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409 articles found. Page 2 of 21.
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Review by Ron Ross, Phonograph Record, June 1973
FRESH FROM HIS second campaign in the American rock wars, our once and future pop boy fave David Bowie delivers Aladdin Sane as Phase III ...
Review by Charles Shaar Murray, NME, 14 April 1973
Bye-bye, Ziggy. It was nice seeing you, and I hope you'll keep in touch. Hello, Aladdin Sane, make yourself at home. David Bowie's new album ...
David Bowie: Reality (ISO/Columbia)
Review by Andy Gill, The Independent, 12 September 2003
LIKE BOB DYLAN, David Bowie seems to have been re-invigorated by a lengthy period with a stable band: Reality appears with almost indecent haste a ...
David Bowie: Black Tie White Noise
Review by David Sinclair, Q, May 1993
THE 1980S WAS not a happy decade for David Bowie. ...
David Bowie: Sound + Fisson: David Bowie: Earthling (RCA Records) ***½
Review by Mark Kemp, Rolling Stone, 20 February 1997
David Bowie breaks it down on his new album, Earthling ...
David Bowie: Low (RCA PL K12030)
Review by David Hancock, National RockStar, 22 January 1977
WELL IF IT'S the right speed maybe it's the wrong artist. Nope. This is David Bowie. And it's different. And it's excellent. ...
David Bowie: Earthling (RCA 7432144944 2)
Review by Andy Gill, The Independent, 21 January 1997
What comes through most strongly is the way Bowie retains an obsessional interest in the sheer variety and extremity of sound ...
David Bowie: Highlights of David Bowie Is: V&A, London
Review by Kate Allen, Rock's Backpages, 25 March 2013
I'VE NEVER been a Bowie-phile, but after visiting the David Bowie is exhibition at the V&A last week, it's difficult not to feel as though such ...
David Bowie: Black Tie, White Noise
Review by Dave Thompson, The Rocket, May 1993
IN THE DECADE since his last truly successful album, Let's Dance, David Bowie has undergone any number of changes, each of them as dramatic as ...
David Bowie: Never Let Me Down
Review by Roy Trakin, Creem, August 1987
THE PICTURE OF Dorian Bowie, in which the master remains young but his music begins to limp. Or the boy who cried wolf, so that ...
David Bowie Let's Dance (EMI/America)
Review by Carol Cooper, Record, July 1983
A CONSUMMATE BLEND of everything Chic and David Bowie (in his Negro period) represent, 'Let's Dance' – the title song of the latter's new album ...
David Bowie: The Man Who Sold The World
Review by John Mendelsohn, Rolling Stone, 18 February 1971
"Some say the view is crazy/But you may adopt another point of view. So if it's much too hazy/You can leave my friend and me ...
David Bowie: Young Americans (RCA RS 1006)
Review by Ray Fox-Cumming, Record Mirror, 15 March 1975
IT CONTAINS eight tracks and 40 minutes 6 seconds of music, which is all that should be said until you've given it a lot of ...
Review by Rob Young, Uncut, February 2010
The Dame's debut: an enduringly curious dispatch from "Gnome-man's land", expanded and remastered. ...
David Bowie: The Rise And Fall of Ziggy Stardust And The Spiders From Mars (RCA)
Review by James Johnson, New Musical Express, 10 June 1972
Bowie at his best ...
David Bowie: The Rise And Fall Of Ziggy Stardust & The Spiders From Mars (RCA)
Review by Nick Kent, Oz, July 1972
DAVID BOWIE, easily the most brilliant young songwriter in this country, seems to have been going through quite a few rapid changes over the last ...
Review by Richard Williams, The Times, 2 September 1972
Stars of rock: T. Rex: The Slider; Rod Stewart: Never A Dull Moment; David Bowie: The Rise and Fall of Ziggy Stardust and The Spiders From Mars; Roxy Music: Roxy ...
David Bowie: 'Space Oddity' (Philips)
Review by Chris Welch, Melody Maker, 12 July 1969
DAVID IS A talented young man who has written many fine songs and now concentrates on mime shows. ...
David Bowie: Bowie at the Beeb
Review by Jamie Atkins, Record Collector, March 2016
THIS ISN'T the review I expected to write, obviously. It wasn't supposed to be difficult listening, a beautifully packaged four-disc vinyl reissue of Bowie's early ...
Review by Richard Cook, NME, 29 September 1984
IT MIGHT be foolish to conjecture on which are David Bowie's public and which are his private records. ...
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