Stereolab: Dots and Loops
Barney Hoskyns, Rolling Stone, 2 October 1997
PITY THE cerebral technicians of Stereolab, whose coolly subversive fusion of muzak and krautrock has for too long condemned them to the Critics Darling ghetto. Perfect postmodern pop group they may be, but Ill wager theyd trade a smidgeon of their street-cred for a moment in the bigger spotlight.
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