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Review by Jim Esposito, Creem, September 1974

THE ONLY THING missing from Keep On Smilin' is one of Capricorn's "Support Southern Music" buttons on the jacket of that blind old black beggar ...

Yes: Relayer and Yesterdays

Review by Ken Barnes, Rolling Stone, 19 June 1975

WITH THEIR LAST five albums (including Relayer) reaching Top Five status, Yes are central to the new British Invasion. ...

Flash Cadillac and the Continental Kids: Flash Cadillac: Sons of the Beaches

Review by Gene Sculatti, Creem, January 1976

What lame-o group is finally going to win the distinction of recording The Last ‘Fifties’ Song of the Seventies? Just when I thought the sub-genre ...

Kraftwerk: Exceller-8, Radio-Activity

Review by Miles, NME, 31 January 1976

EXCELLER 8 IS a 'best of album taken from the three Vertigo albums that Kraftwerk have released in this country and it's a good selection ...

The Everly Brothers: Songs Our Daddy Taught Us

Review by Mick Farren, NME, 6 March 1976

IN A QUIET sort of way, 1975 saw an Everly Brothers revival of sorts. Warner Brothers released their magnificent Walk Right Back With The Everlys, ...

Gladys Knight & the Pips: Gladys Knight and the Pips (DJM)

Review by Simon Frith, Street Life, 6 March 1976

SHE'S JUST GONNA have to get used to it. When you're the greatest pop singer in the world (and she is) and have been together ...

Todd Rundgren: Faithful (Bearsville)

Review by Jeffrey Morgan, Cheap Thrills, June 1976

EVERYBODY KNOWS that there are but two classic answers to that eternal question of the ages, "Why?" They are, of course "Why not?" and "Because." ...

David Bowie: Low

Review by Kris Needs, ZigZag, February 1977

WELL, THIS IS probably the strangest thing Bowie has ever recorded. First listen was a real shock...and I've come to expect surprises from this bloke. ...

Spirit: Future Games — A Magical Kahauna Dream (Mercury Import)

Review by Max Bell, NME, 19 March 1977

THE RETURN of Tab, Hunk and Dr. Sardonicus — more outrageously smooth than ever before. A new Spirit album is not only becoming a frequent ...

Elvis Costello: My Aim Is True (Columbia)

Review by Jeffrey Morgan, Stage Life, February 1978

LIKE IT OR NOT, you’d better watch out 'cause talent will out, which is exactly why you’re hearing so much about Elvis Costello these days. ...

Generation X: Generation X

Review by Ira Robbins, Trouser Press, June 1978

FROM THE VERY start of their recording career, it was obvious that Generation X had some rather unparochial ideas about their role as a punk ...

Advertising: Jingles

Review by Peter Silverton, Sounds, 24 June 1978

FEELING RUTHLESS, you could divide the entire spectrum of pop and rock'n'roll into two. ...

Ian Dury & the Blockheads: Do It Yourself (Stiff SEEZ14)

Review by Brian Case, Melody Maker, 19 May 1979

Dury: the tra-la days are over ...

Bob Dylan: At Budokan

Review by Ira Robbins, Trouser Press, July 1979

AFTER 16 YEARS IN the public eye, growing and developing, quick-cutting and dodging, Bob Dylan carries his catalogue of songs behind him like a bevy ...

Siouxsie & The Banshees: Kaleidoscope (Polydor)

Review by Paolo Hewitt, Melody Maker, 26 July 1980

STRANGE TO think that, as the Banshees' contemporaries head off for the fourth or even fifth time in the studio, Kaleidoscope marks only the third ...

Jim Carroll: The Jim Carroll Band: Catholic Boy (Atco)

Review by Cynthia Rose, NME, 31 January 1981

BLOND, FLESHLY-FACED and 30 years old, Jim Carroll was slated for status as a rock poet back in '71. Meant to be the other half ...

Iron Maiden: The Number Of The Beast (EMI)****^1/2

Review by Garry Bushell, Sounds, 27 March 1982

DREAMS DON'T come true too often so when they do it's worth making a song and dance about them. The Steve Harris story is a ...

Frank Sinatra: She Shot Me Down (Reprise)

Review by Jeffrey Morgan, Creem, April 1982

IF, AS THE THEORY GOES, there's a little bit of Van Halen in everyone come Saturday night, then you can safely bet your last dollar ...

Laurie Anderson: Big Science

Review by Chris Bohn, NME, 24 April 1982

AS A PERFORMER, Laurie Anderson is little short of phenomenal: a slight Chaplinesque figure, she's as much vaudeville as she is artist, in that she's ...

Laurie Anderson: Big Science (Warner Bros.)

Review by Geoffrey Himes, Musician, July 1982

THIS IS THE avant-garde art music album for folks who generally hate the stuff. Anderson captures the rarely realized potential of modern art music and ...