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108 articles found. Page 2 of 6.
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Last Shadow Puppets, The: The Last Shadow Puppets: The Age Of The Understatement
Review by Paul Moody, Uncut, May 2008
NOW IT ALL makes sense. Anyone who, on hearing Arctic Monkeys Favourite Worst Nightmare, wondered where Alex Turner had mislaid his melodies now has their ...
Various Artists: The Story of Trojan Records
Review by Lloyd Bradley, bbc.co.uk, August 2011
An incredibly diverse five-CD set celebrating the legendary British label ...
Ali Farka Toure, Oumou Sangare, Tinariwen, Afel Bocoum: Various Artists: Le Festival au Desert
Review by Charlie Gillett, bbc.co.uk, September 2003
The Best Live Album Ever? ...
Nile Rodgers: B-Movie Matinee (Warner Bros.)
Review by Don Waller, Los Angeles Times, 23 June 1985
RODGERS: SLY, SLICK AND WICKED ...
Devendra Banhart: Cripple Crow
Review by Sylvie Simmons, The Guardian, 16 September 2005
DEVENDRA BANHART, the itinerant Texan minstrel with a base in San Francisco, has come a long way since his low-fidelity, high-word-count debut Oh Me Oh ...
Chick Corea, Return to Forever: Chick Corea: Return To Forever (ECM)
Review by Ed Jones, Cracker, February 1974
WITH THE demise of the Mahavishnu Orchestra, other record companies are looking for their own spacey, super-excellent, speedy-riffing jazz-rock group to grab some of the ...
Review by Martin Aston, bbc.co.uk, 10 April 2012
This Alabama outfit might be the feel-good hit of the summer festival circuit. ...
Frank Black: Teenager of the Year (Elektra)
Review by Eric Weisbard, Spin, July 1994
FRANK BLACK has deliberately turned himself from the leader of the Pixies into the best-kept secret in major-label rock — the Hermit of Highbrow-Lowbrow. ...
Kraftwerk: Exceller-8, Radio-Activity
Review by Miles, NME, 31 January 1976
EXCELLER 8 IS a 'best of album taken from the three Vertigo albums that Kraftwerk have released in this country and it's a good selection ...
The Everly Brothers: Songs Our Daddy Taught Us
Review by Mick Farren, NME, 6 March 1976
IN A QUIET sort of way, 1975 saw an Everly Brothers revival of sorts. Warner Brothers released their magnificent Walk Right Back With The Everlys, ...
Review by Ira Robbins, Trouser Press, June 1978
FROM THE VERY start of their recording career, it was obvious that Generation X had some rather unparochial ideas about their role as a punk ...
Elvis Costello: My Aim Is True (Columbia)
Review by Jeffrey Morgan, Stage Life, February 1978
LIKE IT OR NOT, youd better watch out 'cause talent will out, which is exactly why youre hearing so much about Elvis Costello these days. ...
Siouxsie & The Banshees: Kaleidoscope (Polydor)
Review by Paolo Hewitt, Melody Maker, 26 July 1980
STRANGE TO think that, as the Banshees' contemporaries head off for the fourth or even fifth time in the studio, Kaleidoscope marks only the third ...
Review by Peter Silverton, Sounds, 24 June 1978
FEELING RUTHLESS, you could divide the entire spectrum of pop and rock'n'roll into two. ...
Review by Sean O'Hagan, The Observer, 20 June 2004
RECORDED in New York over two days in 1968, Astral Weeks still sounds like nothing before or since. Unlike other classic albums, Pet Sounds, say, ...
Review by Ken Barnes, Rolling Stone, 19 June 1975
WITH THEIR LAST five albums (including Relayer) reaching Top Five status, Yes are central to the new British Invasion. ...
Review by Chris Bohn, NME, 24 April 1982
AS A PERFORMER, Laurie Anderson is little short of phenomenal: a slight Chaplinesque figure, she's as much vaudeville as she is artist, in that she's ...
Lady Gaga: Born This Way (Polydor) ***
Review by Andy Gill, The Independent, 20 May 2011
FIRST THINGS FIRST: that cover is simply awful, its adolescent heavy-metal imagery — "ride me, wild one!" — effectively destroying in a single stroke Lady ...
Review by Pete Paphides, The Times, 3 March 2006
OUT IN CYBERSPACE reunion rumours swirl with niggling persistence, but David Gilmour's perpetual half-smile masks an unyielding nature. Asked about a putative Pink Floyd re-formation ...
Plan B: Who Needs Actions When You Got Words
Review by Pete Paphides, The Times, 16 June 2006
AS EUREKA moments go, Ben Drew's was so obvious it seems perverse that he didn't think of it before. ...
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