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81 articles found. Page 3 of 5.
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David Bowie: Did We Use Him? Did We Abuse Him?
Essay by Charles Shaar Murray, NME, 2 August 1975
Well, he's acting like we did, so maybe there's something in it. Two recent and much-maligned Bowie albums are herein re-evaluated for your reading pleasure... ...
Live Review by Charles Shaar Murray, NME, 9 August 1975
THE FIRST THING that hits you when you see Be-Bop Deluxe in their current incarnation (or, for that matter, listen to said incarnation's Futurama album ...
The Sensational Alex Harvey Band: Alex Harvey: Delivered From The Jaws Of Death
Report by Charles Shaar Murray, NME, 20 September 1975
...We proudly present the intrepid ALEX HARVEY, fresh from being restrained from swimming in the shark tank and currently engaged in entertaining the young people ...
David Bowie: Station To Station
Review by Charles Shaar Murray, NME, 10 January 1976
"A sixty thousand word novel is one image corrected fifty-nine thousand, nine hundred and ninety-nine times" Samuel R. Delaney ...
Review by Charles Shaar Murray, NME, 24 January 1976
ARGUABLY, THERE IS no more exciting rock artist to listen to than one whose time has come; one whose art (not to mention attitude, appearance, ...
Sex, Drugs And Violence In Rock: The Sexual Language Of Rock Part 2
Essay by Charles Shaar Murray, NME, 6 March 1976
"I'm gonna pick you up nowAnd carry you away,So you'd better pack up now, baby,Packin' up today,Here I come, just a big bad man,When I ...
Ian Hunter: An American Alien Boy
Review by Charles Shaar Murray, NME, 15 May 1976
THERE EXISTS A subtle difference between a tax exile and an expatriate. ...
Bob Marley & the Wailers: Hammersmith Odeon, London
Live Review by Charles Shaar Murray, NME, 26 June 1976
RIOTS LAST NIGHT they said, marauding hordes of smart, mean kids swarming around getting illegal all over the place with property and the concession stands ...
Live Review by Charles Shaar Murray, NME, 11 September 1976
Our Islington correspondent mingles with the Sex Pistols' portable audience looking for Johnny Rotten's toof. It's incisive stuff… ...
The Bay City Rollers: The View From Seat A6
Live Review by Charles Shaar Murray, NME, 25 September 1976
"Then one day I found a perfect plan,I shake my ass and sing in a rock and roll band,From now on there'll be no compromisin'Rock ...
Review by Charles Shaar Murray, NME, 22 January 1977
AND YOU'RE profile to profile with The Man Who Fell To Bits. Against an incandescent orange background, the cover of David Bowie's new album reprises ...
Ian Hunter: What A Hunter He Turned Out To Be
Interview by Charles Shaar Murray, NME, 14 May 1977
ONE THING YOU GOTTA HAND to Ian Hunter: the old bastard knows how to make an entrance. ...
The Sex Pistols: The Social Rehabilitation of the Sex Pistols
Report and Interview by Charles Shaar Murray, NME, 6 August 1977
THE PROSPEROUS CYBORGS at the next table in the backroom of this expensive Stockholm eating-place are sloshing down their coffee as fast as they possibly ...
Retrospective by Charles Shaar Murray, NME, 21 January 1978
The Department of Cryptic Headlines presents a retrospective view of THE WHO's Quadrophenia, noting that Mr Pete Townshend's Mod vision is as valid now as ...
Willie Alexander and the Boom Boom Band: Willie Alexander and the Boom Boom Band
Review by Charles Shaar Murray, NME, 21 January 1978
AND WELCOME back the Bosstown Sound! That's Boston USA, spelled B-O-S-S-T-O-W-N, home of the J. Geils Band, Aerosmith, The Modern Lovers (sort of) and now…Willie ...
Interview by Charles Shaar Murray, NME, 11 February 1978
What do all these bands have in common? ANSWER: They're all EDDIE AND THE HOTRODS, slidin' on the moment and trying not to fall off. ...
Bob Marley & the Wailers: Bob Marley: A Lickle Love An' T'ing
Interview by Charles Shaar Murray, New Musical Express, 18 February 1978
Interview CHARLES SHAAR MURRAY. From the Court of the Ranking Dread. ...
Howard Devoto, Magazine: Magazine: Howard Devoto's Enigma Variations
Profile and Interview by Charles Shaar Murray, NME, 25 February 1978
HOWARD DEVOTO gives good face. Unlined and triangular, topped with a vast expanse of forehead; the kind that popular folklore maintains is the unmistakeable dead-giveaway ...
Elvis Costello: Holocaust In Microcosm
Report by Charles Shaar Murray, NME, 18 March 1978
"HEY ELVIIIIIS!!!" There's this blonde gumdrop down the front, see, shaking it down in that demure stoned way that hippie girls seem to favour, and ...
Interview by Charles Shaar Murray, NME, 18 March 1978
EVERYONE GETS that glazed marzipan look in make-up. Maybe it's some weird chemical that they put in the booze in the Artists' Bar at Television ...
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