Bauhaus
17 articles
List of articles in the library
Bauhaus: University of Surrey, Guildford
Live Review by Phil Sutcliffe, Sounds, 24 May 1980
TAKE RISKS and you win some and you lose more than you would if you didn't. Bauhaus declared their intentions with the title of their ...
4AD Records: Bloodless Revolutions
Interview by Tony Fletcher, The Face, May 1981
TONY FLETCHER TALKS SMALL BUSINESS WITH A SUCCESSFUL ALTERNATIVE ...
Bauhaus: Darkness and Degradation in Sound and Word
Interview by Mike Stand, The Face, February 1982
But first let’s talk about Northampton! ...
Bauhaus: Breaking Down The Walls Of Art-Ache
Interview by Paul Morley, New Musical Express, 20 March 1982
"When we heard that you were going to interview us, we came up with two possibilities: a, being physical violence, and b, being a reasoned ...
Ziggy Stardust: From Bowie To Bauhaus… The Key To Decades Conceits
Essay by Chris Bohn, New Musical Express, 23 October 1982
So you've seen Bauhaus performing 'Ziggy Stardust' on TV and you still don't believe in reincarnation? Ziggy, who entered the material world via David Bowie, ...
Singles Reviewed by MARK COOPER
Review by Mark Cooper, Record Mirror, 22 January 1983
THE GAP BAND 'Outstanding' (Polygram) Yet another soul concerto from The Gap Band with a monstrously hard-hitting handclap from the engine room and a vocal ...
Peter Murphy: Searching for Satori
Interview by Helen Fitzgerald, Melody Maker, 8 October 1983
Almost two months after the Bauhaus split PETER MURPHY finally breaks his silence and lets his mask slip. Wounded but not beaten, he confides all ...
Exit The '80s — Goth: Bats Out Of Hell
Overview by Cathi Unsworth, Sounds, 23 September 1989
It's been the decade of the goth — but, somewhere along the line, the innovation of the Birthday Party, the Banshees and the Sisters gave ...
A rave at the grave with the Goths
Report and Interview by Caroline Sullivan, The Guardian, 26 July 1990
Black capes, death fixations, Shelley recitals and an infinite supply of doom and gloom. Caroline Sullivan visits the haunts of the original Gothfathers to see ...
Review by Mat Snow, Q, July 1992
Was goth really any more than wearing silly clothes and humming funereal dirges? ...
Review by Chris Roberts, Uncut, January 2000
MOCK AT your peril: word oozing from the bat-infested, lightning-flecked towers of the grown-up music press suggests that the year 2000 will spawn a goth ...
Retrospective and Interview by Stephen Dalton, Uncut, April 2008
They came from Northampton, in a hearse. They posed as bats, "improved" 'Ziggy Stardust', and battled malevolent energies within their own band. As another comeback ...
"I'm a myriad of colours": Peter Murphy interviewed
Interview by Julian Marszalek, The Quietus, 26 July 2011
"I duck and I dive and I'm too fast to catch and I'll always be pretty." Peter Murphy discusses Bauhaus, Dali's Car, his new solo ...
4AD Records: The "pure" label behind Pixies and Cocteau Twins
Retrospective and Interview by Martin Aston, The Guardian, 10 October 2013
Little was known about Ivo Watts-Russell and Peter Kent, the enigmatic founders of celebrated indie label 4AD, until they were tracked down in the US. ...
4AD Records: Labelled with Love
Retrospective and Interview by Wyndham Wallace, Classic Pop, November 2013
A new book, Martin Aston's Facing The Other Way, tells the story of a label that scored just a single number one hit during the ...
Bauhaus: A post-punk primer on the "founding fathers of Goth"
Retrospective by Martin Aston, The Vinyl Factory, 16 January 2019
BÉLA FERENC Dezső Blaskó, or Bela Lugosi as he is better known, died in 1956, but his reputation and aura not only survive but thrive ...
4AD: A guide to the label's best albums
Guide by Chris Roberts, loudersound.com, 19 August 2019
One of the world's most influential indie record labels, 4AD is home of the original and timeless – here we round up the imprint's essential ...
see also Love and Rockets
see also Peter Murphy
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