This Is Your Song: The Elton John Interview
Interview by Rick McGrath, Mike Quigley, The Georgia Straight, April 1971
WE ENTER THE Holiday Inn on Howe Street through its Southern-fried colonnade and up its Harlequin Romance staircase into the Columbia Room with its Christmas tree ...
Elton John: Jump Up! (Geffen)
Review by Gene Sculatti, Creem, August 1982
REMEMBER THE 70's? Not much of a decade, you say. Yeah, well. Fella here used to be a mover and a shaker back in the mid-70's. ...
Elton Storms The States
Interview by Richard Williams, Melody Maker, September 1970
AL KOOPER, talking about Elton John's last album: "That album's really got me screwed up. It's just the perfect album, and I carry it around everywhere ...
Elton John: Elton John
Review by John Mendelsohn, Rolling Stone, November 1970
GIVEN THAT HIS voice combines the nasal sonority of James Taylor with the rasp of Van Morrison with the slurry intonation of M. Jagger with the ...
Elton John Steams 'Em Up
Report and Interview by Robert Greenfield, Rolling Stone, November 1970
LONDON "If this is the revolution, why are the drinks so fucking expensive," someone has written on the wall in the toilet of London's Revolution ...
Elton John: The Record Rise Of A Superstar Called Reg
Essay by Penny Valentine, Disc and Music Echo, 1971
IN APRIL 1970 an album was released that was to whisk Reg Dwight of Pinner into Elton John. It was, quite simply, titled Elton John, and ...
Elton John: Tumbleweed Connection
Review by Penny Valentine, Sounds, 1971
IT IS ALL too easy to go overboard with praise about Elton John. I am guilty of doing it frequently. But then, when faced with ...
Bernie Taupin: The B-Side of Elton John
Interview by Steve Turner, Beat Instrumental, February 1972
The offices of DJM records in new Oxford Street give the feeling of being a shrine to the glory of Elton John. Button-size stickers are stuck ...
Step Right Up And Feel The Man’s Muscles: Honky Chateau
Review by Charles Shaar Murray, Cream, June 1972
THESE DAYS you have to get fashionable before you get successful or else you get resented, and, if you get too successful without first being fashionable ...
Elton John
Profile and Interview by Steve Turner, Beat Instrumental, January 1973
Elton John is a fast worker. He just about has to be because he allows himself only ten days to write and rehearse all the material ...
Elton John: Don't Shoot Me, I'm Only the Piano Player (DJM)
Review by Charles Shaar Murray, NME, January 1973
WELL, WHADAYA know another fine Elton John album. Despite sneers, calumny and general foulness, the former Reg just keeps on writin', playin', singin' and gettin' ...
The Fightin' Side of Elton John
Interview by Danny Holloway, NME, February 1973
ELTON JOHN SITS cornered on his sumptuous settee, talking about the comic strip character he portrays. And as if to emphasise the image, he's wearing thick ...
Elton John: Don't Shoot Me I'm Only The Piano Player
Review by John Pidgeon, Let It Rock, April 1973
THE ONLY SUPERFICIAL sign of the album's French origin is its title, a contrary translation of Truffaut's film Tirez Sur Le Pianiste. Truffaut's pianist was Charles ...
The Elton John Story: Final Part
Interview by John Tobler, ZigZag, April 1973
ORCHESTRA ...
What do Bowie, Elton, and Mantovani have in common?
Interview by Harold Bronson, Music World, June 1973
I DON'T KNOW why so many of the stars take up residence at Hollywood's Chauteau Marmont Hotel on the Sunset Strip. Perhaps it's because of its ...
Elton's Finest Hour!
Live Review by Chris Charlesworth, Melody Maker, September 1973
Elton John: The Hollywood Bowl, Los Angeles ...
Elton John: Starship Trouper
Report by Jerry Gilbert, Sounds, September 1973
THE DAY Starship One landed in Hollywood it effused a trace of the old redolence and affaced just a little of the Hollywood myth. The Rocket ...
Elton John: Goodbye Yellow Brick Road
Review by Chris Welch, Melody Maker, September 1973
AND HELLO Elton John all set to smash a path to the top of the album chart with this superb new collecion of songs. He and ...
Elton John at the Hollywood Bowl - July 1973
Live Review by David Rensin, Rolling Stone, October 1973
THE HOUSE LIGHTS dimmed and a lonely spot picked out a single figure ...
The Elton John Career
Profile and Interview by Richard Cromelin, Phonograph Record, November 1973
AMERICA IS BEGINNING to recover now. The damage has been assessed, the injured have been treated, and the jangled buzzing has started to fade from our ...
Elton John Steps Into Christmas
Interview by Chris Welch, Melody Maker, November 1973
ELTON JOHN is a happy man as 1973 draws to a close. He has established himself not merely as an elitist's delight and king of the ...
Elton John: Belle Vue, Manchester
Live Review by Chris Welch, Melody Maker, December 1973
FOR THE first time since Bill Haley's motion picture triumph Rock Around The Clock, played at the now-demolished Queen's Cinema, Catford, in 1956, the urge to ...
Elton John: Goodbye Yellow Brick Road
Review by Wayne Robins, Creem, January 1974
REMEMBER WHEN the Stones and Beatles were English bands? If you do then it's just barely, because both ceased being foreign bands years ago, somewhere around ...
Elton John
Interview by Charles Shaar Murray, NME, January 1974
THERE WAS a curious smell in the Belle Vue Hall, Manchester. ...
Fashion: The Politics of Flash
Report and Interview by Nick Kent, NME, April 1974
NICK KENT traces the Rise and Fall of The Satin Jacket...and generally walks it like he talks it into the land of 'Rock Chic.' ...
Elton John: Caribou
Review by Chris Welch, Melody Maker, June 1974
IS IT AS GOOD as Yellow Brick Road? That will be the cry, where 'ere Elton John fans congregate and exchange ...
Elton John: The Short Hello
Interview by Charles Shaar Murray, NME, July 1974
OL' COCONUT Bonce is back. Elton Schmelton himself in the too, too solid flesh, still opening up interview sessions by walking into the room at exactly ...
Elton John: Caribou
Review by Bud Scoppa, Phonograph Record, August 1974
For an artist with distinct limitations vocal, compositional, and stylistic Elton John makes awfully good records. One of the reasons is his avowed love ...
Elton John: Ms. Streisand & The Pants of John
Report and Interview by Richard Cromelin, NME, November 1974
LOS ANGELES. It was a busy week for Elton John: a couple of hours in the DJ chair at KMET radio, a tennis game with ...
Elton John: Hammersmith Odeon, London
Live Review by John Tobler, ZigZag, January 1975
THE SUBJECT OF this piece is a man who could justly be called one of ZigZag's favourite people, Elton John. ...
Elton John: Greatest Hits; Randy Newman: Good Old Boys; Pete Atkin: Secret Drinker
Review by Simon Frith, Let It Rock, January 1975
Randy Newmans album starts:
Last night I saw Lester Maddox on a TV show
with some smartass New York Jew
and the Jew laughed at Lester Maddox
And the audience ...
Elton John: Hammersmith Odeon, London
Live Review by Chris Welch, Melody Maker, January 1975
MAYBE IT WAS the pre-Christmas spirit or the entire packet of chocolate I had just consumed, but a lump rase in my throat during the multitude ...
The Life And Times Of Elton John, part 1
Interview by Charles Shaar Murray, NME, February 1975
Part one: how the sand kicked in his face turned to gold-dust after all ...
Elton John, part 2: They Laughed When I Stood Up To Play The Piano
Interview by Charles Shaar Murray, NME, March 1975
NME: Earlier, you said that when you first met Taupin his lyrics were somewhat influenced by the Flower Power fad. It was a period when many ...
Elton John part 3: Maybe It's Because I'm A Socialist…
Interview by Charles Shaar Murray, NME, March 1975
TELL US, El, what is Rock all about?
Having a bloody good time. When I was a kid and went to see those Larry Parnes-Billy Fury ...
Elton John: Elton's Bitter Sweet Album
Report and Interview by Chris Charlesworth, Melody Maker, May 1975
Chris Charlesworth in New York previews Elton John's new album Captain Fantastic And The Brown Dirt Cowboy and talks to the man himself... ...
Elton John: Captain Fantastic And The Brown Dirt Cowboy
Review by Greg Shaw, Phonograph Record, June 1975
THE TIME HAS come to acknowledge just how big Elton John has become. His preeminence has come to pass so gradually that the present magnitude of ...
Elton John: I Want To Chug, Not Race
Interview by Caroline Coon, Melody Maker, June 1975
Wembley countdown! On the eve of Elton Johns giant festival, MM talks to the man In Amsterdam last week, while canals evaporated in the heat wave, ...
A Million Dollar Friendship: An Interview with Gus Dudgeon
Interview by Jon Tiven, Circus Raves, August 1975
NARY A POTENTIOMETER breathed a word at the Caribou Ranch high in the Rocky Mountains. And the baffles relaxed as the massive array of equipment was ...
Elton John: Captain Fantastic and the Brown Dirt Cowboy (MCA)
Review by Wayne Robins, Creem, August 1975
IT WASN'T UNTIL I watched a black restaurant worker make it through his shift singing Bennie and the Jets to himself that I began to understand ...
Elton John: Rock Of The Westies
Review by Charles Shaar Murray, NME, October 1975
FACT: ELTON JOHN is one of the nicest people ever to touch ground while ...
Elton John: Captain Fantastic And The Brown Dirt Cowboy
Review by John Tobler, ZigZag, November 1975
THIS IS PROBABLY the latest review you've read of the record under scrutiny. Having read several other reviews in various weekly and monthly publications, a concept ...
Elton John: Rock Of The Westies (MCA)
Review by Ben Edmonds, Phonograph Record, November 1975
It might seem ridiculous to contend that an artist was weakened by two albums which sold a higher number of copies than I can count to, ...
Elton John: Ol' Four Eyes Is Back
Live Review by Vivien Goldman, Sounds, May 1976
Elton John: Grand Theatre, Leeds ...
Elton John: Here And There (DJM)
Review by Chris Welch, Melody Maker, May 1976
DO NOT FEAR a rip-off, for this is a worthy selection of live performances from two major concerts which will long serve as a reminder of ...
Elton John, Dave Mason, John Miles: Schaeffer Stadium, Boston
Live Review by Harry Doherty, Melody Maker, July 1976
BOSTON, MASSACHUSETTS: The sheer pageantry of Elton John's Stars and Stripes bicentennial show here on Independence Day had the power alone to earn a standing ovation ...
Elton John: He's Got The Whole World In His Hands
Report and Interview by Chris Charlesworth, Melody Maker, August 1976
THE WHOLE FAMILY was there. Mum, dad and three children all waited patiently by the elevators in the lobby of the Hyatt Regency hotel on the ...
Elton John: Blue Moves (Rocket) ****
Review by Mick Brown, Sounds, October 1976
EVEN BEFORE I'd heard one note of Blue Moves I had divined that this album was going to be the Big One. ...
Elton John: Blue Moves
Review by Bud Scoppa, Phonograph Record, November 1976
THIS ISN'T SO much a review as it is a personally conducted poll. You see, I've been traveling around with Elton (the new album, that is) ...
Elton John: Blue Moves
Review by John Tobler, ZigZag, December 1976
IN A REVIEW of one of Elton's earlier albums I wrote something to the effect that those who already liked Elton would inevitably enjoy that album, ...
The Real Elton John Stands Up - ‘Hoorah!’
Interview by Phil Sutcliffe, Sounds, December 1976
ELTON JOHN is 29. So am I. We both wear glasses and they make his eyes look pink and mine look piggily smaller than they are. ...
Elton John: Rainbow Theatre, London
Live Review by Tony Stewart, NME, May 1977
THE SOCIAL division between rock star and audience is usually more obvious than it was at the Rainbow last Monday night. ...
Elton John: Concert in Central Park, September 1980
Live Review by Roy Trakin, Musician, January 1981
SOME PERFORMERS just don't know when to quit — and thank goodness for that. We followed tennis star Jimmy McEnroe into Central Park's Sheep Meadow to ...
The Fall and Rise of Reginald Dwight
Interview by Chris Salewicz, Q, December 1986
Chris Salewicz meets the occupant of the Presidential Suite, Floor 30, Century Plaza Hotel, Los Angeles.
"Ive had my scrotum removed, and I'm having it transplanted ...
Elton John: You've got to laugh…
Interview by Phil Sutcliffe, Q, August 1988
There aren't many options when you're alleged to have cancer, be involved in scandalous sexual malpractices and your hotel room has been bugged by the no-holds-barred ...
Ray Cooper: Who Are Those Blokes Up There With Ray?
Profile and Interview by Robert Sandall, Q, October 1990
Wherever stellar rockular personages gather together he's there at the back, shiny of pate and blurred of hand. But who is this Bongo Basher By Appointment? ...
Various Artists: Two Rooms
Review by Mark Cooper, Q, November 1991
HITHERTO, TRIBUTE ALBUMS have tended to be the preserve of the American college circuit with R.E.M. seemingly ubiquitous as today's aspiring eccentrics queue up to celebrate ...
Bernie Taupin: Him Indoors
Interview by Robert Sandall, Q, July 1992
The 25-year You-wash-I'll-dry relationship between Elton John and lyric-writing househusband Bernie Taupin has never been ...
Elton John: The One
Review by Phil Sutcliffe, Q, August 1992
Elton John returns with one great song, a few deft touches and some stodge. ...
Elton John
Interview by Mat Snow, Q, January 1995
HOW THE devil are ...
Elton John: Sound Your Funky Horn
Interview by Cliff Jones, Mojo, October 1997
Elton John blows his own horn ...
Bernie Taupin
Interview by Paul Zollo, Musician, January 1998
AS ELTON John's lyricist for three decades, Bernie Taupin is one of the most famous British songwriters of all time. ...
Twentieth Century Blues: The Songs Of Noel Coward
Review by Gavin Martin, Uncut, May 1998
PAN-GENERATIONAL tribute to The Other Noel, benefiting International AIDS-prevention ...
Elton John: Rocket***
Review by Nick Hasted, Uncut, October 2001
BACK TO basics, and partial return to form, on 28th studio ...
How Sir Elton Recovered His Cool
Comment by Ian Gittins, The Guardian, 2004
WHEN THE VERY first psychedelic rock star, William Blake, declared that the fool who persists in his folly shall become wise, he hit on a cogent ...
see also Bernie Taupin