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175 articles found. Page 7 of 9.
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Review by Alan Betrock, Phonograph Record, January 1974
I DON'T CARE if your heart rests with country twang, surf harmonies, acid riffs, folk strums, commercial muzak, or Anglophile accents. There's one thing that ...
Review by Cynthia Rose, NME, 14 August 1982
TIME FOR another recharge from my choice in chutzpah-driven indies: Neil Lets Get This Party Started Coopers Reach Out International Records (ROIR). Former booking agent ...
Jim Carroll: The Jim Carroll Band: Catholic Boy (Atco)
Review by Cynthia Rose, NME, 31 January 1981
BLOND, FLESHLY-FACED and 30 years old, Jim Carroll was slated for status as a rock poet back in '71. Meant to be the other half ...
Review by Gerrie Lim, Big O, April 2000
TO PUT IT MILDLY, the new year's most surprising new album has arrived. And it comes from Joni Mitchell, the woman who wrote Woodstock and ...
Sam Cooke: Portrait Of A Legend 1951-1964 (ABKCO Records)
Review by Gary Pig Gold, Rock's Backpages, February 2011
MOST EVERY single time the 20th century's greatest singer-songwriters find themselves getting lionized or even litanized, it seems one towering figure is strangely, sorrowfully AWOL. ...
Yoko Ono: Approximately Infinite Universe (Apple)
Review by Ian MacDonald, NME, 20 January 1973
IN AS MUCH AS the Lennons have spent four years trying to turn self-dramatisation into an art-form, the criticism of indulgence so often aimed at ...
Temptations, The: The Temptations: Psychedelic Shack (Gordy 947 U.S.) — (Tamla Motown 11147 U.K.)
Review by uncredited writer, Blues & Soul, 8 May 1970
EXCLUSIVE! THE NEW TEMPTATIONS ALBUM IN DEPTH ...
Crispian St. Peters: Follow Me (Decca)
Review by Richard Green, Record Mirror, 25 June 1966
IF IMITATION IS THE SINCEREST FORM OF FLATTERY, THEN JUDGING BY HIS FIRST LP CRISPIAN ST. PETERS MUST BE ELVIS' BIGGEST FAN... ...
Arctic Monkeys: AM (Domino Records)
Review by Kate Mossman, New Statesman, 5 September 2013
The Arctic Monkeys' fifth album, AM, has changed the sound but not the character of Britain's "Last True Indie Band". ...
Review by Carol Cooper, Village Voice, 26 February 2008
SURE, MADONNA repeatedly toyed with BDSM in her videos, but she never publicly admitted to breast and genital piercings like Miss Jackson did. So, in ...
Review by Ted Drozdowski, Boston Phoenix, 10 April 2000
LIKE THE ALEWIFE and the manatee, Lou Reed has enjoyed a sort of protected status in the wake of punk rock. The truth is, he's ...
Salif Keita, Youssou N'Dour: Various Artists: Golden Afrique, Vol 1
Review by Charlie Gillett, Observer Music Monthly, February 2005
MOST OF THESE wonderfully atmospheric, seminal recordings were made in West Africa during the 1970s, a decade when a regime change was happening in recording ...
Review by David Toop, The Times, 2 September 1989
Moving forward to the past ...
Review by Dorian Lynskey, The Guardian, 1 August 2003
JUST BECAUSE So Solid Crew are paranoid, it doesn't mean someone isn't after them. Since the 30-odd-strong UK garage cartel emerged from Battersea in south ...
George Russell: The Complete Remastered Recordings On Black Saint & Soul Note
Review by Rob Young, The Wire, May 2011
THE LYDIAN Chromatic Concept of Tonal Organisation is seldom invoked these days, but jazz composer George Russell's theoretical attempt to lift jazz up and away ...
Duran Duran: The Singles 81-85
Review by Daryl Easlea, Record Collector, May 2003
DURAN DURAN were, of course, the original band who wanted to combine the Sex Pistols with Chic. Taking their name from a character in the ...
Miley Cyrus: Miley Cyrus & Her Dead Petz
Review by Kate Allen, Fashion Music Style, 2 September 2015
HOW MUCH of a surprise release is this, really? After a disappointingly unremarkable turn as the host of the MTV Video Music Awards – which ...
Review by Laura Barton, The Word, April 2012
Paul Weller's unchanging image limits our view of him. His third "experimental" record fizzes with aural innovation. ...
Review by Ted Drozdowski, Guitar World, October 2002
THE BLUES NEEDS a new messiah, a musician who can prove the style's vitality by exploding it across the barriers of age, culture and taste, ...
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