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Aerosmith, Bob Welch, Dave Mason, Foreigner, Heart, Santana, Ted Nugent: The California Jam Festival
Live Review by Sylvie Simmons, Sounds, 8 April 1978
THERE WEREN'T even traffic jams. ...
Aerosmith: Unexpected Encounters With Rock Stars
Retrospective by Chris Charlesworth, Rock's Backpages, April 2009
THIS doesn't happen often, though I've actually bumped into Paul Weller once or twice unexpectedly (in Holland Park and also in the Surrey village of ...
Comment by Susan Whitall, Creem, May 1977
Dozens listen. ...
Report by John Harris, New Musical Express, 27 August 1994
Take 250,000 hippy children (Please! — Ed) and baby boomers reliving the 'glories' of the '60s, stick them in a sea of mud and charge ...
Cars, The: The Cars That Ate Aerosmith
Report and Interview by Stephen Demorest, Creem, November 1978
THE SPRINGFIELD Civic Center is one of those snazzy glass-and-concrete exhibition complexes plunked down in the middle of decaying industrial towns to encourage the natives ...
Interview by Ian Ravendale, Rock's Backpages Audio, 14 July 2012
The fabulously successful songwriter talks about her inspirations (Brill Building, Motown); not wanting to be a performer; breaking into the business, and the artists — from Laura Branigan to Aerosmith — who've covered her songs.
File format: mp3; file size: 33.4mb, interview length: 36' 31" sound quality: ** (phoner)
Flesh For Lulu: The Dome, London
Live Review by Nicky Charlish, Melody Maker, 8 August 1990
FROM The intro, 'Slide', onwards, we're into a festival of high-speed, thumpy noise, delivered in a style that's a crazy cross between 'Floodland'-era Sisters Of ...
Primal Scream: Give Out But Don't Give Up
Review by Eric Weisbard, Spin, May 1994
YOU DON'T necessarily need the flash and appeal of the New York Dolls or Aerosmith in order to try to be the Rolling Stones and ...
Interview by Paul Elliott, Sounds, 9 June 1990
Electric Boys have been hyped as Zep, Aerosmith, The Beatles and The Stones in one. Paul Elliott shakes up the mixed bag and pulls out ...
Primal Scream: Ten Minutes In The Mind Of Bobby Gillespie
Interview by Sheryl Garratt, The Face, August 1991
Why did you start playing dance music?Better music, better chicks, better drugs. Is rock'n'roll dead? No. There's a lot of great rock'n'roll bands, like Jane's ...
Will Oldham, Bonnie Prince Billy: Prince of Darkness
Interview by Gavin Martin, Uncut, March 1999
WILL OLDHAM is supposed to be the Mr Misery of new country. So what's he doing on GLR trying to persuade Sean Hughes that Aerosmith ...
Review by Ian Birch, Melody Maker, 25 February 1978
BOSTON (OR should I say Bosstown?) Massachusetts is also undergoing a Modern World Revival. Former inmates like Aerosmith, J. Geils and even the Modern Lovers ...
Willie Alexander and the Boom Boom Band: Willie Alexander and the Boom Boom Band
Review by Charles Shaar Murray, NME, 21 January 1978
AND WELCOME back the Bosstown Sound! That's Boston USA, spelled B-O-S-S-T-O-W-N, home of the J. Geils Band, Aerosmith, The Modern Lovers (sort of) and now…Willie ...
Marilyn Manson: The Nightmare Before Christmas
Interview by Ian Fortnam, Kerrang!, 19 December 1998
The season of goodwill may be upon us, but one man has come to vomit on your festive cheer. Fresh from wrecking his hotel room, ...
Review by Don Snowden, Los Angeles Times, 21 October 1979
DAVID JOHANSEN'S first solo effort last year was a satisfying effort which found the former New York Dolls lead singer working on musical turf halfway ...
Howlin Rain — Did the earth move for you?
Profile and Interview by Stevie Chick, The Guardian, 2 May 2008
THE PATRONAGE OF RICK RUBIN is considered a Very Big Deal within the US music industry. Aged 21, in 1984, this white heavy rock fan ...
AC/DC: Blow Up Your Video (Atlantic)
Review by Amy Linden, Spin, June 1988
FOR THOSE of you who haven't been paying much attention, let me let you in on a little secret: It's okay to like Heavy Metal ...
Ramones, The, Talking Heads: Ramones & Heads: Punk Art?
Report and Interview by Toby Goldstein, Crawdaddy!, February 1977
NEW YORK — The glittered frenzy of recent years has receded into a brooding severity of black and grays. The punk-rockers, newest manifestations of media ...
Review by John Swenson, Rolling Stone, 12 June 1980
DEPARTURE OFFERS ample proof that the Seventies hard-rock genre so many people have been trying to bury for the last few years just doesn't want ...
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