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Super Cat: Don Dada (Columbia 471570 2);

Review by David Sinclair, The Times, 25 July 1992

A quick 'toast' to reggae tradition ...

Black Francis: Frank Black Francis: Black Francis Demo/Frank Black Francis

Review by Keith Cameron, MOJO, November 2004

THE ONGOING rapprochement of Frank Black with Black Francis represents a remarkable turnaround. This is the man who, on the advent of what would prove ...

Rodney Crowell: Close Ties

Review by Holly Gleason, Paste, 27 March 2017

FOR A SONG CYCLE that turns around death and mortality, Rodney Crowell's Close Ties is a decidedly jubilant affair. Co-produced by Kim Buie and Jordan ...

Joss Stone: Colour Me Free!

Review by Mike Diver, bbc.co.uk, 2 November 2009

A fans-only collection, but at least time’s firmly on her side ...

1975, The: The 1975: Notes on a Conditional Form

Review by Nick Hasted, The Arts Desk, 21 May 2020

The band's fourth album lunges for meaning with its monologue by Greta Thunberg and foresees social isolation. ...

Bush Tetras, The, E.S.G., Scritti Politti, Strokes, The: Various Artists: Yes New York/New York Noise/Post Punk 01

Review by Barney Hoskyns, Uncut, 2003

AH MANHATTAN, so much to answer for – and so in vogue as a rock metropolis after decades as a Hip Hop Mecca. Yes New ...

Beastie Boys, The: Beastie Boys: Hello Nasty (Grand Royal)

Review by Caroline Sullivan, The Guardian, 3 July 1998

Sick of introspective rock? Pining for the time when hip-hop was fun? So are the Beastie Boys. Caroline Sullivan fights for her right to party ...

Earth, Wind & Fire, Jennifer Holliday: Jennifer Holliday: Feel My Soul (Geffen)

Review by Steve Bloom, Record, January 1984

FEEL MY Soul is the best Earth, Wind & Fire album to come along in four years; produced by Maurice White, EW&F's founding father, it ...

Roni Size and Reprazent: Roni Size: New Forms

Review by Mike Diver, bbc.co.uk, 25 October 2010

Size's celebrated Mercury winner suits home listening as well as the dancefloor. ...

Mothers Of Invention, The: The Mothers of Invention: Uncle Meat (Bizarre)

Review by Richard C. Walls, Creem, June 1969

(Most of the music is from the Mothers' movie of the same name which they haven't got enough money to finish yet.) ...

Bob Dylan: At Budokan

Review by Ira Robbins, Trouser Press, July 1979

AFTER 16 YEARS IN the public eye, growing and developing, quick-cutting and dodging, Bob Dylan carries his catalogue of songs behind him like a bevy ...

Grateful Dead: The Grateful Dead: The Golden Road (1965-1973) (Rhino/Warner Bros) *****

Review by Ian MacDonald, Uncut, January 2002

THE GRATEFUL DEAD are probably the most puzzling enigma in rock history. ...

Frank Sinatra: She Shot Me Down (Reprise)

Review by Jeffrey Morgan, Creem, April 1982

IF, AS THE THEORY GOES, there's a little bit of Van Halen in everyone come Saturday night, then you can safely bet your last dollar ...

Iron Maiden: The Number Of The Beast (EMI)****^1/2

Review by Garry Bushell, Sounds, 27 March 1982

DREAMS DON'T come true too often so when they do it's worth making a song and dance about them. The Steve Harris story is a ...

New York Dolls: New York Dolls (Mercury)

Review by Wayne Robins, Zoo World, 25 October 1973

THERE DOESN'T seem to be any argument about what the Dolls look like, since even for '73 they're a bit scary: glitter mutants escaped from ...

So Solid Crew: They Don't Know (Independiente/Relentless)****

Review by Simon Reynolds, Uncut, January 2002

Distinctive debut from UKG crew with colourful personal lives ...

Art Garfunkel: Angel Clare (Columbia)

Review by Loraine Alterman, New York Times, 9 September 1973

Garfunkel On His Own ...

Miles Davis: Still Miles, Time After Time

Review by Richard Cook, NME, 17 July 1985

Richard Cook takes two Davis records, a quarter-century apart, into custody. ...

Souled American: Flubber

Review by Richard Gehr, Village Voice, 13 June 1989

BECAUSE DAD SOLD toys for a living (a mixed blessing, believe me), I was the first kid on our block to own a glob of ...

10cc: 10cc

Review by Alan Betrock, Phonograph Record, January 1974

I DON'T CARE if your heart rests with country twang, surf harmonies, acid riffs, folk strums, commercial muzak, or Anglophile accents. There's one thing that ...