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has long been the
leading international newsweekly of music, video and home entertainment. We
have a full set of these magazines for the years 1972 to 2004. We also have some
issues from 1965/6. |
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magazine was a weekly
US-based music industry publication, which was published weekly until it closed
in November 1996. We have 260 of these magazines from the years 1974 to 1981 |
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Originally founded as Hullabaloo in 1966,
dates from 1968. It started out as a general interest rock magazine before
focusing on heavy metal and hard rock bands. We have many issues dating from
1969 to 1985 |
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was a "special
issue" offshoot of Circus, generally focusing on single acts popular with
the magazine's readers. We have many issues dating from 1974 to 1975 |
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was the granddaddy
of all music mags, originally launched by Paul Williams as a modest fanzine in
1966. It later turned into a monthly glossy before its demise in the late '70s. We
have many issues dating from 1976 to 1978 |
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was the legendary Detroit-based monthly magazine that started publication
in 1969. For some years it was America's coolest rock mag, featuring the work
of the legendary Lester Bangs and others. We have most issues dating from
1971 to 1988 |
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was a
weekly British publication with an essentially pop slant, in contrast to the more
rock-centric NME and Melody Maker. |
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Founded in 1988,
is a monthly for collectors of rock, pop, country & western, R & B, doo
wop, and jazz. |
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was a Rolling Stone-esque
rock broadsheet founded in Boston in the late '60s. Writers included Lenny Kaye,
Robert Greenfield and others. We have most issues from 1969 to 1974 |
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has long been the
ultimate monthly for record collectors. Also features long in-depth articles and
some reviews. We have most issues for the last thirty years. |
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is the monthly UK
bible of Heavy Metal and hard rock. We have issues for 1987, 1992 to 1996
and 2004 |
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Until its demise in 2000, was the world's oldest music magazine, founded in 1926 as "a
monthly magazine for all who are directly or indirectly interested in the production
of popular music". We have most issues from 1973 to 1986, and 1993
to 2000. |
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was launched in 1994
as a retrospective-leaning monthly with in-depth articles on canonical artists
such as Dylan and the Beatles. We have all issues from 1993 to date. |
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has been the weekly
guide to Europe's most influential music markets for more than 40 years. |
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is
the last remaining UK rock weekly, for over three decades the ultimate arbiter
of what's hip in popular music. We have almost all issues from 1973. |
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Founded in 1986 by Mark Ellen and David Hepworth,
brought the rock giants of the '60s and '70s back into the arena of music journalism,
tapping a hidden market of older readers. We have all issues from 1996 |
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is a
weekly newspaper providing the radio and recording industries with the very latest
in news, sales, marketing innovations, and airplay data. We have issues from the
years 1987 to 1989. |
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was a hard-rock-friendly
monthly launched by EMAP to complement the more metallic Kerrang! |
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was a pop-oriented
weekly that up to its closure in 1991 was particularly respected for its coverage
of dance music. |
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was a trade
monthly for the US music industry. |
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started publication
in San Francisco in November 1967. It quickly became regarded as America's foremost
contemporary music magazine, and the voice of the political counterculture. We
have some issues from 1969, and all issues from 1970 to 1978, 1980 to 1982, 1987,
1989, 1991, 1992, 1994 and 2000 to 2002. |
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Launched by former NME editor Nick Logan, tapped into the teenage pop market of the early '80s and quickly
became the biggest-selling music publication in Britain. |
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Until its demise,
magazine was one of the three leading music weeklies in the UK. Strong
on hard rock, it beat the NME to the punch with early coverage of punk.
We have all issues from 1976 to 1985, and for 1987 and 1991 |
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Launched as
Trans-Oceanic Trouser Press in early 1974, Ira Robbins' monthly paid particular
attention to the more interesting UK bands of the '70s and '80s. |
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is an IPC monthly launched
to compete with EMAP's MOJO. Carries extensive features and interviews
with canonical UK/US acts. |
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A precursor to Uncut,
was an IPC weekly launched to compete with EMAP's Q. Unlike Uncut, it failed.
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Founded by Pete (Family Trees) Frame,
was a superior fanzine dedicated to all things West Coast and be-denimed in
the early '70s. Later had a punk makeover. We have most issues from 1971
to 1980 |
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