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Review by Ian MacDonald, NME, 18 May 1974
ONE WAY or another, 1974's turning out to be quite a year for rock 'n' roll. ...
Review by Sandy Robertson, Sounds, 21 January 1978
GARAGE BANDS. Despite all their virtues, and even though groups like Yes and Uriah Heep are pretty convincing arguments against technology and heavy metal respectively, ...
Review by Bud Scoppa, Rolling Stone, 1 February 1973
In the late Sixties, a Memphis teenager named Alex Chilton won moderate fame and fortune as the lead singer for a sometimes inspired, sometimes insipid ...
Review by Robot A. Hull, Creem, January 1975
ERIK IMPORTS proudly presents David Blow-Up onstage doing the martian hop in Philadelphia, dazzling in ghostly radiance in his new blue suit and shedding his ...
Grand Funk Railroad: All The Girls In The World Beware
Review by Ken Barnes, Rolling Stone, 27 March 1975
IT'S A MEASURE OF Grand Funk's less than overwhelming critical acceptance that the chief topic of interest for most reviewers has been the band's current ...
XTC: Oranges and Lemons (Geffen)****
Review by Michael Azerrad, Rolling Stone, 23 March 1989
XTC's Paternal Power Pop ...
Review by Paul Morley, NME, 10 March 1979
THIS IS the diligently prepared and acutely-self conscious follow-up to that shaky first collection which naturally ended everyone's excited and premature self-congratulation over a singularly ...
Toro y Moi: Underneath The Pine (Carpark)
Review by Simon Reynolds, The Wire, February 2011
HAVE YOU noticed? Pop music sounds shit these days. ...
New York Dolls: Too Much, Too Soon
Review by Ron Ross, Phonograph Record, April 1974
"WE DON'T PLAY too good, but we dance as bad as we want," Archie Bell once said by way of introduction to his fabulous Drells ...
DIG THIS! Fave Raves and Rabid Enthusiasms for February 2002
Review by Various Writers, Rock's Backpages, February 2002
GIG OF THE MONTH ...
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