Neil Young & Crazy Horse: Ragged Glory
Edwin Pouncey, Vox, October 1990
LIKE BOB DYLAN (his closest creative counterpart) Neil Young likes to keep his audience on its toes. For every critically acclaimed 'classic' that is punched out he will usually follow it up with a more relaxed offering, a set of rough sketches that sound equally ingenious as his more full-blown projects such as This Note's For You and last year's stunning Freedom.
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