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159 articles found. Page 1 of 8.
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Live Review by Paul Mathur, Melody Maker, 18 November 1995
IT'S A GREAT NAME, obviously. Daft Punk are a young French duo who support the Chemical Brothers and come as close as is feasibly possible ...
Daft Punk: Homework (Virgin CDV 2821 £14.99)
Review by David Sinclair, The Times, 17 January 1997
ONE OF the intriguing side effects of the techno revolution is the way it has re-trained the ears of the pop market to accept instrumental ...
Daft Punk: Ready, Study, Go!: Daft Punk: Homework (Virgin)
Review by Stephen Dalton, New Musical Express, 18 January 1997
AS A RULE, the better a country's cuisine, the worse its pop music. Hence the illustrious rock'n'roll lineage of Great Britain, land of lardy stodge ...
Interview by Andy Crysell, New Musical Express, 25 January 1997
ONE SOUND rings out above all others in DAFT PUNK's uncluttered office in Paris' beautiful Montmartre district. Not music but... whirr! A fax machine working ...
Daft Punk: Homework (Virgin CDV2821)
Review by Andy Gill, The Independent, 31 January 1997
FRENCH DUO Daft Punk's take on techno strips away any artistic pretensions to leave just a jackhammer beat and a few squelchy noises looping over ...
Interview by Calvin Bush, Muzik, February 1997
DAFT PUNK. They're not daft They're not punks. Just two young French funkateers putting France on the house map with one of the most hyped ...
Review by Calvin Bush, Muzik, February 1997
PHIL SPECTOR would have been proud. If there's one trick the French pair can pull off with constant aplomb (and they do it repeatedly across ...
Interview by Emma Warren, The Face, February 1997
ANYONE WHO'S ever found themselves propelled on to the middle of the dancefloor as soon as the twisted "wah wah" strains of 'Da Funk' hit ...
Daft Punk: Act De Triomphe: Daft Punk: The End, London
Live Review by Andy Crysell, New Musical Express, 15 February 1997
NO QUESTION, it is the hottest ticket in town. A night on the tiles with Paris' new dance sensations — at a party hosted by ...
MTV's Unconventional Amp Takes A Stab At Reinventing Popular Music for the 21st century
Report by Matt Hanks, Memphis Flyer, 27 March 1997
SO YOU'VE HEARD about this new craze that's all the rage with the kids. Although it has yet to produce its first teen idol, 'electronica' ...
Daft Punk: Plastique Fantastique
Interview by David Stubbs, Melody Maker, 29 March 1997
It's taken a while, but mainstream America is finally welcoming dance music with open aims. Now they're going crazy over the Chemicals and are poised ...
The Chemical Brothers: Dig Your Own Hole
Review and Interview by Cliff Jones, MOJO, April 1997
AT ABOUT 1.15 ON THE MORNING OF APRIL 7, 1966, pop music went and changed forever. The Beatles had just completed the first day's work ...
Interview by Andy Crysell, Muzik, April 1997
SPOOKY. VERY spooky. It's 11 am in deepest Clapham and in a cafe full of wheezing old men and cackling women, Richard Fearless, the sharp-dressing ...
U2: Sam Boyd Stadium, Las Vegas
Live Review by Robin Bresnark, Melody Maker, 3 May 1997
SLOW DEATH IN VEGAS ...
Bentley Rhythm Ace: Bentley Rhythm Ace (Skint/LP/CD)
Review by Stephen Dalton, New Musical Express, 10 May 1997
WILD IN THE BLACK COUNTRY ...
Chemical Brothers, The: The Chemical Brothers: Who, Us?
Interview by Eric Weisbard, Spin, June 1997
The world wonders: Can a shlumpy pair of English breakbeat obsessives rescue rock music from its current doldrums? Ugh, groan the Chemical Brothers. Ugh, seconds ...
Tori Amos, Armand Van Helden: Armand Van Helden: Widow shopping
Interview by Calvin Bush, Muzik, June 1997
"It's gotta be big" sang Tori Amos. And lo, it was! ARMAND VAN HELDEN's remix of the petite songstress put him right up there in ...
Report and Interview by David A. Keeps, Details, July 1997
MTV listens to them, so does your local DJ. From the Go-Go's to Beck, KROQ has always played tomorrow's hits today. David A. Keeps goes ...
Coldcut, Grandmaster Flash & the Furious Five: You Spin Me Round
Overview by Martin Aston, Q, November 1997
"Two turntables and a microphone," are, says Beck, "where it's at." For more than a decade Technics 1200 record decks have provided the backbone of ...
Daft Punk: The Astoria, London
Live Review by Neil Kulkarni, Melody Maker, 20 November 1997
UNDERGROUND/OVERGROUND, spectacle/black-out, in-yer-face/faceless, pop/music. Dance has to make its choices. Either it believes in its own unique power, rejecting stages, identification, authenticity and the audience/artist ...
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