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88 articles found. Page 2 of 5.
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Frank Black: Teenager of the Year (Elektra)
Review by Eric Weisbard, Spin, July 1994
FRANK BLACK has deliberately turned himself from the leader of the Pixies into the best-kept secret in major-label rock — the Hermit of Highbrow-Lowbrow. ...
Kraftwerk: Exceller-8, Radio-Activity
Review by Miles, NME, 31 January 1976
EXCELLER 8 IS a 'best of album taken from the three Vertigo albums that Kraftwerk have released in this country and it's a good selection ...
The Everly Brothers: Songs Our Daddy Taught Us
Review by Mick Farren, NME, 6 March 1976
IN A QUIET sort of way, 1975 saw an Everly Brothers revival of sorts. Warner Brothers released their magnificent Walk Right Back With The Everlys, ...
Review by Ira Robbins, Trouser Press, June 1978
FROM THE VERY start of their recording career, it was obvious that Generation X had some rather unparochial ideas about their role as a punk ...
Elvis Costello: My Aim Is True (Columbia)
Review by Jeffrey Morgan, Stage Life, February 1978
LIKE IT OR NOT, youd better watch out 'cause talent will out, which is exactly why youre hearing so much about Elvis Costello these days. ...
Siouxsie & The Banshees: Kaleidoscope (Polydor)
Review by Paolo Hewitt, Melody Maker, 26 July 1980
STRANGE TO think that, as the Banshees' contemporaries head off for the fourth or even fifth time in the studio, Kaleidoscope marks only the third ...
Review by Peter Silverton, Sounds, 24 June 1978
FEELING RUTHLESS, you could divide the entire spectrum of pop and rock'n'roll into two. ...
Review by Sean O'Hagan, The Observer, 20 June 2004
RECORDED in New York over two days in 1968, Astral Weeks still sounds like nothing before or since. Unlike other classic albums, Pet Sounds, say, ...
Review by Ken Barnes, Rolling Stone, 19 June 1975
WITH THEIR LAST five albums (including Relayer) reaching Top Five status, Yes are central to the new British Invasion. ...
Review by Chris Bohn, NME, 24 April 1982
AS A PERFORMER, Laurie Anderson is little short of phenomenal: a slight Chaplinesque figure, she's as much vaudeville as she is artist, in that she's ...
Lady Gaga: Born This Way (Polydor) ***
Review by Andy Gill, The Independent, 20 May 2011
FIRST THINGS FIRST: that cover is simply awful, its adolescent heavy-metal imagery — "ride me, wild one!" — effectively destroying in a single stroke Lady ...
Review by Pete Paphides, The Times, 3 March 2006
OUT IN CYBERSPACE reunion rumours swirl with niggling persistence, but David Gilmour's perpetual half-smile masks an unyielding nature. Asked about a putative Pink Floyd re-formation ...
Plan B: Who Needs Actions When You Got Words
Review by Pete Paphides, The Times, 16 June 2006
AS EUREKA moments go, Ben Drew's was so obvious it seems perverse that he didn't think of it before. ...
Laurie Anderson: Big Science (Warner Bros.)
Review by Geoffrey Himes, Musician, July 1982
THIS IS THE avant-garde art music album for folks who generally hate the stuff. Anderson captures the rarely realized potential of modern art music and ...
Review by Jack Barron, New Musical Express, 30 April 1988
LOVE AND BULLETS ...
Super Cat: Don Dada (Columbia 471570 2);
Review by David Sinclair, The Times, 25 July 1992
A quick 'toast' to reggae tradition ...
Beastie Boys, The: Beastie Boys: Hello Nasty (Grand Royal)
Review by Caroline Sullivan, The Guardian, 3 July 1998
Sick of introspective rock? Pining for the time when hip-hop was fun? So are the Beastie Boys. Caroline Sullivan fights for her right to party ...
Earth, Wind & Fire, Jennifer Holliday: Jennifer Holliday: Feel My Soul (Geffen)
Review by Steve Bloom, Record, January 1984
FEEL MY Soul is the best Earth, Wind & Fire album to come along in four years; produced by Maurice White, EW&F's founding father, it ...
Mothers Of Invention, The: The Mothers of Invention: Uncle Meat (Bizarre)
Review by Richard C. Walls, Creem, June 1969
(Most of the music is from the Mothers' movie of the same name which they haven't got enough money to finish yet.) ...
Review by Ira Robbins, Trouser Press, July 1979
AFTER 16 YEARS IN the public eye, growing and developing, quick-cutting and dodging, Bob Dylan carries his catalogue of songs behind him like a bevy ...
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