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18 articles found. Page 1 of 1.

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Earth, Wind & Fire, Funkadelic, Prince: Whites Are Missing Good Rock By Blacks

Overview by Geoffrey Himes, Baltimore Sun, 15 November 1981

IF YOU LISTEN to Baltimore's album-oriented rock (AOR) radio stations or any of dozens of similar stations around the country, you're unlikely to hear any ...

Tracy Chapman, Jimi Hendrix, Living Colour, Prince, Dan Reed Network: Black Rock

Essay by David Toop, The Face, July 1990

White Rock we know about, but why should the idea of Black Rock be so difficult to comprehend? When Prince says his current tour is rock'n'roll based, he ...

Jimi Hendrix, Lenny Kravitz, Living Colour, Prince, Public Enemy, Sly & the Family Stone, Roachford: Ebony, Ivory and the Blues

Comment by Barney Hoskyns, The Times, 20 May 1991

Barney Hoskyns on the continuing power struggle between black and white influences in popular music ...

Prince & the Revolution: Wembley Arena, London

Live Review by Betty Page, Record Mirror, 23 August 1986

ANY SELF-RESPECTING pop pundit at least had to try and witness the return of the Stiletto-Heeled Sex Dwarf — beg, borrow, blag, or like one ...

Prince, Time, The, Vanity 6: Time For The Prince Who Will Be King

Profile by Vernon Gibbs, Creem, May 1983

HALFWAY THROUGH the concert, the long legged blonde keyboard player has stripped down to her underwear. The occasion is Prince's underground classic, 'Head', in which ...

Prince, Time, The, Vanity 6: Prince, The Time, Vanity 6: Civic Center, Baltimore MD

Live Review by Geoffrey Himes, Baltimore Sun, 7 March 1983

Prince sustains dramatic opening with music that obliterates rules ...

Prince: Sign o' the Times (Warner Bros./Paisley Park)

Review by Jim Sullivan, The Boston Globe, 29 March 1987

Here's Prince for all seasons ...

Prince: Lovesexy (Warner Bros./Paisley Park); The Black Album (unreleased)

Review by Mark Rowland, Musician, July 1988

Taking It Back to the Streets ...

Prince: 1999 (Warner Bros.)

Review by Richard Riegel, Creem, February 1983

DRESSED TO FUNK 

 ...

Prince: My Name Is Prince: O2, London

Review by Barney Hoskyns, The Times, 27 October 2017

I HADN'T anticipated the sudden pang of sadness as I walked in and saw all those gaudy, gloriously naff outfits. My eyes went straight to ...

Prince & the Revolution: Spectrum, Philadelphia PA

Live Review by Kris Nicholson, The Morning Call, 24 November 1984

Prince's curious merging of the sensual and sublime ...

Bad Brains, Bo Diddley, Fishbone, Jimi Hendrix, Robert Johnson, Living Colour, Elvis Presley, Prince, Public Enemy, 24-7 Spyz: Black Rock & Roll

Essay by RJ Smith, L.A. Weekly, 4 October 1990

RJ Smith on Living Colour and pop's buried history ...

Prince: Return of the prodigal

Retrospective by Simon Price, Independent on Sunday, 17 April 2004

Prince enjoyed a purple reign during the 1980s, but messy wranglings with record companies led to bizarre personal behaviour, and the 1990s were spent in ...

Prince, André Cymone: André Cymone Returns to Rock the Spot

Retrospective and Interview by Michael A. Gonzales, Ebony, 28 February 2014

Prodigal son of the Minneapolis Sound returns ...

Prince: Thinking Of Babylon, Dreaming Of Prince

Essay by J. Kordosh, Creem, July 1986

TO SOME, HE is The Kid. To others he is The Minneapolis Genius. To others still, he's That Guy Who Ripped Me Off On That Last Tour Playing Condensed Songs ...

Prince: A Dirty Mind Comes Clean

Interview by Andy Schwartz, New York Rocker, June 1981

WHO IS THE REAL Prince, anyway? The flashy, high-energy black pop star with the Stratocaster wearing Iggy Pop's underwear? Or the pleasant, soft-spoken fellow who ...

Prince: Strutting With The New Soul Monarch

Interview by Chris Salewicz, New Musical Express, 6 June 1981

THIS FELLOW sitting across the table from me in an uptown Manhattan Holiday Inn room may be a Prince but he ain't no Charlie. ...

Material, Prince, Ronald Shannon Jackson, James Blood Ulmer: 1982 Black Music Report

Overview by Paul Yamada, Coolest Retard, March 1983

THE PAST FEW years have brought much that is new or at least different to contemporary black music, and though both white and black tastes ...

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