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Cocteau Twins: Cocteau Cabinet
Interview by Chris Roberts, Sounds, 4 January 1986
A new year and a new starter for THE COCTEAU TWINS who team up with CHRIS ROBERTS for talk, turkey and all the trimmings. ...
Cocteau Twins: Beacon Theater, New York NY
Live Review by Michael Azerrad, Rolling Stone, 10 January 1991
THE COCTEAU twins are the prototypal ethereal postpunk group, their diaphanous music aerated by layers of rippling guitars and Liz Fraser's virtuoso wordless vocals. Prone ...
Cocteau Twins: "None Of This Should Have Happened"
Interview by Mark Cooper, Q, April 1987
Unlistenable early tapes. Refusals to appear on Top Of The Pops. Information-free record sleeves. A mistrust of people "who can play all the strings on ...
Interview by Barney Hoskyns, Rock's Backpages audio, 8 February 1996
After a brief discussion of Scottish cuisine, Robin Guthrie, Liz Fraser and Simon Raymonde talk about the delayed release of their latest (and last) album Milk and Kisses; and about Britpop, leaving 4AD, signing to Fontana and the neglect of previous album Four-Calendar Café; plus the process of writing and recording, Liz's voice and lyrics, the strains of touring, the missing of family... and UFO sightings!
File format: mp3; file size: 67.3mb, interview length: 1h 10' 05" sound quality: ****
Cocteau Twins: The Cocteau Twins
Retrospective and Interview by Jim Irvin, The Word, April 2006
IN THE SUMMER of 1981, a member of staff at the Earl's Court branch of Beggars Banquet Records noticed an odd-looking couple loitering outside the ...
Interview by Helen Fitzgerald, Melody Maker, 19 March 1983
LAST SEPTEMBER a very strange thing happened. Three unknown scruffy Scottish urchins took the indie charts by storm with, a debut album, called Garlands, an ...
Review by Mat Snow, NME, 12 April 1986
A PRE-RAPHAELITE beauty sweeps through trailing fronds and hothouse blooms... ...
Cocteau Twins: The Cocteau Twins: Manchester Academy
Live Review by Simon Warner, The Guardian, 15 February 1994
THE CORE TRIO, more triplets than twins, have become weary of the media tag locating them as other-worldly beings, cult objects disconnected from the realities ...
Mazzy Star: Give 'Em Enough Hope
Interview by Everett True, Melody Maker, 5 January 1991
Mazzy Star's debut album, She Hangs Brightly, was voted one of the Top Ten albums of 1990 by the Maker writers. This year they look ...
One Dove: Disc-O-Tech: One Dove
Profile by Frank Owen, Vibe, March 1994
THEY'VE BEEN called "the Cocteau Twins just back from Ibiza" and "King Tubby meets the Beach Boys." But perhaps it's dubmeister Jim McKinven who put ...
Robin Guthrie: Out of the Shadows
Interview by David Sinclair, The Times, 21 March 2003
Why has the limelight-shy former Cocteau twin Robin Guthrie gone solo? ...
Lush: Spooky (4AD/Reprise) ***
Review by Simon Reynolds, Rolling Stone, 16 April 1992
FOR THE past few years, British indie rock has been dominated by bands known as shoegazers (because they're shy onstage), purveying a style of music ...
Review and Interview by Graeme Thomson, Uncut, February 2014
Simon Raymonde and Stephanie Dosen's mysterious, Cocteaus-y nightscapes. ...
Half Man Half Biscuit: System Club, Liverpool
Live Review by John McCready, New Musical Express, 29 March 1986
WARNING: PACEMAKERS TO BE SHOWN ...
The Go-Betweens: Go-Betweens Aim To Strike Public Chord
Profile and Interview by Dave DiMartino, Billboard, 14 January 1989
AT THE END of the day, what do good reviews really mean? In the case of the Go-Betweens, whose debut Capitol album 16 Lovers Lane ...
Review by Martin Aston, Q, January 1992
FACED WITH MY Bloody Valentine's formative fumblings, few would have predicted that this garage lurch could metamorphosise into the swooning melody crush that constituted 1988's ...
Lush: Hazy Daze For The Scenesters
Profile by Simon Reynolds, The Observer, 2 February 1992
Just about the only thing happening in British indie music last year was a rash of blurry, neo-psychedelic bands known as 'shoegazers' or The Scene ...
Elastica, Cranberries, The: The Cranberries, Elastica: Astoria 2, London
Live Review by Caroline Sullivan, The Guardian, 17 January 1994
AS LIMERICK pop quartet the Cranberries might warn London pop quartet Elastica, beware the tag Next Big Thing. The Irish band basked in that title ...
Review by Holly Gleason, Paste, 6 April 2017
IN THE SEVEN YEARS since Karen Elson's The Ghost Who Walks, there have been glimpses of the woman who was to emerge on Double Roses. ...
Review by David Cavanagh, Select, February 1992
HOW ON EARTH would you explain Lush's sound to aliens from another planet? Well, realistically, of course you wouldn't. You'd run away shouting "Aliens! Aliens!" ...
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