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Electronica and Synthpop

Beaver and Krause: Earth People's Pop: Beaver and Krause's In A Wild Sanctuary

Review by Ellen Sander, Saturday Review, August 1970

GREAT AND MAJESTIC the mountains burst from the craggy surface, ethereal and delicate clouds nestle in their crevices. A hammerhead cloud hooks into the sky, ...

Tonto's Expanding Head Band: Zero Time (Embryo)

Review by Dick Meadows, Sounds, October 1971

AT FIRST sight this is an album to put fear into the hearts of stronger men than me. After all, two whole sides of Moog ...

Walter/Wendy Carlos: The Walter Carlos Sonic Boom

Interview by Roy Hollingworth, Melody Maker, September 1972

"There's music in the sighing of a reed; There's music in the gushing of a rill; There's music in all things, if man had ears; The Earth is ...

Tangerine Dream: Exclusiv interview mit Tangerine Dream

Interview by Fred Dellar, New Musical Express, June 1974

They were in Oxfordshire, mixing it at the Manor and sunbathing with scantily clad ladies in the presence of fully clad FRED DELLAR, who here ...

Get Arp And Get Down!

Overview by Davitt Sigerson, Black Music, November 1975

Arps, Moogs, Rhythm Boxes... the sounds of black music have never been more complex. DAVITT SIGERSON explains all. ...

Suicide

Interview by Lisa Jane Persky, New York Rocker, May 1976

Suicide Note: "The thought of suicide is a great consolation; with the help of it, one has got through many a bad night."– F. Nietzsche ...

Suicide: Suicide

Review by Jon Savage, Sounds, February 1978

SUICIDE? PERHAPS; rather life at one remove, through a one-way mirror. Or wilful withdrawal from the sea of impossibility... ...

Suicide: The Third International Science Fiction Festival, Metz, France

Live Review by Giovanni Dadomo, Sounds, June 1978

METZ: SOURCES inform it to be located some 20 miles east of Paris, France. Or two hours of sky from Luton, England, as it proved ...

Devo: Actual Size

Report and Interview by Richard Riegel, Creem, March 1979

(Investigative Reporter Dances The Poot) ...

Jean Michel Jarre: A Jarre With Bottle

Interview by Tim Lott, Record Mirror, March 1979

OR YOU DON'T HAVE TO BE A LOUT TO HAVE CLOUT ...

Tubeway Army: Looking Through Gary Numan's Eyes

Interview by Paul Morley, New Musical Express, June 1979

THE LIST went something like: 2.00pm – Jackie, 2.30pm – My Guy, 3.15pm – Patches, 4.00pm – Record Mirror, 4.45pm – Smash Hits, 5.30pm – ...

Gary Numan: The Pleasure Principle

Review by Danny Baker, New Musical Express, September 1979

AND PEOPLE seethe at the Golden Boy. Let's forget the threadbare rock'n'roll bitch that it's all been done before by 'proper' artists — Bowie this, ...

Gary Numan: Do Sheep Dream Of Electric Androids? The Gary Numan Enigma

Report and Interview by Phil Sutcliffe, Sounds, October 1979

DATA: Gary Numan found his stage name in the Yellow Pages. The original Numan is a vendor of domestic appliances. In German ...

Gary Numan: Warfield Theatre, San Francisco

Live Review by Mark Cooper, Record Mirror, March 1980

Frozen Robots ...

Suicide: Suicide As A Way Of Life

Interview by Sandy Robertson, Sounds, July 1980

"I THINK," breathes the camp dwarf in the sweatshirt and stubble, "that people should only write songs about economics and sex, because that's all everybody's ...

The Human League: LADIES, GENTS, ANDROIDS, MUTANTS & BIOTRONS A BIG HAND For The Human League

Report and Interview by Charles Shaar Murray, New Musical Express, July 1980

THE HUMAN LEAGUE ADVENTURE IS JUST BEGINNING. The first slide appears on the top left-hand screen. It is rapidly flanked by another: A LONG TIME AGO IN ...

Depeche Mode: This Year's Mode(l)

Profile and Interview by Betty Page, Sounds, January 1981

DISPEL FROM your minds the untenable notion that Futurists are either bored Mummy's boys tinkering with expensive gadgets or desperately earnest avant-garde merchants trying to ...

DAF: D.A.F.: The Venue, London

Live Review by Andy Gill, New Musical Express, June 1981

'ALLES IST Gut', for sure, ist gut: there's an almost imagistic pointedness to DAF's musical progressions, just simple sequencer patterns stripped bare of "musicianly" encumbrances ...

Moog On The State Of The Synthesizer

Report and Interview by Don Snowden, Los Angeles Times, June 1981

IT’S NOT UNUSUAL for a musician to become controversial, but it is rare for a musical instrument to be debated. Robert Moog may have envisioned ...

Kraftwerk: A Computer Date with a Showroom Dummy

Interview by Chris Bohn, New Musical Express, June 1981

And we'll fahr'n, fahr'n, fahr'n auf der Autobahn — until big daddy takes our Volkswagen away. Chris Bohn and Anton Corbijn do the Spanish hustle with Kraftwerk ...

The Human League: Beautiful Dreamers

Interview by Mark Cooper, Record Mirror, August 1981

Start with pop with a capital P, add a touch of glamour, stir with a generous helping of amateur enthusiasm and you've got the new ...

British Electric Foundation, Heaven 17: Heaven 17… Or Music For Business And Pleasure

Report and Interview by Ian Birch, Smash Hits, September 1981

BACK IN THE middle '70s, when punk snapped out of the woodwork, everyone wanted "complete control". It was a Robin Hood policy — steal from ...

The Human League: Dare (Virgin)

Review by Paul Morley, New Musical Express, October 1981

SURPRISE! ...the love of human MOR-als ...

Kraftwerk: Art & Kraft

Interview by Dave Rimmer, Smash Hits, February 1982

TWELVE YEARS OF PRACTICAL ELECTRONICS FINALLY PAY OF WITH THE SUCCESS OF 'THE MODEL'DAVE RIMMER TOURS THE WERKS ...

Heaven 17: Heaven CAN wait

Profile and Interview by Dave Rimmer, Smash Hits, February 1982

MAYBE IT'S something to do with the '80s computerised approach to pop. Or maybe it's a reflection of the hard business sense many young bands ...

The Human League

Report and Interview by Charles Shaar Murray, Vogue, May 1982

The Human League are widely acknowledged as this minute's perfect pop group. The following is an account of their perfectly romantic rise in the charts. ...

Yazoo: Who's Yazoo?

Report and Interview by Lesley White, Face, The, May 1982

IN CASE YOU'RE still wondering, Vince Clarke's amicable departure from Depeche Mode was motivated by nothing less than that time honoured and truly honourable ideal: ...

The Human League, Japan: Human League: Dare (A&M); Japan: Japan (Virgin/Epic)

Review by J.D. Considine, Musician, June 1982

CONTRARY TO popular belief, all synthesizer bands are not unlistenable. True, many do sound rather like the result of an infinite number of silicon chips ...

Orchestral Manoeuvres In The Dark: OMD: Pilgrims' Unplanned Progress

Interview by Toby Goldstein, Creem, June 1982

NEW YORK — Think a minute, and recall the members of the Electronics Club at your school. If stereotypes haven't been swept under the carpet ...

Visage

Interview by Betty Page, Noise!, June 1982

EVERY OTHER individual who burst forth from neo-legendary club The Blitz as aspiring popster or artist/designer/photographer has now almost been forgiven the cardinal sin of ...

A Flock of Seagulls

Profile and Interview by Toby Goldstein, Trouser Press, October 1982

MIKE SCORE, 24-year-old founder and lead vocalist of A Flock of Seagulls, strongly resembles a large winged being: His carroty-blond hair has been coaxed into ...

Heaven 17: You Ware It Well

Report and Interview by Mark Cooper, Record Mirror, November 1982

THESE THREE men belong to neither pavement nor penthouse. Instead they've grown comfortable by the fireside. Heaven 17, Martyn Ware, Ian Craig Marsh and Glenn ...

Thomas Dolby: Life in the Age of Wireless: Thomas Dolby's State-of-the-Artwork

Interview by Toby Goldstein, Creem, December 1982

PERHAPS IN another century, Thomas Morgan Dolby Robertson would have been an explorer of science. I imagine him in an antique laboratory like another Thomas ...

Thomas Dolby: Marquee Club, London

Live Review by Dave Rimmer, Smash Hits, December 1982

UNTIL THIS series of four shows at London's Marquee, live appearances from the redoubtable Mr Dolby have been rare indeed. He was, apparently, locked up ...

Soft Cell, Yazoo: Soft Cell and Yaz(oo): Synths and Singers

Interview by Jon Young, Trouser Press, February 1983

JUST TWELVE months ago it was unclear if the primarily British phenomena of synthesizer bands would exhibit any staying power. Although 1981 was a good ...

Yazoo: Yaz: Upstairs At Eric's (Mute/Sire)

Review by Richard Riegel, Creem, March 1983

"YAZ," ARE really "Yazoo," and still go by that name in the U.K. and Europe, but for North American consumption they had to drop the ...

Blancmange: Stuck In The Mould

Report and Interview by Paolo Hewitt, New Musical Express, March 1983

Paolo Hewitt attempts to cultivate a taste for Blancmange but finds their electronic packet mix still leaves him cold... but not freezing. ...

The Human League: Fascination! (A&M)

Review by Richard Riegel, Creem, September 1983

BACK IN THEIR serious-artiste days, before they shed the future Heaven 17 to go POP! with capital P's, the Human League used to attempt to ...

Gary Numan: Hammersmith Odeon, London

Live Review by Don Watson, New Musical Express, October 1983

BARBIE'S BOYFRIEND IN BONDAGE GEAR ...

Heaven 17: How Men Are (Virgin)

Review by Mat Snow, New Musical Express, September 1984

YOU KNOW the pokerwork proverb in every chippy/cab firm/newsagent in the country: "You don't have to be mad to work here…but it helps!" ...

Scritti Politti: Word Play

Interview by Chris Roberts, Sounds, May 1985

"I DON'T KNOW exactly what a pop theorist is," says Green. "I think everybody has their own ideas on what pop music's about and what ...

Depeche Mode: Private Lives: The Depeche Mode Story, Pt. 2 – Martin Gore, The Decadent Boy

Interview by Max Bell, Number One, May 1985

In the second part of our exclusive Depeche Mode series Martin Gore talks about his steady progression from milkmaid to bank clerk to popstar in ...

Jean Michel Jarre: Jean-Michel Jarre: French Polish

Interview by Robin Katz, Over 21, June 1985

Jean-Michel Jarre — more than an upmarket face and Sunday supplement music. He talks to Robin Katz. ...

Martin Rev: Glory Boy

Interview by Edwin Pouncey, Sounds, June 1985

Is there life after Suicide? Martin Rev gets fired up ...

The Human League: Six Go Completely Bonkers

Interview by Tom Hibbert, Smash Hits, July 1985

Three years ago, The Human League were the biggest pop group in the whole world. Their classic single 'Don't You Want Me' had been number ...

Marc Almond: Do You Hate This Man?

Interview by Tom Hibbert, Smash Hits, September 1985

Do you hate this man? If so you're not alone. Marc Almond admits he's "one of the most disliked of all pop stars". But he ...

Pet Shop Boys: The Pet Shop Boys: An ex-Smash Hits Writer and the Grandson of a Nitwit

Interview by Tom Hibbert, Smash Hits, December 1985

Doesn't sound like the ideal line-up for a successful pop duo, does it? But now that 'West End Girls' is whizzing up the charts that's ...

Propaganda: The Pop Machinery Cranks On

Interview by Chris Roberts, Sounds, February 1986

In the frozen musical wastes of '86, Claudia Brucken-Morley thinks of PROPAGANDA as "being a life long thing". CHRIS ROBERTS is thinking more along the ...

Pet Shop Boys: Please (Parlophone PS81)**

Review by Sandy Robertson, Sounds, March 1986

AUF WIEDERSEHEN PETS ...

Kraftwerk: Electric Café (Warner Brothers)

Review by Glenn O'Brien, Spin, March 1987

Platter du Jour ...

Erasure: Westminster Central Hall, London

Live Review by Betty Page, Record Mirror, April 1987

IT WAS A night full of juicy contradictions. Fancy having a pop show in a Methodist hall next to a statue of John Wesley! Fancy ...

Scritti Politti: A Restauranteur's Guide To The Galaxy

Report and Interview by Rachel Felder, Alternative Press, 1988

GREEN GARTSIDE – Mr. Scritti Politti – describes his band's sound in the distanced terminology of a fed up rock critic; as he puts it, ...

Pet Shop Boys: Outsiderdom: The Pet Shop Boys

Profile and Interview by Mat Snow, Q, August 1988

The Pet Shop Boys have played live once, never toured and only grudgingly socialize with the pop fraternity. They've stoutly refused to take the conventional ...

Depeche Mode: California Screaming

Report by Paul Mathur, Blitz, September 1988

In Britain, they're known as just another plinky plonk band. But in the USA, the boys from Basildon are megastars. Paul Mathur visits California during ...

Suicide: Dingwalls, London

Live Review by Jane Solanas, New Musical Express, September 1988

THE THING about this alarming trend of 'rock comebacks' is that the term can mean anything from the return of a bankrupt geriatric to the ...

Gary Numan: "I'd love to carry a gun. If some nutter comes at me with a gun I'd like to be able to shoot him."

Interview by Steven Wells, New Musical Express, October 1988

"IT'S COLD outside" sang GARY NUMAN nine years ago during 'Are Friend's Electric''s wintery grip on the charts. None of Gaz's more recent attempts have ...

Depeche Mode: The Unlikely Lads

Profile and Interview by Mat Snow, Q, April 1989

The latest stadium-filling attraction in the States is a band that began as a cheaply equipped electronic pop act from Basildon. Today, Depeche Mode are ...

Brian Eno: Man Out Of Time: Brian Eno

Interview by Don Watson, Spin, May 1989

"IS THIS 1962 OR 20 YEARS ON?" asked the sleeve notes of the first Roxy Music LP, the record that introduced Brian Eno to the ...

Nitzer Ebb: Re-Pressing The Start Button

Interview by Cathi Unsworth, Sounds, March 1990

The jackboots are off and Nitzer Ebb have loosened up into a cool pumping rock mode. But do they long to strut afront a Marshall stack letting ...

Electronica: Electronics Anonymous

Report by Johnny Black, Q, December 1990

Swatched in dry ice, tucked behind towering banks of keyboards, they are the spiritual descendents of Tangerine Dream and Vangelis, prescribing "psycho-active music to bring ...

Electronic: Electronic

Review by Keith Cameron, Vox, July 1991

IT'S THE DREAM ticket – two prime movers from the two most significant British pop groups of the '80s unite to form a unique presidential ...

Bomb The Bass: Seasonal Adjustment

Interview by Push, Melody Maker, July 1991

TIM SIMENON shuts his eyes, shakes his head and through gritted teeth describes the last Bomb The Bass single, 'Love So True', as "a total ...

William Orbit/Bassomatic: Inner Space

Interview by Jim Arundel, Melody Maker, January 1992

It's four in the afternoon, which is a bit early in the day for William Orbit, especially as he awoke with a migraine. ...

Orbital: Fission Blips

Interview by Stephen Dalton, New Musical Express, March 1992

IT'S GRIM down south. Suicidally so on the remote escarpment of lunar terrain where the Dungeness nuclear reactor hums its menacing mantra out across beaches ...

Leftfield: Release The Pressure!

Interview by Push, Melody Maker, December 1992

CRITICAL ACCLAIM means bugger-all in clubland. Here, an act's reputation is better measured by the number of others sampling them. And, right now, it's impossible ...

Björk: A Quiet Storm

Interview by Simon Witter, Sunday Times Magazine, February 1993

A brief interview piece from early '93, just before her album Debut came out. Nobody, least of all her, had any idea how huge it ...

Pink Floyd Meet The Orb: David Gilmour and Dr. Alex Patterson

Interview by David Bennun, Melody Maker, March 1993

JUST ABOUT everything anybody has ever told you is wrong. Take, for a very mundane example, the music you listen to. Most likely, there are ...

L.F.O., The Orb, Orbital, The Shamen, T99, Third Eye: Techno

Overview by Mark Dery, Keyboard, April 1993

TECHNO. THE name sounds at once monolithic and impersonal, the acronym of a multinational conglomerate, and toylike, as in brightly colored plastic Lego blocks. ...

Depeche Mode, Sisters of Mercy: Depeche Mode, The Sisters Of Mercy: Crystal Palace National Sports Centre, London

Live Review by Dele Fadele, New Musical Express, August 1993

GOOD VIOLATIONS ...

The Orb, System 7: Trekroner Fort, Copenhagen

Live Review by Paul Moody, New Musical Express, September 1993

SOMETHING'S ROCKING IN THE STATE OF DENMARK ...

Zoviet France: Collusion

Review by Ian Christe, Alternative Press, November 1993

INSIDE AN artful cardboard CD holder, liner notes for Collusion explain that Zoviet France refused to participate in compilations for many years for two reasons: ...

Aphex Twin

Interview by Simon Reynolds, Melody Maker, November 1993

Aphex Twin is unusual. He likes tanks. He hates sleeping. And he pours tea on his cereal. SIMON REYNOLDS meets the rave-age Mozart in a ...

Aphex Twin: Machine Soul: A History Of Techno

Overview by Jon Savage, Village Voice, The, Summer 1993

Oooh oooh Techno cityHope you enjoy your stayWelcome to Techno cityYou will never want to go away– Cybotron, 'Techno City' (1984) ...

Underworld: Going Overground

Interview by Push, Melody Maker, January 1994

I KNOW IT'S ONLY January but there's no way you will hear a more thrilling dance music album this year than Underworld's Dubnobasswithmyheadman. No fucking ...

Aphex Twin: Armed and Fairly Dangerous

Interview by Stuart Maconie, Q, March 1994

AND BY their conspicuous celebrity consumption you shall know them. When Rick Wakeman entered rock's upper echelon, he armed himself with a fleet of Rolls-Royces. ...

Aphex Twin: Selected Ambient Works Volume II (Warp)

Review by Simon Reynolds, Melody Maker, March 1994

The prodigious, prolific and increasingly eccentric Richard James brings us two and a half hours of his unique muse. SIMON REYNOLDS is bewitched on our ...

Pete Namlook: Peter Namlook

Interview by David Toop, Wire, The, September 1994

Pete Namlook is one of the more remarkable figures of 90s electronic music. Since December 1992, he has released over 150 albums on his own ...

Tricky: [the Phantoms of] TRICKNOLOGY [versus a Politics of Authenticity]

Essay by Ian Penman, Wire, The, March 1995

"Machine technology is a type of transformation." Martin Heidegger ...

The Orb: O Is For Orb

Interview by Ian Gittins, Melody Maker, March 1995

THE ORB, the first band since Pink Floyd to transfer ambient noodling and stunning visuals from clubs to stadia, return this week with a new ...

Carl Craig: Listen To The Future

Profile and Interview by Kodwo Eshun, i-D, April 1995

One of Detroit's legendary first generation, Carl Craig has left behind the legacy he's outgrown. Ripping up techno's rule-book, this 25-year-old is making records for ...

The Chemical Brothers: Apothecary Now: The Chemical Brothers : Exit Planet Dust (Junior Boys Own)

Review by Stephen Dalton, New Musical Express, June 1995

THINK OF THE truly great, era-defining albums of the last 18 months. Definitely Maybe would be in there. Ill Communication and Dummy, too. ...

Björk: Björking Girl

Interview by David Bennun, Melody Maker, June 1995

NOW HERE'S what you know
 about Björk. She's tiny, elfin, mad as a rabbit, childish, arty, trendy and Icelandic. ...

Aphex Twin: I Care Because You Do (Sire/Elektra)

Review by Eric Weisbard, Spin, July 1995

NO, MR TWAIN, I care because you do. I wasn't sure I did, for a minute — the largely drumless synth moans of 1994's oddly ...

Silver Apples

Interview by Phil McMullen, Ptolemaic Terrascope, 1996

"You are about to have probably the most unusual musical experience of your life. The music will enter areas of your mind never before opened ...

David Toop: Toop Guru

Interview by David Stubbs, Melody Maker, January 1996

For 25 years, DAVID TOOP has been writing about making music that breaches all musical boundaries. Now he's compiled a CD that sets out to ...

Pet Shop Boys: An Attitude Thing

Interview by Ben Thompson, Sunday Telegraph, April 1996

THERE IS NO MORE embarrassing chapter in the big book of Pop Interview Ritual than the one in which you're forced to listen to music ...

DJ Spooky: Spooky After Dark: The DJ as Dead Dreamer

Review by Richard Gehr, Village Voice, The, June 1996

DJ SPOOKY'S Songs of a Dead Dreamer (Asphodel) magically distills the mysterioso live performances the artist (and occasional Voice contributor) otherwise known as Paul D. ...

Electronic: Raise the Pressure

Review by Barney Hoskyns, MOJO, August 1996

FIVE YEARS after cementing their partnership as the coolest Mancunians on the planet, Messrs Marr and Sumner return with a dreadfully disappointing album. Raise The ...

In a Moog Mood

Guide by John McCready, MOJO, 1997

UNLIKE THE Hoover, a similarly undisputed brand leader which  describes any vacuum cleaner as all vacuum cleaners do the same thing, all synthesizers are, over ...

Silver Apples

Profile by Richard Gehr, Village Voice, The, January 1997

AN AKIMBO version of hippie-band staple 'In the Midnight Hour' was the only thing about the Silver Apples' recent appearance suggesting they were anything other ...

MTV's Unconventional Amp Takes A Stab At Reinventing Popular Music for the 21st century

Report by Matt Hanks, Memphis Flyer, March 1997

SO YOU'VE HEARD about this new craze that's all the rage with the kids. Although it has yet to produce its first teen idol, 'electronica' ...

Tangerine Dream

Profile and Interview by Andy Gill, MOJO, April 1997

Chilly symphonies and misty synth-scapes: the Gothic revival starts here ...

The Orb: Orbiting The Orb

Interview by Barney Hoskyns, Request, May 1997

"DOCTOR" ALEX Patterson, overlord of the Orb and revered godfather of the genus Ambient Techno, would like another brandy and ginger, if you don’t mind. ...

Yello: Pocket Universe

Review by David Stubbs, Uncut, June 1997

YELLO HAVE been into electronica since their inception in 1980, when only the most wilfully avant-garde dabbled in synthesisers for any purpose other than the ...

The Prodigy: Prodigy: The Fat of the Land

Review by Simon Reynolds, Village Voice, The, July 1997

SOME SAY the Prodigy have betrayed the bright promise of the "electronica revolution", resulting in a techno-rock hybrid that's not so much kick-ass as half-assed. ...

The Prodigy: Prodigy: The Fat Of The Land

Review by Barney Hoskyns, Rolling Stone, August 1997

RARELY HAS a pop trend been so shamelessly spoon-fed to America as the hold-all genre dubbed "electronica". Rarely, indeed, has the music industry tried so ...

Aphex Twin

Interview by Jason Gross, Perfect Sound Forever, September 1997

IT'S HARD NOT TO praise someone who's a pioneer and a star in techno/electronica — that's just Richard D. James (aka Aphex Twin) for you. ...

Pet Shop Boys: Savoy Theatre, London

Live Review by Paul Morley, Uncut, September 1997

Neil Tennant: vaudevillian existentialist? ...

Silver Apples: Oscillate Wildly

Retrospective and Interview by Edwin Pouncey, Wire, The, September 1997

After 30 years of universal neglect, New York's Silver Apples are finally getting recognition for their pioneering electronic rock. ...

The Orb: Living in Orblivion: The Orb

Report and Interview by JoE Silva, Remix, 1998

"THE RECORD COMPANY didn't have a clue what was going on." ...

Future Sound of London, Orbital, Ultramarine, Underworld: Our Electric Friends: Humanising the Highway, from ‘Autobahn’ to Orbital

Book Excerpt by Ben Thompson, 'Seven Years of Plenty', 1998

DRIVING ON THE M25 in a rusty Mini. Early evening, thick drizzle. Only one windscreen wiper works because someone has snapped the end off the ...

Air: How ELO Can You Go?

Interview by Andy Crysell, New Musical Express, January 1998

Qu'est-ce que c'est? Music that sounds like ELO jamming over a porn flick soundtrack — on the moon!? Oh yes indeedy, prepare to enter the ...

Soft Cell: Reissues

Review by Chris Roberts, Uncut, August 1998

THOUGH THEY'RE often lumped in with other early Eighties techno-tarts as shiny and superficial, Soft Cell had a soot-black heart, a vicious edge, and an ...

Depeche Mode: Wembley Arena, London

Live Review by Carl Loben, Melody Maker, October 1998

CITED BY MANY electronica artists as an early influence, Depeche Mode began life as chirpy synth-poppers in the early '80s before moving into superb clangers ...

DAF: Deutsch-Amerikanische Freundschaft: Reissues

Review by David Stubbs, Uncut, December 1998

Overdue reissue of Eighties German minimalist synth duo's electronic pop albums ...

Underworld

Retrospective and Interview by David Bennun, Guardian, The, February 1999

AS LOW POINTS go, this one was not merely a dip in life's road. It was a chasm. A gorge. A bloody great sheer-sided canyon. ...

The Chemical Brothers: Chemical Brothers: Heeeere we go!

Review by Jon Savage, MOJO, July 1999

The Chemical Brothers: Surrender First album since 1997's chart-topping Dig Your Own Hole features guest vocals from Noel Gallagher, Hope Sandoval, Jonathan Donahue and Bernard ...

The Chemical Brothers: Back To The Lab

Interview by Simon Reynolds, Spin, July 1999

WHAT DO YOU DO WHEN THE BLOCK-ROCKIN' SOUND YOU INVENTED HAS BECOME THE SOUNDTRACK TO LAME TEEN FLICKS AND TAMPON COMMERCIALS? IF YOU'RE THE CHEMICAL ...

Autechre: Beat and Variation

Comment by Eric Weisbard, Village Voice, The, August 1999

AUTECHRE, THE English duo of Sean Booth and Rob Brown, don't so much write songs as program ecosystems. ...

Pet Shop Boys

Interview by David Bennun, Observer, The, October 1999

AS REGENCY drawing rooms go, this one is on the largish side but, at first sight, perfectly ordinary.  ...

Go Kart Mozart: Go-Kart Mozart: Instant Wigwam And Igloo Mixture (West Midlands)****

Review by Bob Stanley, Uncut, January 2000

No reservations: Former Felt and Denim singer Lawrence presents unsettling novelty electronica ...

Various Artists: Machine Soul: An Odyssey Into Electronic Dance Music

Review by Ian MacDonald, Uncut, June 2000

From Kraftwerk to BT, via Throbbing Gristle, Moby and the Chemicals – the history of synthpop ...

Matmos: Where Art Worlds Collide

Profile by Eric Weisbard, Village Voice, The, June 2000

I MUST HAVE misplugged my phone adapter before interviewing Drew Daniels and Martin Schmidt of Matmos, because all I hear on the tape are my ...

Max Tundra, Tele:funken: Tele:funken: A Collection Of Ice Cream Vans Vol 2

Review by Nick Hasted, Uncut, July 2000

LIKE LABELMATE Max Tundra's debut last month, Tele:funken, aka Tom Fenn, here attempts electronica disconnected from the dancefloor, skipping round the looped conservatism of current ...

Cabaret Voltaire, Depeche Mode, Fad Gadget, Giorgio Moroder, Japan, Kraftwerk, Soft Cell, Suicide: Various Artists: Dawn Of Electronica

Review by Stephen Dalton, Uncut, July 2000

Founding fathers of technopop come together in electro land ...

Leila

Interview by Ben Thompson, Independent, The, September 2000

"WHEN YOU'RE YOUNG", explains 29-year old North London electro-soul auteur Leila Arab, "you get into these strange emotional states - either of over the top ...

Radiohead: Sound and Fury: Radiohead

Profile and Interview by Andrew Smith, Observer, The, October 2000

IN THE EARLY '90S, you knew you'd arrived as a rock group the day you made it on to MTV and the Beavis & Butthead ...

Kid606: ps i love you

Review by Ian Penman, Uncut, December 2000

Mixed bag of tricks from latest Electronica whiz ...

Moby

Profile and Interview by David Bennun, Hot Air, Summer 2000

THEY CALLED him Moby from the moment he was born. A tiny homunculus, small for his age even then – too small, they thought, for ...

Air

Book Excerpt by Phil Hardy, Dave Laing, Faber Companion to 20th Century Popular Music, 2001

Jean-Benoit Dunckel, b. Versailles, France; Nicolas Godin, b. Versailles, France ...

Yello

Book Excerpt by Phil Hardy, Dave Laing, The Faber Companion to 20th-Century Popular Music, 2001

Dieter Meier; Boris Blank ...

Daft Punk: Discovery

Review by David Stubbs, Uncut, April 2001

Gods of "filter disco" finally issue follow-up to 1997'strailblazing Homework. ...

Aphex Twin: Rephlex Records at 10

Report and Interview by Chris Campion, URB, June 2001

PART MALL, part Moroccan Souk, Elephant & Castle Shopping Centre is a dilapidated mish-mash of late '60s brutalist architecture that contains a bustling marketplace. It's ...

To Rococo Rot

Interview by Stephen Dalton, Uncut, June 2001

Soothing German trio ...

Air, Daft Punk: Daft Punk & Air: Disco Tech

Profile and Interview by David Stubbs, Uncut, July 2001

DAFT PUNK AND AIR ARE THE BEATLES AND STONES OF THE INTERNATIONAL DANCE SCENE. SO WHY IS THE FRENCH ESTABLISHMENT – SO PROUD OF ITS ...

Pet Shop Boys: Reissues

Review by Stephen Dalton, Uncut, July 2001

First six studio albums plus Tennant's extra ...

Plaid, Prefuse 73, Squarepusher: Warp Records: Various Reviews

Review by David Stubbs, Uncut, July 2001

Don't all rush at once, alt.country fans – a triple-whammy of Warp techno  Plaid - Double Figure Prefuse 73 - Vocal Studies And Uprock Narratives Squarepusher - Go ...

Björk: The Last Great Pop Star

Interview by Nick Coleman, Independent, The, August 2001

She thumps reporters, wears funny clothes and thinks she was born in the wrong century. Now she's made an album about her kitchen. Nick Coleman ...

Cabaret Voltaire: Various Compilations

Review by Simon Reynolds, Uncut, December 2001

From post-punk to dance crossover: Sheffield pioneers' mid-Eighties revisited The Original Sound Of Sheffield — The Best Of The Virgin/EMI Years Conform To Deform — The Virgin/EMI ...

Kurt Ralske, Ultra Vivid Scene: Kurt Ralske: An Interview

Interview by David Hemingway, unpublished, March 2002

AUTHOR'S NOTE: This was intended as the basis for a feature in Alternative Press. It's never been previously published. ...

Moby

Report and Interview by Ian Watson, Sunday Herald, May 2002

FROM THE OUTSIDE, Moby Mansions looks like any other whitewashed townhouse in upmarket west London. Walk a little too quickly and you'd pass it without ...

DJ Shadow: King of the Vinyl Junkies

Report and Interview by Chris Campion, Daily Telegraph, June 2002

DJ Shadow revolutionised hip hop with his first album and toured the world with Radiohead, but he is still regarded as a record-collecting nerd, he ...

DAF: Epiphanies: DAF

Essay by Biba Kopf, Wire, The, August 2002

Punk may have been reduced to a teen angst soundtrack, but it created a virus that liberated Germany — specifically, the fiendish marriage of punk ...

My Computer: MY COMPUTER: Vulnerabilia

Review by Paul Lester, Uncut, October 2002

YOU COULD get the wrong impression about My Computer from Vulnerabilia, as raved about everywhere from Uncut ("the most original debut LP by a Manchester ...

Autechre: The Futurologists: Autechre

Interview by David Stubbs, Wire, The, April 2003

The world of electronica might have become overcrowded since their first releases a decade ago, but Autechre are still burrowing through microscopic cracks into the ...

Depeche Mode: The Day I Met Four Terrified Teenagers Called Depeche Mode

Memoir by Beverley Glick, beverleyglick.com, 2005

In the fourth extract from my Eighties memoir, another brand-new pop group gets interviewed by Sounds' Betty Page, who is fast establishing herself as the go-to ...

Boards Of Canada: Protect and Survive

Interview by Rob Young, Wire, The, October 2005

In a rare face to face interview at their Scottish retreat, Boards Of Canada break their self-imposed isolation to scotch the myths that have coalesced ...

Cut Copy: 'It's Certainly Not Knob Twiddling'

Interview by Dave Simpson, Guardian, The, October 2005

When they are not letting off fireworks in people's houses, or rugby tackling Mylo off the stage, Australia's Cut Copy are the future of synth-pop. ...

Hot Chip: Coming on Strong (Astralwerks)

Review by Will Hermes, Spin, January 2006

TIMMY THOMAS' 1972 beat-boxdriven hit 'Why Can't We Live Together?' is a paradigm of how machine rhythms can make the human voice sound simultaneously stalwart ...

Hot Chip: The Warning ****

Review by Paul Morley, Observer, The, May 2006

The style-mag favourites walk the irony tightrope with their airy electro-pop. Paul Morley applauds from the stalls ...

Crystal Castles: New Band of the Day: Crystal Castles

Profile by Paul Lester, Guardian, The, December 2007

Paul Lester hearts these darlings of the electronic underground, whose "songs" sound like a load of Gameboys going off all at once in your brain ...

Hot Chip: Made in the Dark ****

Review by Ben Thompson, Observer, The, January 2008

You might know them as pop nerds, but Ben Thompson just loves their power ballads ...

Hot Chip: The League of Very Ordinary Gentlemen

Profile and Interview by Dorian Lynskey, Spin, February 2008

Everybody seems to love Hot Chip's catchy, endearing dance pop. But are these bookish Brits ready to love everybody back? ...

Crystal Castles: Astoria 2, London ***

Live Review by Ian Gittins, Guardian, The, February 2008

TORONTO DUO Crystal Castles appear intent on being the most cryptic band imaginable. Eschewing interviews and declining to divulge their ages, producer/keyboardist Ethan Kath and ...

UNKLE: End Titles… Stories For Film (Surrender All)

Review by Dan Gennoe, dotmusic.co.uk, August 2008

EXACTLY A DECADE ago, Psyence Fiction, the debut album from Mo' Wax label boss James Lavelle and his then musical partner DJ Shadow, stood as ...

Underworld: Celebrating the Underbelly: Underworld

Retrospective and Interview by Daryl Easlea, Record Collector, September 2008

UNDERWORLD HAVE been at the forefront of electronic music for the past 15 years. The partnership at the group's core, Karl Hyde and Rick Smith, ...

Kanye West: 808s & Heartbreak (Roc-A-Fella) ****

Review by Angus Batey, MOJO, November 2008

NB This record wasn't made available to reviewers properly, due partly to Kanye still working on it at the time MOJO went to press. As ...

ABC, Heaven 17, The Human League: The Steel City Tour: Human League, ABC and Heaven 17 at the Hammersmith Apollo

Live Review by Daryl Easlea, Record Collector, February 2009

THE STEEL CITY TOUR is a thrilling glimpse of the once- future through the lens of the past. What these groups attempted in Sheffield at ...

Pet Shop Boys: Yes

Review by Jude Rogers, New Statesman, March 2009

NEARLY 30 YEARS ON, the Gilbert and George of pop are still charmers. Like two Planet Pop missionaries sent to cheer us up in the ...

Depeche Mode

Retrospective and Interview by Phil Sutcliffe, MOJO, June 2009

JUST 29 YEARS into Depeche Mode's evolution from hoppity-boppity three-minute wonders of Futurism to global phenomenon of electronic rock and here's sempiternal hit songwriter Martin ...

Aphex Twin, Boards Of Canada, Grizzly Bear: 20 years of the Warp factor

Retrospective by Nick Hasted, Independent, The, August 2009

Sheffield's Warp Records celebrates its 20th anniversary in September. Nick Hasted looks back on the cutting-edge electronica/indie label that has produced acts as diverse as ...

La Roux: 'Of course Lady Gaga's not my thing'

Profile and Interview by Paul Lester, Guardian, The, September 2009

IT IS MORNING, and 21-year-old Elly Jackson – or La Roux, arguably the biggest new pop star of the year – is on the Eurostar ...

Depeche Mode, Gary Numan, Ultravox: One Nation Under a Moog: How Britain Went Synthpop

Retrospective by Simon Reynolds, Guardian, The, October 2009

As new BBC4 documentary Synth Britannia shows, the synthesizer first dehumanised then re-humanised British pop, fulfilled the DIY promise of punk, and changed how bands ...

Pet Shop Boys/Bad Lieutenant: NIA, Birmingham

Live Review by Stephen Dalton, Times, The, December 2009

FIRST SEEN in Britain six months ago, the Pandemonium world tour feels even more dazzling second time around. Even though every pre-programmed note and choreographed ...

Grimes: Halfaxa (Arbutus Records)

Review by Mike Diver, bbc.co.uk, 2010

ON A CURSORY listen it seems Claire Boucher, aka Grimes, creates the kind of ethereal gloom-scapes that have served Zola Jesus well thus far. But ...

Arthur Russell

Retrospective and Interview by Kris Needs, MOJO, May 2010

"I'VE GOT so much to do. All the music in the world," wrote Arthur Russell to a San Francisco friend after arriving in New York ...

Robyn: Body Talk Part 1

Review by Will Hermes, Rolling Stone, July 2010

"DON'T FUCKIN' tell me what to do," chants reformed teen-pop prodigy Robyn. No worry, girl, things are under control.  ...

James Blake: Klavierwerke (R&S Records)

Review by Mike Diver, bbc.co.uk, September 2010

Rising UK producer's latest EP points the way towards an anticipated debut album. ...

Flying Lotus

Profile and Interview by Stephen Dalton, National, The, October 2010

ONE OF THE MOST exciting breakthrough artists of 2010, Flying Lotus has been hailed as the Jimi Hendrix of his generation. Besides his own genre-blurring ...

Flying Lotus: Koko, London

Live Review by Stephen Dalton, Times, The, October 2010

CURRENTLY THE hottest rising star of electronic music on both sides of the Atlantic, Steven "Flying Lotus" Ellison played his biggest London show so far ...

Heaven 17: Penthouse and Pavement Revisited

Retrospective by Stephen Dalton, Times, The, November 2010

"SHEFFIELD HAS ALWAYS had a bit of a maverick attitude," says Martyn Ware of evergreen electro-pop veterans Heaven 17. "It's the natural bolshiness of the ...

Orchestral Manoeuvres In The Dark: You Should Already Know: Orchestral Manoeuvres In The Dark

Report and Interview by Ken Scrudato, Filter, November 2010

DESPITE BEING BORN into the choking, mechanized wasteland that was early '80s urban England (Dear Old Blighty had, sadly, become Dear Old Blighted.), ...

Heaven 17, The Human League, Orchestral Manoeuvres In The Dark: Forgive Us Our Synths – How 80s Pop Found Favour Again

Overview by Dorian Lynskey, Guardian, The, November 2010

Ostentatiously intellectual and scornful of rock'n'roll cliche, the likes of OMD and Heaven 17 briefly set 80s pop alight – and now they're back in favour. ...

Deadmau5: O2 Academy, Bournemouth

Live Review by Stephen Dalton, Times, The, December 2010

JOEL "DEADMAU5" ZIMMERMAN has turned facelessness into a brand, elevating his polished electro-trance anthems into a dazzling audio-visual spectacle that owes more to Kraftwerk or ...

James Blake

Interview by Dorian Lynskey, Spin, February 2011

Home sweet home: London ...

LCD Soundsystem: Madison Square Garden

Live Review by Iman Lababedi, Rock NYC, April 2011

JAMES MURPHY is Irish, so why not a wake? Following his decision to kill off the LCD Soundsystem franchise, lead singer Murphy announced a last hurrah ...

Björk: Is Björk the last great pop innovator?

Comment by Simon Reynolds, New York Times, The, July 2011

EARLIER THIS YEAR I interviewed Amanda Brown of cult band LA Vampires and was surprised when she announced that "every day I wake up and ...

Plaid: Koko, London

Live Review by Ian Gittins, Guardian, The, January 2012

IT'S 2AM on Sunday morning in this club night, but Plaid are here to move minds, not feet. ...

Simple Minds: "Maybe we shouldn't have cashed in…"

Retrospective and Interview by Graeme Thomson, Guardian, The, February 2012

A COUPLE OF YEARS ago a young, anonymous musician approached Jim Kerr in a Glasgow rehearsal studio and began humorously haranguing him. "He was like, ...

Skrillex: 02 Academy, Glasgow

Live Review by Jude Rogers, Observer, The, April 2012

HERE THEY come — the tiger-print leggings, the vest tops, the T-shirts soon to be removed. It is 8.40pm. This 80-year-old art deco venue in ...

The Human League: The Things That Dreams Are Made Of

Retrospective and Interview by Neil Mason, electronic, July 2012

Studios with leaking roofs, trips to new romantic clubs in a little Hillman Imp, and a heavy metal single recorded between sessions. They're all part ...

Skrillex: 100% Shock & Awe: Skrillex Blasts Tiny Venue

Live Review by John Calvert, Quietus, The, August 2012

THE SCENE IN the Shacklewell Arms is fairly typical of any gentrified boozer in the Hackney precinct, come Sunday night.  ...

The xx: the xx: Civic Hall, Wolverhampton

Live Review by Stephen Dalton, Times, The, December 2012

MODESTY, UNDERSTATEMENT and tasteful restraint have no place in pop music, an art form tailor-made for dysfunctional drama queens. Yet somehow the xx have backed ...

New Order: Lost Years in Original Modernity? On Listening to New Order's Lost Sirens

Retrospective by Steve Redhead, Rock's Backpages, March 2013

THIRTY SEVEN Year Party People! Since Ian Curtis, Stephen Morris, Bernard Sumner and Peter Hook began playing regularly as Joy Division in 1978, that's effectively ...

Goldfrapp explore the shadows

Interview by Nick Hasted, Independent, The, September 2013

After 15 years of glam-pop, the duo's new album sees them channelling the spirit of film noir. They tell Nick Hasted where the sequins went ...

Fuck Buttons: F*** Buttons: The Barbican, London

Live Review by Stephen Dalton, Times, The, April 2014

FEW BANDS can combine punishing volume, discordant drones and blood-curdling screams quite so joyously as F*** Buttons. Andrew Hung and Benjamin Power, the main attraction ...

Edgar Froese, Tangerine Dream: Edgar Froese 1944-2015

Retrospective by Jim Sullivan, Rock's Backpages, January 2015

THE GUYS in Tangerine Dream — leader Edgar Froese, plus more than 20 others over the years — always gave us the silent treatment in ...

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