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Hal Willner and the Creation of the Modern Tribute Album
Profile and Interview by Steven R Rosen, LA CityBeat, January 2004
"SORRY," Hal Willner says, sheepishly. He has just been complimented — or so this writer intended — for being the father of pop culture's rampant ...
Yoko Ono: Approximately Infinite Universe (Apple)
Review by Ian MacDonald, NME, 20 January 1973
IN AS MUCH AS the Lennons have spent four years trying to turn self-dramatisation into an art-form, the criticism of indulgence so often aimed at ...
Profile by Lenny Kaye, Hit Parader, January 1975
GIVEN THE commercial restrictions of the business we call music, it is the rare record company that is willing to lay itself on the line ...
Overview by Andy Gill, New Musical Express, 12 January 1980
POMP THE trouble with synthesisers is actually playing them, accepting their status as sound-generators and starting from scratch. Mechanical keyboards were included in early synth ...
Joan Jeanrenaud: No strings: Joan Jeanrenaud
Profile and Interview by Adam Sweeting, The Guardian, 28 February 2002
Joan Jeanrenaud had the classical world at her feet as cellist with the Kronos Quartet. She tells Adam Sweeting how she finds life on her ...
Devo: Where the Rubber met the Road
Report by Byron Coley, New York Rocker, January 1979
"Louis bided his time, isolating Spain diplomatically, and acquainting his fellow rulers with the term devolution." — Encyclopedia Britannica Vol. VI, p. 1093 ...
Pink Floyd, Move, The, Tomorrow, Soft Machine, Mick Farren, Arthur Brown: We Have Lift Off!
Retrospective by Johnny Black, MOJO, February 2004
In less than one year, London's UFO (pronounced "you-foe") club became the nocturnal haunt of the '60s counterculture, gathering place for the Beatles, Stones and ...
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