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Review by Chas de Whalley, Sounds, 14 May 1977
I HEARD the Jam's single 'In The City' on the radio the other day. The bass came roaring up from the mix and through the ...
Review by Kris Needs, ZigZag, June 1977
THE JAM have come a long way since I first saw them supporting the Sex Pistols at Dunstable last October. Then they had an ill-fitting ...
Review by Robot A. Hull, Creem, April 1978
QUICKIE QUIZ The Jam is a throwback band that most closely resembles one of the following: (a) 3 Dog Night (b) The Who (c) ...
Review by Dave Schulps, Trouser Press, February 1979
IT HAS TAKEN the Jam merely three albums to go from a young band with a lot of energy and a love for mod-era rock'n'roll ...
Review by Garry Bushell, Sounds, 24 March 1979
Stricker ishion (Roughly translated, some of the finest reggae ever made in England) ...
Review by Dave Marsh, Rolling Stone, 17 May 1979
FOR TWO albums, the Jam made leader Paul Weller's obsession with Pete Townshend and the early Who stand up as an acceptable substitute for personal ...
Review by Don Snowden, Los Angeles Times, 24 February 1980
JAM GETS ITS OWN FLAVOR ...
Review by Don Snowden, New York Rocker, March 1981
SOUND AFFECTS finds the Jam stretching out, once again successfully staying off the (seemingly) inherent limitations of a three-piece lineup. ...
Review by Jon Savage, The Face, April 1981
A typically caustic, sardonic title: the thorn in the rose. If much of the current chart has much of the grace and flow of 1966 ...
Review by Don Snowden, Los Angeles Times, 26 April 1981
SPARE SOUND FROM THE JAM ...
Review by Adam Sweeting, Melody Maker, 25 May 1985
Shopping spree ...
Review by Simon Reynolds, Melody Maker, 7 February 1987
A REMARKABLE fellow, this Paul Weller. It's a strange journey he's made over the last decade, but stranger still is that he's managed to take ...
Review by Dave Rimmer, Q, March 1987
IT'S FOUR YEARS now since Paul Weller knocked The Jam on the head and launched his new group with "Merton" Mick Talbot. Ever since the ...
Review by David Quantick, NME, 11 March 1989
THE COVER OF The Style Council's most blatantly angry single, 'Walls Come Tumbling Down', bears not a picture of rioting or the Prime Minister on ...
Review by Jon Wilde, Melody Maker, 9 June 1990
FOOL'S GOLD ...
Review by Stuart Maconie, Q, June 1994
TO USE the vernacular of our friends in the American therapy industry, today's music business is not "a nurturing environment". One might use the expression ...
Review by Charles Shaar Murray, MOJO, June 1996
DEAR DEAR PETE, ROCK'S leading luvvie: it's been so temptingly easy to take the piss out of him for his earnestness, his artistic ambition and ...
Review by Keith Cameron, NME, May 1997
IF WE ACCEPT pop as the religion of youth in the last quarter of the 20th century, then there can be no more striking example ...
Review by Terry Staunton, Uncut, June 1997
CHECK OUT how many column inches The Small Faces warrant in rock encyclopaedias, compared to the space given to the likes of The Kinks or ...
Review by Rob Chapman, MOJO, May 1998
Eagerly-anticipated follow-up to 1994’s Protection, 64 minutes of guitar-driven downbeats, featuring the toppermost tonsils of Horace Andy and the angelic ambience of Liz Fraser on ...
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