cut: Vote for ...
Memoir by Phil Sutcliffe, MOJO, August 2003
Tracks and artists: Mississippi John Hurt: Candy Man/Coffee Blues/Stagolee. Brownie McGhee: Long Gone/Key To The Highway. Rev. Gary Davis: Samson And Delilah/I Won't Be Back ...
Profile by Jason Gross, Creative Loafing, August 2006
ARE THERE ANY active old-school divas that we can still look up to? Cher? Retired. Tina Turner? Retired. Barbara Streisand? Her too. Joni Mitchell? Yep. ...
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