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Mark Eitzel: Borderline, London
Live Review by Roy Wilkinson, Sounds, 26 January 1991
The last laugh ...
Profile and Interview by Fred Schruers, Musician, January 1993
THE CORRECT ROCK 'N' ROLL ANSWER to society's "What are you rebelling against?" has always been Brando's "Whaddya got?" In this regard, Black Crowes frontman ...
Bob Marley & the Wailers: Burnin': Bob Marley and the Wailers take Britain
Retrospective by Barney Hoskyns, MOJO, March 1995
Babylon is freezing. The Wailers arrive on a mission to ignite below-zero Britain. Thus begins the demise of the original band and the rise of ...
Boo Radleys, The: Boo Radleys: Fab — and that's not just the Boos talking
Interview by Caitlin Moran, The Times, 24 March 1995
So how did a, let's face it, pretty morose bloke such as Martin Carr manage to come up with Wake Up!, which is, let's face ...
American Music Club: Godlike genius, or what?
Interview by Caitlin Moran, The Times, 29 March 1996
Mark Eitzel's got something. Caitlin Moran, for a start ...
Fairport Convention: Now Be Thankful...
Overview by Jim Irvin, MOJO, February 1997
…for 30 years of Fairport Convention. Jim Irvin gets a guided tour through their scrapbook of joy, tears, beers, jigs, reels and panties. ...
Beth Orton, Terry Callier: Beth Orton: The next Dusty springs from the trailer park to centre stage
Interview by Max Bell, The Evening Standard, 19 March 1997
Beth Orton is an unlikely creature: a beautiful, long-limbed folk singer who's got the grapevine buzzing. Her pop comes from the American trailer park and... ...
Belle and Sebastian: The Ever-So-Secret Seven
Interview by Martin Aston, MOJO, January 1998
"IT ALL STARTED at open stage sessions at The Halt Bar in Glasgow," recalls Belle & Sebastian bassist Stuart David. "Drunken Saturday afternoon shambles ...
Nick Drake: Tortured Artist: Nick Drake: The Biography by Patrick Humphries (Bloomsbury) ***
Book Review by Mark Cooper, Q, January 1998
Nick Drake: still an enigma after all these years ...
Mark Hollis, Talk Talk: Return from Eden: Mark Hollis
Profile and Interview by Rob Young, The Wire, January 1998
As the prime mover behind Talk Talk, Mark Hollis threw off the shackles of a pop existence to create the bleakest, yet most lyrical orchestral ...
Richard Thompson: Waterfront Hall, Belfast
Live Review by Colin Harper, The Independent, 21 January 1998
BELFAST'S WATERFRONT Hall embodies all the characteristics of a provincial Barbican – a kind of clinical, beige Gormenghast of a place where corridors lead to ...
Interview by Ted Kessler, New Musical Express, 14 March 1998
Smack addiction, tragic death and a clueless music biz may have conspired against the fortunes of genius singer-songwriter MICK HEAD and his band SHACK, but ...
High Llamas, The: The High Llamas: A Different Breed
Overview by Tim Page, The Washington Post, 10 January 1999
'Crossover' British Rockers Deftly Blend Old and New. The Result Is A Horse of Another Color. ...
Guide by Tom Cox, The Guardian, 29 January 1999
1 Nick Drake Bryter Layter (Island, 1970) ...
Profile and Interview by Fred Schruers, Rolling Stone, 18 February 1999
For forty years, CHRIS BLACKWELL has survived on killer instincts, killer bud and tough business tactics. Along the way, he's changed the course of pop ...
Review and Interview by Paul Lester, Uncut, January 2000
ONE OF the extra songs on Birth's debut EP Sweet Idol, is a cover version of perennial summer radio hit 'Groovin' by The Young Rascals, ...
Nick Drake: Exiled From Heaven
Retrospective by Ian MacDonald, MOJO, January 2000
DURING THE ACADEMIC year of 1968-9, Cambridge University felt an alien influence from beyond its ancient facade of curtain walls and quiet quadrangles. Sober flag-stones ...
Faithless, John Martyn, Sister Bliss: Sister Bliss & John Martyn
Interview by Dan Gennoe, 7, 21 February 2001
She's the first lady of house, he's a living folk legend. She likes gospel, he likes jungle. They are the odd couple and they're taking ...
Stephen Malkmus, Pavement: Stephen Malkmus: Invisible jukebox
Interview by Mike Barnes, The Wire, March 2001
Every month we play a musician a series of records which they're asked to identify and comment on — with no prior knowledge of what ...
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