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Interview by Paolo Hewitt, New Musical Express, 18 January 1986
Can RED WEDGE kick new life into old Labour? Will our lovable lefty pop heroes transform Kinnock's party into a stylish outfit prepared for government? ...
Essay by Stephen Dalton, Vox, June 1993
Ever since Woody Guthrie scratched "This Guitar Kills Fascists" on his six-string, musicians have exploited rock's confrontational possibilities, from anti-racism to sexual revolution, in a ...
Report and Interview by Lucy O'Brien, Vox, April 1994
Singing hairdos? Not any longer. Britain's new breed of single black females are feisty, independent and take no prisoners ...
Primal Scream: "I Am A Drug Addict"
Profile and Interview by Dorian Lynskey, Select, February 2000
Primal Scream are off the smack (but not the speed, coke and E) and on a mission – kill Sporty Spice, kick the shit out ...
Jam, The, Paul Weller: Paul Weller: "The Jam? They were a way of life."
Retrospective by John Harris, The Guardian, 3 February 2006
As Paul Weller prepares to receive a Lifetime Achievement Brit, John Harris salutes a giant. ...
Beautiful South, The, Housemartins, The: Paul Heaton: "Armed Revolution Is The Only Cure"
Interview by Rob Hughes, The Word, June 2012
Baleful tunesmith, habitual cyclist, pub-owner, radical — Paul Heaton puts a foot on the ball and surveys the pitch ...
Special AKA, The: When Pop Went Political: Nelson Mandela's 70th Birthday Tribute Concert
Retrospective and Interview by David Burke, Classic Pop, June 2018
IT WAS A party staged to express solidarity with the world's most famous political prisoner, while concurrently expressing vehement opposition to an overtly racist system ...
Paul Simon: How Graceland saved Paul Simon — and offended the anti-apartheid world
Retrospective by Ian Winwood, Daily Telegraph, 10 June 2020
Forged in South Africa, the 1986 masterpiece drew accusations of 'cultural appropriation', offence and theft. What were Simon's intentions? ...
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