 |
 |
|
|||||||||||||||||
|
|
|||||||||||||||||
|
|
|||||||||||||||||
|
Charlie Gillett, Rolling Stone, 12 October 1972
AT LAST, REGGAE as all-around entertainment, whose rhythms will still generate movement in a crowded basement discotheque but whose arrangements and moods shift often enough for the album to hold interest through both sides. It's strange, but not accidental, that the man who has brought moog and accordion to a reggae record is a show business veteran from Texas, Johnny Nash.
Total word count of piece: 849
To continue reading the complete article, login or subscribe below and get instant access to this and the many thousands of other articles in the Rock's Backpages archive.
|
Becoming a member is cheap and easy. Membership gives you access to all the thousands of articles in the library. Subscribe and become a member... Or buy a Day Pass to the RBP library. Click here for University and other group subscriptions. |
Login Login via your home institution
Login via your library If your local library has signed up with Rocksbackpages, please enter your card number below: |
back to LIST OF JOHNNY NASH ARTICLES
back to LIST OF ARTICLES ABOUT REGGAE, RAGGA AND DANCEHALL
back to LIST OF ARTICLES BY CHARLIE GILLETT
back to LIBRARY
If you are interested in the syndication of this or any other article on Rock's Backpages, please email us.
|
||||||
 |
||||||
|
||||||
|
||||||
|
||||||
|
|
||||||
Magazine Archive | About Us | Press Room | Your Account | Home