Richard Hell
ARTICLES IN LIBRARY
New York: Plug in to the Nerve-ends of the Naked City
Report by Nick Kent, NME, March 1976
In downtown Manhattan the rock 'n' roll war rages on as potential crown princes of Punkdom battle for recognition.. NICK KENT interprets the action ...
Tom Verlaine: How Pleasant (?) To Know Mr Verlaine
Profile and Interview by Nick Kent, NME, March 1977
OPINION: Tom Verlaine is a great songwriter, the next seminal rock charismatic, a genius.OPINION: Tom Verlaine is an egomaniac, a back-stabber, a thankless paranoid. ...
Essay by Alan Betrock, ZigZag, July 1977
2:39 Richard Hell and the Voidoids glide into take one of 'The Plan', a quirky composition, supported by subtle mood changes. At 2:43 it's finished. ...
To Hell and Back: Richard Hell
Interview by Vivien Goldman, Sounds, October 1977
"I'M GLAD my name's Hell, because at least those people at the radio stations are gonna have some idea what to expect. I intend to ...
Talking Heads: Talking Heads '77; Richard Hell & The Voidoids: Blank Generation
Review by Nick Kent, NME, October 1977
LAST MONTH the more alert London habituee got the chance to compare England's new wave inner-workings with those of its fore-runner over in New York ...
Richard Hell & The Voidoids, Siouxsie & The Banshees: Music Machine, London
Live Review by Paul Rambali, NME, November 1977
THERE IS something about the Music Machine in Camden Town that severely dulls one's capacity for enjoyment of an evening of live rock. ...
To Hell and Back: Richard Hell
Interview by John Tobler, ZigZag, February 1978
Richard Hell had just got up, and one of the first things he focused on was John Tobler, looming over him with a tape recorder. ...
Elvis Costello, Richard Hell, John Cooper Clarke: Hammersmith Palais, London
Live Review by Charles Shaar Murray, NME, 1979
Are you ready for the fiiinal soluuuuuuuuuuuuuushun (oh yeah)? ...
Review by Mitchell Cohen, Creem, November 1982
SAY YOU AND these other guys used to hang out in this neighborhood, and you all had pretty much the same goals, the same diversions, ...
Interview by Cynthia Rose, City Limits, April 1983
This week sees the opening of Smithereens, a low-budget feature film by Manhattan film school grad Susan Seidelman. Initially an experiment shot in 1980, it ...
Review by Bill Black, Sounds, December 1984
"RICHARD HELL HAS been the most emotionally compelling, brilliant, innovative and influential rock 'n' roll performer of the past ten years. Unfortunately, these qualities are ...
Interview by Richard Kick, ZigZag, April 1985
WILD MEN of rock come and wild men of rock fizzle out. Or, rebels don't their voices just fade away. Robert Quine, mild mannered ...
Interview by Jason Gross, Perfect Sound Forever, November 1997
WHO IS ROBERT Quine? According to him, he 'remains one of the most compelling, appalling and universally hated figures in music history.' ...
Interview by Ian Fortnam, music365.com, 2000
RICHARD MEYERS, AKA Richard Hell, has more than made his mark on many areas of the media. Musically, he formed Television with Tom Verlaine, the ...
Interview by David Dalton, Gadfly, 2002
RICHARD HELL was the primal Punk, the ur-Punk: the spiky-haired one. The torn t-shirts, the safety pins, the era-defining Blank Generationmuch of the ...
Richard Hell: Hell Is Other People
Interview by Ben Myers, Careless Talk Costs Lives, March 2002
IN HOT And Cold, Richard Hell's new collection of three decades of writing, there's a photo of a young obscure poet called Theresa Stern. She ...
The Backpages Interview: Richard Hell
Interview by Barney Hoskyns, Rock's Backpages, March 2002
The original Bowery ripped-shirt nihilist – born plain Richard Meyers in Kentucky – is back with two collections of odds'n'ends: the two-CD Time (Matador) and ...
Review by Devon Powers, PopMatters, April 2002
RICHARD HELL can walk down the street in New York City's East Village without being recognized. ...
Punk's Founding Father, Richard Hell
Profile and Interview by Nick Hasted, Independent, The, August 2005
RICHARD HELL was punk's John the Baptist. In one year, 1974, he found the movement its home (CBGB's), created its style (ripped and spiked), indicated ...
see also Heartbreakers, The
see also Television
see also Dim Stars
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