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Review by Max Bell, NME, 10 January 1976
POOR OLD TODD'S taken a lot of stick of late, not least in this paper, for adhering to his mystical mind games in the face ...
Review by Jon Young, Trouser Press, February 1979
PROOF OF THE evils of peer-group pressure is found in the phenomenon of the double live album. A more useless trend would be hard to ...
Review by Robert Duncan, Creem, February 1975
IMAGINE THAT! They write songs like Todd Rundgren. They play songs like Todd Rundgren. They even sing like him. And all he did on the ...
Review by Ira Robbins, Trouser Press, January 1980
This seminal slab of early-70s punkitude, produced by unlikely Todd Rundgren, defines the sound and style of New Yorks contribution to new wave: a raunchy ...
Review by Paul Rambali, NME, 26 January 1980
The no longer implacable but apparently un-stoppable Todd Rundgren releases his first blow to the forward aspirations of the new decade, a concept album. But ...
Review by Jon Young, Trouser Press, January 1978
EARTH CALLING Steve Hillage! Earth calling Steve Hillage! Gee, it's too late. Steve is lost in space. ...
Review by Wayne Robins, Creem, January 1976
HERE'S PROOF that Bruce Springsteen is 'the new Dylan': Manfred Mann has covered one of his songs Now Manfred's constructed a subplot to a career ...
Review by Paul Lester, Uncut, January 1998
The rock'n'soul duo return with their first album for seven years ...
Review by Bud Scoppa, Rolling Stone, 31 January 1974
THE ALBUM TITLE is the band's reference to themselves as unwitting followers of some enticing but unrealizable dream, That dream may have been Badfinger's expectations ...
Review by Metal Mike Saunders, Rolling Stone, 20 January 1972
STRAIGHT UP is a big disappointment coming after Badfinger's previous superb album, No Dice. I remember reading a quote by drummer Mike Gibbons saying that ...
Review by John Mendelsohn, Phonograph Record, February 1975
I'M FAR FROM entirely convinced that I would trade everything I own to be in Hello People's shoes, or greasepaint, for it seems the sorry ...
Review by Roy Trakin, Creem, January 1985
THE REGIONALIZATION of American pop continues apace, and it's about time we turned the beat around on our Brit cousins, right? ...
Review by Ben Thompson, The Observer, 20 January 2008
You might know them as pop nerds, but Ben Thompson just loves their power ballads ...
Review by Sandy Robertson, Sounds, 21 January 1978
GARAGE BANDS. Despite all their virtues, and even though groups like Yes and Uriah Heep are pretty convincing arguments against technology and heavy metal respectively, ...
Review by Bud Scoppa, Rolling Stone, 1 February 1973
In the late Sixties, a Memphis teenager named Alex Chilton won moderate fame and fortune as the lead singer for a sometimes inspired, sometimes insipid ...
Review by Robot A. Hull, Creem, January 1975
ERIK IMPORTS proudly presents David Blow-Up onstage doing the martian hop in Philadelphia, dazzling in ghostly radiance in his new blue suit and shedding his ...
Review by Simon Reynolds, The Wire, February 2011
HAVE YOU noticed? Pop music sounds shit these days. ...
Review by Various Writers, Rock's Backpages, February 2002
GIG OF THE MONTH ...
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