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David Bowie: The Man Who Sold the World (Mercury)
Review by Colman Andrews, Phonograph Record, March 1971
THE MAN Who Sold the World is a vaguely-sophomoric, vaguely-mystical, thoroughly logical extension of the Music Hall tradition in British pop music. This is a ...
David Bowie: The Rise and Fall of Ziggy Stardust and the Spiders From Mars (RCA)
Review by Jon Tiven, Phonograph Record, July 1972
DAVID BOWIE, Englands Answer-To-Alice-Cooper-But-Hes-For-Real, has finally made an album with positive commercial potential and consistent strength. Ziggy Stardust is the Aftermath of the Seventies, where ...
Review by Ron Ross, Phonograph Record, June 1973
FRESH FROM HIS second campaign in the American rock wars, our once and future pop boy fave David Bowie delivers Aladdin Sane as Phase III ...
David Bowie: Aladdin Sane (RCA)
Review by Kim Fowley, Phonograph Record, June 1973
DAVID BOWIE is not a gay act. David Bowie can't dance. David Bowie has no sense of humor. David Bowie cannot write constantly familiar songs. ...
Review by Ron Ross, Phonograph Record, July 1974
RUFF-RUFF-BOW-BOW: Bowie's bewitched, bothered, bewildered and back to play – 25 eastern cities in an intense five week tour concluding mid-July with his single biggest ...
David Bowie: Young Americans (RCA)
Review by John Mendelsohn, Phonograph Record, April 1975
IN VIEW OF the fact that, in his first major American interview, Bowie assured us, "If I'm mediocre I'll get out of the business: there's ...
Review by Bud Scoppa, Phonograph Record, February 1977
THE NEW BOWIE album doesn't make much sense. While practically everybody else in rock is striving for cleaner and more accurately recorded sound, Bowie's Low ...
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