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64 articles found. Page 1 of 4.
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Profile and Interview by Harry Doherty, Melody Maker, 18 September 1976
BRIAN MAY remembers Queen's first-ever free gig well. It was in London, five years ago, when the band invited 120 people along to a lecture ...
Cilla Black: "I was terrified at first but the fans are just the same"
Interview by Chris Welch, Melody Maker, 20 March 1965
CILLA BLACK — calling from Australia — tells Chris Welch ...
Kiss: Hammersmith Odeon, London
Live Review by Harry Doherty, Melody Maker, 22 May 1976
MAN, KISS HAD everything; every single effect in the book. They had a perfect lighting system; dry ice; smoke bombs; a fire-eater; a huge lighted ...
Live Review by Dave Simpson, Melody Maker, 1 November 1997
THESE ARE the sort of men my mother warned me about as a small child, and — metaphorically, at least — they want me to ...
Nas: Written Out — Nas: It Was Written (Columbia 14tks/59mins)
Review by Neil Kulkarni, Melody Maker, 13 July 1996
NAS is one of rap's supreme lyricists and vocal stylists. A pity, then, that his new album isn't worthy of his talents ...
Fela Kuti: Brixton Academy, London
Live Review by Frank Owen, Melody Maker, 29 November 1986
COSTUME DRAMAS ...
Osibisa: Beat The (African) Drums For Osibisa
Profile by Richard Williams, Melody Maker, 22 August 1970
IT MAY BE that, having endured the painfully stilted and emotionally lukewarm playing of most rock drummers for the last decade, audiences are waking up ...
Derrick May & Associates: Relics (Transmat/Buzz)
Review by Push, Melody Maker, 16 May 1992
MAY'S DAZE ...
Mike Cooper and the bottleneck revival
Interview by Jerry Gilbert, Melody Maker, 14 February 1970
MIKE COOPER, who has, in recent years, revived interest in the bottleneck and knifestyle of playing, uses two 1930s National steel guitars, as well as ...
Who, The: The Price of Pop Art — The Who Count the Cost
Report by Nick Jones, Melody Maker, 28 August 1965
THE WHO stand firmly for pop art. By their terms, pop art means how they behave and dress both on and off stage. On stage, ...
Dawn, Glen Campbell: Live in Las Vegas: Dawn and Glen Campbell
Report by Chris Charlesworth, Melody Maker, 1 December 1973
"HANG ON tight," said the man in the next seat on the Western Airlines jet. "Landings in Las Vegas are the roughest in the world." ...
Genesis, Lindisfarne: Lindisfarne, Genesis: Dublin Stadium, Dublin
Live Review by Chris Charlesworth, Melody Maker, 7 October 1972
TO BE CASUAL is to be Lindisfarne, but even the most relaxed of bands have a hard time putting over a set of new numbers ...
Suicide: Suicide (Red Star RS1, import)
Review by Richard Williams, Melody Maker, 21 January 1978
Suicide is a solution ...
Dusty Springfield: I Just Look For A Song That Suits Me
Interview by Chris Welch, Melody Maker, 23 April 1966
"YOU PUT a smell on me!" sang Dusty Springfield and Madeline Bell to an audience consisting of a monkey in a box. ...
James Brown: Hammersmith Odeon, London
Live Review by Pete Wingfield, Melody Maker, 2 December 1978
The Sex Machine winds down ...
Manfred Mann: Manfreds Bounce Czechs
Interview by Nick Jones, Melody Maker, 23 October 1965
BEAT GOES EAST AND FINDS NO RED SQUARES ...
Duane Eddy: The Guitar Man Twangs Back
Interview by Chris Charlesworth, Melody Maker, 6 October 1973
THE FIRST REAL guitar superstar of the rock and roll age sits in an office no larger than a bathroom on North Vine off the ...
Interview by Colin Irwin, Melody Maker, 29 April 1978
FORGIVE the blasphemy, but I reckon God must have been way out of his little box when he deposited Tom Waits among us. Mr. Waits ...
Smokie: Exiles On The Reeperbahn
Report and Interview by Harry Doherty, Melody Maker, 16 September 1978
LAST NIGHT, IN Hamburg, Smokie played to 6,000 people and tonight they'll repeat the process in the fishing port of Kiel. It brings to an ...
Review by Nick Jones, Melody Maker, 18 November 1967
STILL THE BEATLES OLD SOUL AND FEELING ...
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