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119 articles found. Page 1 of 6.

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Paul Weller: Sonik Kicks

Review by Jude Rogers, bbc.co.uk, 19 March 2012

An emotional, experimental ride, Weller’s 11th solo LP is brilliant stuff. ...

Paul Weller: Sonik Kicks

Review by Laura Barton, The Word, April 2012

Paul Weller's unchanging image limits our view of him. His third "experimental" record fizzes with aural innovation. ...

The Style Council: The Cost Of Loving (Polydor)

Review by Simon Reynolds, Melody Maker, 7 February 1987

A REMARKABLE fellow, this Paul Weller. It's a strange journey he's made over the last decade, but stranger still is that he's managed to take ...

Style Council, The: The Style Council: Our Favourite Shop (Polydor)

Review by Adam Sweeting, Melody Maker, 25 May 1985

Shopping spree ...

Jam, The: The Jam: The Gift (Polydor POLD 5055)

Review by Mark Cooper, Record Mirror, 6 March 1982

MAN'S GIFT... ...

Jam, The: The Jam: All Mod Cons (Polydor)

Review by Dave Marsh, Rolling Stone, 17 May 1979

FOR TWO albums, the Jam made leader Paul Weller's obsession with Pete Townshend and the early Who stand up as an acceptable substitute for personal ...

The Style Council: The Cost Of Loving

Review by Dave Rimmer, Q, March 1987

IT'S FOUR YEARS now since Paul Weller knocked The Jam on the head and launched his new group with "Merton" Mick Talbot. Ever since the ...

The Jam: All Mod Cons

Review by Dave Schulps, Trouser Press, February 1979

IT HAS TAKEN the Jam merely three albums to go from a young band with a lot of energy and a love for mod-era rock'n'roll ...

The Style Council: The Singular Adventures Of The Style Council: Greatest Hits Vol. 1 (Polydor)

Review by David Quantick, NME, 11 March 1989

THE COVER OF The Style Council's most blatantly angry single, 'Walls Come Tumbling Down', bears not a picture of rioting or the Prime Minister on ...

The Jam: This Is The Modern World

Review by Robot A. Hull, Creem, April 1978

QUICKIE QUIZ – The Jam is a throwback band that most closely resembles one of the following: (a) 3 Dog Night (b) The Who (c) ...

The Jam: Direction Reaction Creation

Review by Keith Cameron, NME, May 1997

IF WE ACCEPT pop as the religion of youth in the last quarter of the 20th century, then there can be no more striking example ...

Jam, The: The Jam: Setting Sons (Polydor PD-1-6249)

Review by Don Snowden, Los Angeles Times, 24 February 1980

JAM GETS ITS OWN FLAVOR ...

Style Council, The: The Style Council: Home And Abroad (Polydor TSCLP3)

Review by Chris Roberts, Sounds, 3 May 1986

WISHING WELLER ...

Jam, The: The Jam: The Gift (Polydor)

Review by Mick Sinclair, Sounds, 6 March 1982

ALTHOUGH THERE is every possibility that any of a hundred lesser known bands have the potential to one day produce as good an artefact as ...

The Jam: Sound Affects (Polydor)

Review by Don Snowden, New York Rocker, March 1981

SOUND AFFECTS finds the Jam stretching out, once again successfully staying off the (seemingly) inherent limitations of a three-piece lineup. ...

The Style Council: Cafe Bleu (Polydor)

Review by Hector Cook, NME, 17 March 1984

ME AND my ever-changing moods. One minute I hear 'Strength Of Your Nature' and think Paul Weller's cracked it, next I'm hearing some snippet of ...

The Style Council: Style Council: The Cost Of Loving (Polydor)

Review by Len Brown, NME, 7 February 1987

LISTEN TO the wordly-wise Cappuccino Kid: "...this affair of the heart, once it began, dispelled all the bitternenss I felt at the world, and gave ...

Jam, The: The Jam: Sound Affects (Polydor PD-1-6315)

Review by Don Snowden, Los Angeles Times, 26 April 1981

SPARE SOUND FROM THE JAM ...

Bernard Butler: People Move On (Creation)****

Review by Ben Myers, Melody Maker, 4 April 1998

YOU KNOW the story. March 25,1992 and there in block capitals, the stuff legends are made of: "Suede – The Best New Band In Britain". ...

Swing Out Sister: It's Better To Travel (Phonogram)

Review by Caroline Sullivan, Melody Maker, 16 May 1987

HOW DELICIOUS that a wee sleakit trio like Swing Out Sister can elicit such rage from the young sociologists of rock criticism. And for what? ...

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