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8 articles found. Page 1 of 1.

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Chick Corea, Return to Forever: Chick Corea: Return To Forever (ECM)

Review by Ed Jones, Cracker, February 1974

WITH THE demise of the Mahavishnu Orchestra, other record companies are looking for their own spacey, super-excellent, speedy-riffing jazz-rock group to grab some of the ...

Sly & the Family Stone, Modern Jazz Quartet, The, Tony Williams: Sly & the Family Stone, Tony Williams Lifetime, Modern Jazz Quartet et al: 12th Annual Monterey Jazz Festival, County Fairgrounds, Monterey CA

Live Review by Philip Elwood, The San Francisco Examiner, 20 September 1969

Sound Troubles: Monterey Opens Weirdly ...

Dennis Chambers' Pillow Talk

Interview by Tony Scherman, Musician, May 1992

The bedroom secrets of a drummer's hands ...

Defunkt, James White and The Blacks: Defunkt: Jazz-Punk-Funk

Interview by Steve Bloom, Downbeat, June 1981

THE PURPLE tights and checkered t-shirt crowd knows for sure. They meet to the beat every night in sundry rock clubs, discharging a generationful of ...

David Bowie, Kendrick Lamar, Courtney Pine, Kamasi Washington, GoGo Penguin, Thundercat, Robert Glasper, Shabaka Hutchings, Comet Is Coming, The, Sons of Kemet, Donny McCaslin: The new cool: how Kamasi, Kendrick and co gave jazz a new groove

Essay by John Lewis, The Guardian, 6 October 2016

A generation of jazz musicians has grown up with hip-hop in its blood. The result is the thrilling reinvention of a genre that has been ...

Bad Plus, The: The Bad Plus: Artfully drawn characters

Interview by Geoffrey Himes, Downbeat, January 2013

The Bad Plus is often described as a jazz-rock trio, but their recent studio album, Made Possible (eOne), is the first to use electric instruments. ...

Brecker Brothers, The: Brecker Brothers: The Studio And Its Discontents

Interview by Steve Bloom, Downbeat, 21 June 1979

It would be nice if we're going to do this to say some shit. I don't know what, but I'd really like for once to ...

Gary Lucas: Invisible Jukebox: Gary Lucas

Interview by Mike Barnes, The Wire, February 2001

Every month we play a musician a series of records which they're asked to identify and comment on — with no prior knowledge of what ...

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