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Lambchop: Aw C'mon/No You C'mon

Review by Ben Thompson, Observer Music Monthly, 1 February 2004

LIKE OUTKAST'S Speakerboxx/ The Love Below, the eighth album by Nashville's premier artisan country/ soul collective is a double-disc set designed to prompt endless speculation ...

Bob Dylan: Under The Red Sky

Review by Charles Shaar Murray, Q, October 1990

ONE EASY WAY of telling who the record industry considers to be this year's hot producer is to check the credits of the latest Dylan ...

Lenny Kravitz: Mama Said

Review by Phil Sutcliffe, Q, May 1991

LAST YEAR'S HANDS-DOWN winner in the specialist category of best debut album by a dreadlocked Russo-Jewish Bahamian-American, Lenny Kravitz has since gone global, being taken ...

Thin Lizzy: Wild One -The Very Best Of Thin Lizzy (Polygram)

Review by Ian Fortnam, NME, June 1996

THE LONG hot summer of 1976 was not a great time to be a pop kid. Brotherhood Of Man and Showaddywaddy (ask your dad) dominated ...

Jonas Brothers, The: Jonas Brothers: A Little Bit Longer

Review by Dan Gennoe, dotmusic.co.uk, September 2008

FOR THE UNINITIATED, the Jonas Brothers are the American Busted. Three nice middle class boys who've come to kick identikit, squeaky clean bubblegum pop into ...

Steve Earle: Copperhead Road (Uni) *** ½

Review by Rob Tannenbaum, Rolling Stone, 26 January 1989

IN 1986 AND 1987, Steve Earle made two great records — Guitar Town and Exit 0 — on which he established a vivid Southern-working-class identity ...

Faith No More: Angel Dust (Slash 828 321-2)

Review by Paul Elliott, Vox, July 1992

IN THE '90s, rock Is changing — or at least, public tastes are changing. Nirvana's Nevermind has topped the US album chart and is now ...

Aerosmith: Pump (Geffen 924 254/CD) *****

Review by Richard Cook, Sounds, 16 September 1989

Signed, sealed and delivered ...

Geto Boys: We Can't Be Stopped (Def American) **½

Review by Rob Tannenbaum, Rolling Stone, 5 September 1991

IT'S A FAMILIAR debate: conservative guardians call the Geto Boys' music obscene, while liberal watchdogs accuse them of glorifying violence against women and degrading the ...

Butthole Surfers: Piouhgd (Rough Trade/All formats)

Review by Dele Fadele, New Musical Express, 2 March 1991

PIOUHGD — WHAT A SCORCHER! ...

Vines, The: The Vines: Highly Evolved

Review by Nick Southall, Stylus, 1 September 2003

WELCOME to the twenty-first century alt. rock review. The Vines, as you know, are from Australia, and, as you also know, are the greatest band the ...

The Notorious B.I.G.: Murder Ballads: The Notorious B.I.G.: Life After Death (Bad Boy)

Review by Anthony DeCurtis, Rolling Stone, 1 May 1997

IN A FRIGHTENING WAY, the current hip-hop scene recalls the end of Goodfellas: The major players are turning up dead, heading off to prison or ...

Rasmus, The: The Rasmus: Dead Letters

Review by Lisa Verrico, The Times, 9 April 2004

Can Helsinki's brand of retro rock conquer our charts? ...

Prodigy, The: The Prodigy: The Fat Of The Land (XL Recordings XLMC 121) KKKKK

Review by Paul Elliott, Kerrang!, 28 June 1997

LAND OF HOPE & GLORY ...

The Strokes: Room on Fire

Review by Ben Thompson, The Observer, 21 September 2003

THREE HOURS before I am left alone in a press-office antechamber with Britain's only copy of Room on Fire, something very important happens on the ...