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Lou Reed: 10 Questions for Lou Reed
Interview by Jaan Uhelszki, MOJO, February 2003
The Dark Prince entertains Jaan Uhelszki with tales of rewriting Poe, not punching David Bowie and understanding the emotional history of the amplifier. ...
David Bowie, Mick Ronson, Mott The Hoople, Lou Reed: Tony DeFries: Bowie's MainMan
Profile by Michael Watts, Melody Maker, 18 May 1974
Tony DeFries is Mr Big of today's rock —the 70s' Col. Parker. He deals in STARS, the most glittering of whom is David Bowie. He ...
Review by Michael Gross, Crawdaddy!, January 1974
LOU REED IS the grand ghoul of them all. He happens to scare people. He stands in the same relation to Bowie and Iggy and ...
Lou Reed: Royal Albert Hall, London
Live Review by Ian Fortnam, bol.com, 18 May 2000
THE PREMIER PARAGON OF subterranean New York cools post-Velvet Underground career has never been anything other than unpredictable. For every Berlin theres been a Metal ...
Retrospective by Kris Needs, Clash, April 2010
IN 1975, LOU Reed was the most dangerously fascinating figure in rock 'n' roll. With his old associates Bowie and Iggy having turned respectively into ...
Review by Jon Young, Blender, August 2002
New Yawk maverick gets commercial makeover from Ziggy Stardust, reaps chart reward. ...
Sleeve notes by Barney Hoskyns, Universal Records, August 2013
GLAMOUR HAS always been pivotal to pop music. Elvis Presley was Glam, and so were Little Richard ('Ooh My Soul') and Billy Fury ('Jealousy'). The ...
Review by Nick Tosches, Rolling Stone, 4 January 1973
A REAL COCKTEASER, this album. That great cover: Lou and those burned-out eyes staring out in grim black and white beneath a haze of gold ...
Review by Robot A. Hull, Creem, February 1973
Their faces drooping in disbelief, the fans shook their baffled, bewildered heads. "If we hadn't seen him with our own eyes we never would have ...
Preview by John Lewis, Metro, June 2007
IT'S 1973. Your name's Lou Reed and you've just released a classic album called Transformer, featuring a huge international hit single 'Walk On The Wild ...
Overview by Nick Kent, New Musical Express, 16 March 1974
Is it time to shut the closet door? OUR HERO SEES THROUGH THE SEE-THROUGHS AND COMES TO THE CONCLUSION THAT ELEGANCE IS MORE THAN A LIMP ...
Review by Max Bell, Uncut, February 2003
Reed shows off "heavy bear" side on two-CD tribute to 19th-century poet ...
Review by Richard Williams, The Guardian, 17 January 2003
IF ANYONE IS still wondering, more than a quarter of a century later, what Lou Reed's Metal Machine Music was all about, they need look ...
Iggy Pop, Lou Reed, Stooges, The: Lou Reed: From Genius to Jerk and Back
Interview by Richard Cromelin, Los Angeles Times, 12 March 1978
LOU REED has been called everything from genius to jerk, and in the course of his career he's lived up to it all. With New ...
Review by Charles Shaar Murray, NME, 28 April 1979
AH, THE BELLS, the bells…somehow I don't think this is what Victor Hugo had in mind all those years ago. However, what Slick Vic had ...
Lou Reed: The Sinatra Of The 70's
Report and Interview by Nick Kent, NME, 28 April 1973
LOU REED SURE is a card. The day before this interview was supposed to take place, an associate of mine phoned up the Reed management ...
Lou Reed: Back On The Road At 68
Interview by Mark Paytress, The Times, 10 April 2010
In a rare interview, the rock icon is as challenging as the album he is re-releasing. ...
Lou Reed: Scotch & Sympathy At Tully Hall
Report by Ed McCormack, Rolling Stone, 1 March 1973
NEW YORK — For weeks, the sinister-looking poster haunted the subway stations. Taken from the cover of Lou Reed's latest album, Transformer, it showed an ...
Overview by Mick Gold, Let It Rock, July 1974
YOU COULD hardly miss him on the first album: his rubber-stamped signature was the only wording on the front cover, while on the back his ...
Lou Reed: The Prince of Darkness Lightens Up
Interview by Ben Fong-Torres, GQ, September 1986
I NEVER SAW the Velvet Underground during their five-year lurch through the New York music scene. From 1965 to 1970 I was on the left ...
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