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Jam, The: The Jam: Setting Sons (Polydor PD-1-6249)

Review by Don Snowden, Los Angeles Times, 24 February 1980

JAM GETS ITS OWN FLAVOR ...

The Small Faces: Ogden's Nut Gone Flake; The Small Faces & The Autumn Stone

Review by Terry Staunton, Uncut, June 1997

CHECK OUT how many column inches The Small Faces warrant in rock encyclopaedias, compared to the space given to the likes of The Kinks or ...

Love: The Forever Changes Concert

Review by Barney Hoskyns, Uncut, December 2003

FOREVER CHANGES is one of those "classic" albums that should have dated but miraculously hasn't. Heavy-handedly paranoid, the product of a strange rock/soul miscegenation, quaintly ...

Hard-Fi: Once Upon A Time In The West

Review by Paul Moody, Uncut, October 2009

The Sound Of The Suburbs: Leone-Inspired Second Album From Staines Asbo Rockers. ...

James: Gold Mother (Fontana)

Review by Jon Wilde, Melody Maker, 9 June 1990

FOOL'S GOLD ...

Bill Fay: Life Is People

Review by Martin Aston, bbc.co.uk, August 2012

The stunning return of a prodigal son you never knew existed ...

The Jam: This Is The Modern World

Review by Mick Farren, NME, 5 November 1977

SO THIS is the modern world. I'm glad they told me. For an instant I'd thought I'd been transported back to 1965. Flashback on flashback ...

Jam, The: The Jam: In The City (Polydor 2383 447)

Review by Kris Needs, ZigZag, June 1977

THE JAM have come a long way since I first saw them supporting the Sex Pistols at Dunstable last October. Then they had an ill-fitting ...

The Style Council: The Singular Adventures Of The Style Council: Greatest Hits Vol. 1 (Polydor)

Review by David Quantick, NME, 11 March 1989

THE COVER OF The Style Council's most blatantly angry single, 'Walls Come Tumbling Down', bears not a picture of rioting or the Prime Minister on ...

The Jam: This Is The Modern World

Review by Robot A. Hull, Creem, April 1978

QUICKIE QUIZ – The Jam is a throwback band that most closely resembles one of the following: (a) 3 Dog Night (b) The Who (c) ...

Pete Townshend: Cooltalkingsmoothtalkingstraightsmokingfirestoking (Atlantic)

Review by Charles Shaar Murray, MOJO, June 1996

DEAR DEAR PETE, ROCK'S leading luvvie: it's been so temptingly easy to take the piss out of him for his earnestness, his artistic ambition and ...

The Jam: Sound Affects (Polydor)

Review by Don Snowden, New York Rocker, March 1981

SOUND AFFECTS finds the Jam stretching out, once again successfully staying off the (seemingly) inherent limitations of a three-piece lineup. ...

Robert Wyatt: EPs

Review by Stephen Dalton, NME, 20 February 1999

ROBERT WYATT has been a ghostly presence in progressive British pop for the last 30 years. ...

Jam, The: The Jam: In the City (Polydor)

Review by Richard Riegel, Creem, November 1977

ANARCHY IN the U.K.? You ain't heard nothing yet — just wait till the Sex Pistols wake up to the realization that they pissed away ...

Jam, The: The Jam: All Mod Cons (Polydor)

Review by Dave Marsh, Rolling Stone, 17 May 1979

FOR TWO albums, the Jam made leader Paul Weller's obsession with Pete Townshend and the early Who stand up as an acceptable substitute for personal ...

Enemy, The: The Enemy: Music For The People

Review by Paul Moody, Q, May 2009

The Coventry trio face the classic second-album conundrum — play it safe or stretch themselves. The answer: try and do both. ...

Money Mark: Organ Blinder — Keyboard Money Mark: Mark's Keyboard Repair (Mo'Wax MW034 20 tks/39 mins/FP)

Review by Everett True, Melody Maker, 2 September 1995

You may not know it, but you've already chilled to Money Mark's Starsky'n'Hutch keyboard grooves on the last Beastie Boys record. Now he's kickin' it ...

Oasis: Standing On The Shoulder Of Giants

Review by David Stubbs, Uncut, March 2000

Change of producer and change of mood for long-awaited fourth album ...

The Jam: In The City

Review by Chas de Whalley, Sounds, 14 May 1977

I HEARD the Jam's single 'In The City' on the radio the other day. The bass came roaring up from the mix and through the ...

The Jam: All Mod Cons

Review by Charles Shaar Murray, NME, 28 October 1978

THIRD ALBUMS generally mean that it's shut-up-or-get-cut-up time: when an act's original momentum has drained away and they've got to cover the distance from a ...

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