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Review by Terry Staunton, Uncut, June 1997
CHECK OUT how many column inches The Small Faces warrant in rock encyclopaedias, compared to the space given to the likes of The Kinks or ...
Profile and Interview by Paul Lester, Uncut, July 1997
"I'M FASCINATED WITH THE IDEA OF ART born of a disintegrated mind," says Lewis Taylor, all coal-black curls and kohl-kissed eyes, crouched in the semi-darkness ...
Interview by David Stubbs, Uncut, December 1997
ROBERT WYATT'S career has meandered long and strange, like an underground driver. He's played alongside Hendrix, Mike Oldfield and Phil Manzanera, as well as avant-garde ...
Interview by Tom Cox, Uncut, January 1998
How do you feel about this so-called line of classic quintessentially English songwriters starting with you, continuing with Paul Weller and ending with Damon Albarn? ...
Interview by Gavin Martin, Uncut, July 1998
MAC REBENNACK, IS SLUMPED ON A chaise longue in an elegant London hotel suite, the ubiquitous walking cane by his side, a straw Homburg tilted ...
Review by Terry Staunton, Uncut, November 1998
FIVE-CD overview of Paul Weller's "Cappuccino" years. ...
Interview by Paul Lester, Uncut, December 1998
"YOU SHOULD WRITE THAT LETTER," Paul Weller' is telling his press agents, Pippa Hall and Jane Wilkes of Monkey Business PR, referring to a particularly ...
Interview by Terry Staunton, Uncut, December 1998
Fire up the steamroller, jangle the old Joanna, and fall off your chair when Terry-Thomas enters the room. Welcome to the world of JOOLS HOLLAND ...
Interview by Kit Aiken, Uncut, October 1999
KA: What did The Jam mean to you? ...
Retrospective by Stephen Dalton, Uncut, December 1999
Twenty years ago next month, four teenagers from Dublin played their first British date in a north London pub, in front of less than a ...
Interview by Paul Lester, Uncut, March 2000
OASIS, if you hadn't noticed, have just resurfaced. But will they sink or swim? After the druggy excesses of Be Here Now, following the departure ...
Review by David Stubbs, Uncut, March 2000
Change of producer and change of mood for long-awaited fourth album ...
Interview by Carol Clerk, Uncut, April 2000
THE LOCATION IS LONDON'S flashy Landmark Hotel, a place where palm trees loom over drinkers in the lobby and there's a better class of toiletry ...
Retrospective and Interview by Gavin Martin, Uncut, June 2000
THE EARLY SEVENTIES have been a golden age for the homegrown British pop single. The pan-stick and yob fraternity, which includes T-Rex, Sweet, Slade, Mott ...
Retrospective by Stephen Dalton, Uncut, October 2000
WELLER'S cappuccino-drinking years ...
Live Review by Gavin Martin, Uncut, February 2002
HE COMES on jaunty, with a skip in his step, looking cool, refreshed, dapper, an upbeat northern soul soundtrack still ringing round the hall. He ...
Review by David Stubbs, Uncut, October 2002
Brighter follow-up to 1999's The Contino Sessions, featuring Liam Gallagher and Paul Weller on vocals. ...
Interview by Chris Roberts, Uncut, July 2003
After burying half the original Pretenders, CHRISSIE HYNDE bowed out of the rock'n'roll limelight to bring up her kids. Now she's made her best album ...
Review by Barney Hoskyns, Uncut, December 2003
FOREVER CHANGES is one of those "classic" albums that should have dated but miraculously hasn't. Heavy-handedly paranoid, the product of a strange rock/soul miscegenation, quaintly ...
Review and Interview by Barney Hoskyns, Uncut, February 2007
WHEN THEY FIRST formed in the Libyan guerilla camps of the late ‘70s, Tinariwen referred to their music simply as "guitar". And no wonder. Electric ...
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