Orchestral Manoeuvres In The Dark

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Orchestral Manoeuvres In The Dark: Hammersmith Odeon, London
Live Review by Mat Snow, NME, April 1983
ORCHESTRAL MANOEUVRES In The Dark are a triumph of packaging over content. The same principle that determines the lavishly striking sleeves by Peter Saville extends to ...

ARTICLES IN LIBRARY

Factory Records: Food For Thought
Report by Mary Harron, Melody Maker, September 1979
Lots of people thought that Operation Julie was a bit of an anachronism. Who, in the late Seventies, could be dropping all those tabs? It almost ...

Orchestral Manoeuvres In The Dark: Who Was That Masked Man?
Interview by Phil Sutcliffe, Sounds, February 1980
SOMETHING GARDENS the place was called. Gardens? At a conservative estimate not so much as a blade of grass had dared to peep above ground in ...

Orchestral Manoeuvres in the Dark: Men Of Mystery And Imagination
Report and Interview by Paul Morley, NME, November 1980
ANDY McCLUSKEY and I are the last two of the Orchestral Manoeuvres in the Dark party left in the Edinburgh hotel bar. ...

Orchestral Manouevres In The Dark: Dazzle Ships (Virgin)
Review by Chris Bohn, NME, March 1983
THIS IS Radio Bohn calling, bringing you news of a bloodless mutiny aboard the good ship Dazzle, which has put the helm in the hands of ...

Orchestral Manoeuvres In The Dark: Two Guys And A Tape Deck Become A
Interview by Ira Robbins, Musician, 1985
Only one of the following two statements is true. Which? A) Orchestral Manoeuvres In The Dark is a synthesizer duo, a pair of chilly intellectual technocrats ...

Orchestral Manouevres In The Dark: The Pacific Age
Review by Len Brown, NME, October 1986
OH TO put aside the racehorses, to forget Morley's G-Mex intro ("two rich bastards from LA") to ignore the cobalt-coated doughboys who adorn the inner sleeve. ...

Orchestral Manoeuvres In The Dark: The Pacific Age
Review by John Mendelsohn, Creem, April 1987
NOT ALL THAT is wrong with modern pop is wrong with OMD. They don't try desperately to look like badasses of the most fearsome sort every ...

Songwriters: Musical Chairs
Special Feature by Pete Paphides, The Guardian, September 2002
Today's pop stars, say their critics, aren't half as talented as their predecessors because they have little or nothing to do with writing their songs. But ...