John Aizlewood
John Aizlewood is an award-winning journalist, author and broadcaster – and is one of Britain's leading music writers. He currently writes on music for Mojo, Q and Classic Rock. He has interviewed almost every major pop star of the past three decades, including Kurt Cobain, Fugees, Ed Sheeran, Elton John, Enya, Kate Bush, Beyoncé, Britney Spears, Bon Jovi, Pet Shop Boys, Simply Red, Mark E. Smith, Frankie Valli, Iron Maiden, Kylie Minogue, Depeche Mode, Celine Dion, Chris Cornell, Joe Strummer, Take That, George Michael, Mariah Carey, Cranberries, Blur, Iron Maiden, Public Enemy, Red Hot Chili Peppers, Amy Winehouse, Pink Floyd, Fleetwood Mac, Shania Twain, the Cure, Sting and a host of others.
He has been a regular contributor to The Guardian, The Observer, The Independent, The Independent On Sunday, London Evening Standard, Four-Four-Two, Football 365, Radio Times, Champions, Melody Maker, Sounds, Select, Tracks, Insight, FHM, Arena, Supply Management amongst many others. He also wrote the acclaimed sleevenotes to the chart-topping re-issue of George Michael’s Listen Without Prejudice Vol 1.
He regularly appears as a critic on television and is currently starring in his seventh series of Sky Arts's Discovering Music. He has regularly appeared on all the BBC's national radio networks and scripted episodes of Top Of The Pops II and two series of Sky's The Pop Years. He reviews music and sport books for the i. His own books include Love Is The Drug (1994), Playing At Home (1998) and Radiohead: Life In A Glasshouse (2020)
He has written on sport, chiefly football, for over 20 years for newspapers including The Independent/Independent On Sunday, Sunday Times/Times and Daily Telegraph/Sunday Telegraph, plus magazines including Four Four Two, Champions and Saga. He has reported from every Premier League ground and has interviewed countless sporting icons from Harry Kane and Jordan Pickford and Adam Peaty to Ronaldo, Ryan Giggs and Tai Woffinden.
29 articles
List of articles in the library by artist
Adele, Duffy: Adele and Duffy are products of the age of X Factor
Comment by John Aizlewood, The Guardian, 4 January 2008
You can thank Simon Cowell for the results of the BBC's The Sound of 2008 poll. ...
India.Arie: Shepherd's Bush Empire, London
Live Review by John Aizlewood, The Guardian, 12 April 2002
IN 1997, Erykah Badu's emergence briefly heralded a flurry of female acoustic soul singers. They dressed badly, enjoyed the smell of incense on stage and ...
The Beastie Boys: The Nature of the Beastie Boy
Interview by John Aizlewood, No. 1, 7 March 1987
Mad, bad and dangerous to know, it's THE BEASTIE BOYS! Loud, obnoxious, snotty and very very funny. ...
Live Review by John Aizlewood, The Evening Standard, 12 October 2016
WHEN JUSTIN BIEBER most recently played the O2 in 2013, he arrived two hours late, broke the hearts of his young audience and was shoddiness ...
Ken Boothe: Everything I Own: The Best of Ken Boothe (Trojan)
Review by John Aizlewood, Q, September 2003
The soul-kissed voice of '70s reggae lovingly collected. ...
Harold Budd, Bill Laswell, Jah Wobble: Jah Wobble's Solaris: Ocean, London
Live Review by John Aizlewood, The Guardian, 23 October 2001
NEVER AFRAID of embracing the cerebral, Jah Wobble's latest group project, Solaris, is inspired by Stanislaw Lem's 1961 science fiction novel and, especially, Andrei Tarkovsky's ...
Neal Casal: Borderline, London
Live Review by John Aizlewood, The Guardian, 25 September 2000
IT IS HARD not to sympathise with Neal Casal: he is surely doing this for love, not money. After seven mostly impressive albums in five ...
Ben Christophers: Spitz, London
Live Review by John Aizlewood, The Guardian, 6 September 2001
TIMES ARE TOUGH right now for the musical descendants of Jeff and Tim Buckley, Tim Hardin and Talk Talk in their noodly period. Always on ...
Review by John Aizlewood, The Guardian, 20 October 2000
WE HAVE BEEN THIS WAY BEFORE. Many times in fact, since 1967, when Scott Walker discovered Jacques Brel and embarked upon a most contrary solo ...
Delirious?: Shepherd's Bush Empire, London
Live Review by John Aizlewood, The Guardian, 7 December 2001
DELIRIOUS?'s defining moment occurs at the close of their set. 'I'm Not Ashamed' is a Green Day-style, punky rock song. Singer Martin Smith, a slender, ...
Depeche Mode: Palma Violets: 180
Review by John Aizlewood, bbc.co.uk, 23 February 2013
South London quartet's debut suggests they've the potential to be unstoppable. ...
The Eagles: Eagles: Earls Court, London
Live Review by John Aizlewood, The Guardian, 12 June 2001
WITH MANY tickets costing £60, an official baseball top going for a mere £70 and queues of more than 30 minutes to enter Earls Court, ...
Review by John Aizlewood, The Guardian, 12 January 2001
IT IS HARDLY giving away state secrets to acknowledge that things are not going well for Cork's Frank and Walters. When their 1992 debut Trains, ...
Review by John Aizlewood, Select, December 1990
HOWE GELB is the caretaker of a small desert motel near the Joshua Tree National Park in America's still Wild West. Every few months he ...
Half Japanese, Teenage Fanclub: Teenage Fanclub/Jad Fair: Barbican, London
Live Review by John Aizlewood, The Guardian, 25 April 2002
"IS THIS A JOKE?" shouts a disgruntled heckler midway through this unsatisfying evening. "Get off". It doesn't seem to be a joke. The Barbican's Only ...
Review by John Aizlewood, Blender, July 2002
IT SOUNDS LIKE either madness or genius, and it's actually a bit of both. As her follow-up to 1998's The Miseducation of Lauryn Hill, which ...
Kosheen: Shepherds Bush Empire, London
Live Review by John Aizlewood, The Guardian, 2 May 2002
THE BRISTOL REVOLUTION of Massive Attack, Portishead and Tricky seems almost a fiction of folk memory in these backwards-looking days of the Strokes and the ...
Sam Moore: Shepherd's Bush Empire, London
Live Review by John Aizlewood, The Guardian, 15 February 2002
OF THE MYRIAD SAD SIGHTS on the live circuit, none is more distressing than the wobbly of voice and stomach soul veteran vainly trying to ...
Marti Pellow: Wembley Arena, London
Live Review by John Aizlewood, The Guardian, 17 December 2001
HARDLY THE MOST HOSPITABLE VENUE at the best of times, a third-full Wembley Arena is a depressing place indeed. Such is Marti Pellow's lot post ...
Rag'n'Bone Man: Electric, Brixton
Live Review by John Aizlewood, The Evening Standard, 25 November 2016
FAR FROM slender, festooned with tattoos which suggest he's spent the past few years at her majesty's pleasure, the wrong side of 30 and blessed ...
The Residents: Royal Festival Hall, London
Live Review by John Aizlewood, The Guardian, 18 September 2001
"YOU'RE NOT the real Residents!" shouts a heckler. He may or may not have a point – there is no way of telling. Since 1972, ...
Review by John Aizlewood, The Guardian, 16 August 2002
THE RATHER inglorious tradition of shouty punk women began with the Slits, but trio Sleater-Kinney take their cue from long-forgotten compatriots Ut, whose celebration of ...
Sly & Robbie: Popstars and the Strange Things They Own: Sly & Robbie
Interview by John Aizlewood, No. 1, 25 July 1987
"MUSIC IS with us all the time. We don't take holidays. I even dream about music." ...
Review by John Aizlewood, bbc.co.uk, 21 May 2012
There’s much to adore from the bluesy folk duo on this second set. ...
T'Pau: Hammersmith Odeon, London
Live Review by John Aizlewood, No. 1, 9 January 1988
HAMMERSMITH IN THEIR HAND? ...
Live Review by John Aizlewood, The Evening Standard, 28 October 2016
OVER THE COURSE of three albums, Los Angeles-based Warpaint have risen from strugglers (albeit well connected strugglers — bassist Jenny Lee Lindberg's sister is actress ...
Interview by John Aizlewood, No. 1, 27 February 1988
Was (Not Was), as we all knew, are spies in the house of love, but did you know Don Was is a CIA spy? Or ...
Jimmy Webb: The man who made the whole world sing
Interview by John Aizlewood, The Evening Standard, 6 May 2005
Jimmy Webb, composer of classics such as 'Wichita Lineman' and 'Up, Up and Away', is about to step up to the mike for two rare ...
Wondermints: Borderline, London
Live Review by John Aizlewood, The Guardian, 17 November 2000
IN THE MOMENTARY SILENCE following 'Global Village Idiot''s harmonic but angular climax, some wag shouts "Surf's Up!" It's part request, part comment and everyone in ...
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