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Sinéad O'Connor, Liz Phair: Playing Against Type: When Musicians Change, They Risk Alienating Fans
Report and Interview by Will Hermes, The New York Times, 17 October 2005
WHEN JOHNNY CASH returned to the spotlight in 1994 with American Recordings, the first in a series of records that presented him as a folkie ...
Paul Westerberg: Borderline, London
Live Review by David Sinclair, The Times, 5 July 1993
Grunge godfather or master melodist? ...
Waterboys, The: The Waterboys: The Man In The Ironic Mask
Interview by Terry Staunton, Record Collector, May 2006
Back with what's being heralded as their best album for two decades, the Waterboys have a busy year ahead. Mike Scott cracks a smile for ...
Mike Scott, Waterboys, The: Mike Scott: The Man In The Ironic Mask
Interview by Terry Staunton, Record Collector, May 2007
Back with what's being heralded as their best album for two decades, the Waterboys have a busy year ahead. Mike Scott cracks a smile for ...
Retrospective and Interview by Ben Edmonds, Contemporary Musicians, September 1994
AFTER SPENDING years in classical piano training, then experimenting with the Los Angeles rock scene, Tori Amos attracted a popular music audience with her pure ...
Clash, The: The Clash's 'Train in Vain'
Retrospective and Interview by Johnny Black, Blender, May 2002
Song title: 'Train In Vain' Artist: The Clash Label: CBS Performers: Mick Jones – guitar/vocals Joe Strummer – guitar Paul Simenon – bass Topper ...
Comment by Johnny Cigarettes, New Musical Express, 6 April 1996
John Lennon thought The Beatles were bigger than IT, some people think Elvis is/was IT and Michael Jackson seems to think he is IT. So ...
Profile and Interview by Nick Coleman, Time Out, 17 October 1990
Prefab Sprout's Paddy McAloon fancies himself as a metaphysical Michael Jackson. Not only does he pride himself on his ability to mix musical genres, he ...
Beck, Tom Petty & The Heartbreakers: Beck meets Petty
Interview by Mark Rowland, Musician, January 1997
Rockin', Writin', Survivin' in L.A. ...
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