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149 articles found. Page 8 of 8. | Advanced Search

149 articles found. Page 8 of 8.

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Charli XCX: Sucker (Atlantic/Neon Gold) ****

Review by Will Hermes, Rolling Stone, 18 December 2014

The U.K. singer reinvents pop punk on her loud, fun, ridiculously catchy new LP ...

Miley Cyrus: Miley Cyrus & Her Dead Petz

Review by Kate Allen, Fashion Music Style, 2 September 2015

HOW MUCH of a surprise release is this, really? After a disappointingly unremarkable turn as the host of the MTV Video Music Awards – which ...

Bruce Springsteen: The Ties That Bind – The River Collection

Review by Phil Sutcliffe, MOJO, November 2015

ON HIS FIFTH E Street Band album, Springsteen still struggled "to gain the knowledge of how to make records". But this sense of technical difficulty ...

Shirley Collins: With a guitar and a lipstick

Review by Jude Rogers, Sunday Times, 6 November 2016

The radical folk pioneer has cut a bold new album – her first for 38 years. ...

Rodney Crowell: Close Ties

Review by Holly Gleason, Paste, 27 March 2017

FOR A SONG CYCLE that turns around death and mortality, Rodney Crowell's Close Ties is a decidedly jubilant affair. Co-produced by Kim Buie and Jordan ...

Rhythm & Reaction: The Age of Jazz in Britain: Two Temple Place, London

Review by John L. Walters, Eye, 25 February 2018

Rhythm & Reaction gets under the skin of a British love affair with American jazz 27 January — 22 April 2018 ...

Dave Alvin: From An Old Guitar – Rare and Unreleased Recordings

Review by Wayne Robins, Copper, 14 January 2020

YOU'RE DRIVING through the New Mexico desert in the dark. Your teeth are grinding, though the buzz of the blue meth or whatever you were ...

1975, The: The 1975: Notes on a Conditional Form

Review by Nick Hasted, The Arts Desk, 21 May 2020

The band's fourth album lunges for meaning with its monologue by Greta Thunberg and foresees social isolation. ...

Yvette Janine Jackson: Freedom (Fridman Gallery)

Review by John Lewis, The Guardian, 15 January 2021

The composer’s two new works, exploring slavery and homophobia, are like immersive non-visual films ...