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119 articles found. Page 2 of 6.
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Review by David Bennun, Melody Maker, 8 January 1994
KRS ONE IS, to all intents and purposes, Boogie Down Productions, although his late partner, DJ Scott LaRock, still oversees his work, "despite what others ...
The Small Faces: Ogden's Nut Gone Flake; The Small Faces & The Autumn Stone
Review by Terry Staunton, Uncut, June 1997
CHECK OUT how many column inches The Small Faces warrant in rock encyclopaedias, compared to the space given to the likes of The Kinks or ...
New York Dolls: Dancing Backward In High Heels
Review by Johnny Sharp, bbc.co.uk, 14 March 2011
Reanimated glam-punk pioneers get dafter as they get older. ...
New York Dolls: Dancing Backward in High Heels
Review by Johnny Sharp, bbc.co.uk, 14 March 2011
Reanimated glam-punk pioneers get dafter as they get older. ...
Jam, The: The Jam: In The City (Polydor 2383 447)
Review by Kris Needs, ZigZag, June 1977
THE JAM have come a long way since I first saw them supporting the Sex Pistols at Dunstable last October. Then they had an ill-fitting ...
Public Image Ltd: Public Image Limited: The Flowers Of Romance (Virgin)
Review by Jon Savage, The Face, April 1981
A typically caustic, sardonic title: the thorn in the rose. If much of the current chart has much of the grace and flow of 1966 ...
Pete Townshend: Cooltalkingsmoothtalkingstraightsmokingfirestoking (Atlantic)
Review by Charles Shaar Murray, MOJO, June 1996
DEAR DEAR PETE, ROCK'S leading luvvie: it's been so temptingly easy to take the piss out of him for his earnestness, his artistic ambition and ...
Chemical Brothers, The: Apothecary Now: The Chemical Brothers : Exit Planet Dust (Junior Boys Own)
Review by Stephen Dalton, NME, 24 June 1995
THINK OF THE truly great, era-defining albums of the last 18 months. Definitely Maybe would be in there. Ill Communication and Dummy, too. ...
Ride: Eight-legged Snooze Machine: Ride: Tarantula (Creation)
Review by Neil Kulkarni, Melody Maker, 9 March 1996
Who will mourn RIDE, now gone the way of all flesh? Not NEIL 'Bites Yer Legs' KULKARNI, that's for sure ...
Review by Stephen Dalton, NME, 20 February 1999
ROBERT WYATT has been a ghostly presence in progressive British pop for the last 30 years. ...
Enemy, The: The Enemy: Music For The People
Review by Paul Moody, Q, May 2009
The Coventry trio face the classic second-album conundrum — play it safe or stretch themselves. The answer: try and do both. ...
Oasis: Standing On The Shoulder Of Giants
Review by David Stubbs, Uncut, March 2000
Change of producer and change of mood for long-awaited fourth album ...
Review by Chas de Whalley, Sounds, 14 May 1977
I HEARD the Jam's single 'In The City' on the radio the other day. The bass came roaring up from the mix and through the ...
Yvette Janine Jackson: Freedom (Fridman Gallery)
Review by John Lewis, The Guardian, 15 January 2021
The composer’s two new works, exploring slavery and homophobia, are like immersive non-visual films ...
Norah Jones: Come Away With Me (EMI Capitol)
Review by Tim Clifford, Rock's Backpages, February 2002
NORAH JONES may not be up there with Wolf J Flywheel in the memorable moniker stakes, but mark it well. Produced by Arif Mardin, this ...
J. Geils Band: The Morning After (Atlantic)
Review by Nick Tosches, Phonograph Record, January 1972
GOOD HARD fast kool kat musick is the best kind. Anything without any metaphysical pretentions and with a lot of rebop raunch. ...
Review by Ian Gittins, Virgin Media Music, 3 June 2013
CLUBLAND HAS been polarised between two dispiriting extremes for close on a decade now. If the DJ isn't playing twitchy, edgy, introspective grime or dubstep, ...
Housemartins, The: The Housemartins: London 0 Hull 4
Review by Terry Staunton, Record Collector, 24 May 2009
LIKE THE all-conquering Madness during the first half of the '80s, the Housemartins pulled off the admirable trick of shoehorning well-considered social comment into the ...
The Triffids: Born Sandy Devotional
Review by Mat Snow, NME, 21 June 1986
THE MID-'80s motto is that irony has gone mainstream. Self-confidence and hope for the future have evaporated in glittering, actressy despair, to be replaced by ...
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