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Willie Nelson: The Barbican, London

Sylvie Simmons, MOJO, 1996

HE STEPS out onstage to a standing ovation and his grizzled, beautifully-ruined face breaks into that huge grin. For a moment the spindly bloke looks like Steptoe in fancy-dress but, strapping on his guitar, he morphs into one of those iconic American cowboy sculptures, fragile, flawed and impossibly heroic all at the same time.

Total word count of piece: 599


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