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63 articles found. Page 1 of 4.
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Review by Chris Bohn, NME, 18 January 1983
NEITHER RARE nor particularly well done, the latest Bowie collection of alternative cuts, outtakes, live run throughs, flipsides and flops is hardly likely to endear ...
Review by David Quantick, NME, 28 June 1986
MOST OF us are familiar with David Bowie from his role as Vendice Partners in the sparkling musical comedy Absolute Beginners, but how many I ...
Review by Ian MacDonald, NME, 26 May 1973
"I'M AGELESS," said David Bowie in a recent interview – and these 21 tracks from the very earliest days of his career point up the ...
David Bowie: Hunky Dory (RCA Victor)
Review by Danny Holloway, NME, 29 January 1972
Bowie at his brilliant best ...
David Bowie: Scary Monsters (RCA)
Review by Charles Shaar Murray, NME, 20 September 1980
LEARNING to live with somebody's depression: the man in the clown suit stops running, finds self in back-against-wall situation, attempts to deal with same. Scary ...
Review by Charles Shaar Murray, NME, 14 April 1973
Bye-bye, Ziggy. It was nice seeing you, and I hope you'll keep in touch. Hello, Aladdin Sane, make yourself at home. David Bowie's new album ...
Review by Richard Cook, NME, 29 September 1984
IT MIGHT be foolish to conjecture on which are David Bowie's public and which are his private records. ...
Review by Mick Farren, NME, 5 June 1976
I GUESS that one of the main functions of any greatest hits album is to explain to anyone who isn't a hard core fan exactly ...
Review by Charles Shaar Murray, NME, 22 January 1977
AND YOU'RE profile to profile with The Man Who Fell To Bits. Against an incandescent orange background, the cover of David Bowie's new album reprises ...
Review by Ian MacDonald, NME, 22 January 1977
YOU'RE JUST a little girl with grey eyes and you never leave your room. ...
Review by Charles Shaar Murray, NME, 16 April 1983
"Put on your red shoes and dance the blues to the song they're playing on the radio..." ...
David Bowie: Station To Station
Review by Charles Shaar Murray, NME, 10 January 1976
"A sixty thousand word novel is one image corrected fifty-nine thousand, nine hundred and ninety-nine times" Samuel R. Delaney ...
David Bowie: Bowie For Breakfast: Angie Bowie’s Free Spirit
Review by Cynthia Rose, NME, 4 July 1981
Davids golden years get shredded as Angie spills half baked beans. ...
Review by Chris Bohn, NME, 20 September 1980
BUBBLEGUM'S BACK and it sounds wonderful. In contemporary terms the Skids are to The Clash and the post-modernists what Sweet were to Slade and Bowie: ...
Gary Numan: The Pleasure Principle
Review by Danny Baker, NME, 8 September 1979
AND PEOPLE seethe at the Golden Boy. Let's forget the threadbare rock'n'roll bitch that it's all been done before by 'proper' artists — Bowie this, ...
The Associates: The Affectionate Punch
Review by Paul Morley, NME, 16 August 1980
RUMOURS have been dripping down from Scotland about a diverse horde of determined post Skids/S. Minds/Scars groups all ready to shift our attention. Positive Noise, ...
Stevie Ray Vaughan and Double Trouble: Texas Flood (Epic)
Review by Cynthia Rose, NME, 27 August 1983
DAVID BOWIE didn't discover Stevie Ray, the power blues specialist who by the sound of this solo LP was sorely tempered on Bowie's tepid Let's ...
The Police: Junger than Stingtime: The Police's Synchronicity
Review by Richard Cook, NME, June 1983
THE POLICE are much like Gods to their pop universe, not only in their worship rating but in their omnipotent attitude to their work. They ...
Neil Merryweather: Space Rangers
Review by Charles Shaar Murray, NME, 28 September 1974
THIS GUY'S got to be kidding. ...
Review by Max Bell, NME, 27 August 1977
GOG AND MAGOG?! No, Dog And Maindog. A Pure Pop Person Pleads Sanity. MAX BELL Was At The Hearings. ...
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