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409 articles found. Page 6 of 21.
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David Bowie: Station to Station (RCA)
Review by Jonh Ingham, Sounds, 24 January 1976
IN MY PHYSICS textbook at school was an amazing photo of two galaxies colliding. Just imagine being on a planet in a system in either ...
David Bowie: Station To Station (RCA ALP1-1327)
Review by Ian MacDonald, Street Life, 7 February 1976
Bowie's Station: The Playback Of The Western World ...
Review by Bud Scoppa, Rolling Stone, 12 February 1976
BRITISHER Robert Palmer is another marcher in the growing column of white folks who prefer playing it greasy and getting down (notable recent examples: Bowie, ...
Alan White: Ramshackled (Atlantic) ***
Review by Phil Sutcliffe, Sounds, 28 February 1976
THIRD IN the series and I'll lay odds there's not going to be another Yes solo that sounds less like the parent band. ...
Brian Eno, Roxy Music: Roxy Music: Country Life/Brian Eno: Taking Tiger Mountain (By Strategy)
Review by Wayne Robins, Creem, March 1976
WOMEN, ON ROXY MUSIC covers, are like plants: lush vegetation, only more so. Unlike the reclining femme fatale on the cover of Stranded, who I've ...
Peter Frampton: Frampton Comes Alive
Review by Chris Welch, Melody Maker, 13 March 1976
THIS IS THE best set of live performances heard for some time, and it marks the evolution of Peter Frampton into a major rock figure, ...
Earl Slick: The Earl Slick Band: Earl Slick (Capitol)
Review by Richard Cromelin, Phonograph Record, April 1976
THE DEBUT of the Slick white Earl is promising, but the album's preoccupation with precision, correctness and conformity to prevailing hard-rock standards all but eliminate ...
Donna Summer: A Love Trilogy (Oasis)
Review by Jeffrey Morgan, Cheap Thrills, May 1976
WHILE WE'RE ON the topic of sexual fantasies, allow me to state for the record that I'm personally into black leather (lots of it; and ...
Review by Simon Frith, Street Life, 1 May 1976
IN WHICH the Godfather of Soul issues a firm but gentle reminder of who's boss and why... ...
Ian Hunter: An American Alien Boy
Review by Charles Shaar Murray, NME, 15 May 1976
THERE EXISTS A subtle difference between a tax exile and an expatriate. ...
Review by Mick Farren, NME, 5 June 1976
I GUESS that one of the main functions of any greatest hits album is to explain to anyone who isn't a hard core fan exactly ...
Split Enz: Mental Notes (Chrysalis) ****
Review by Phil Sutcliffe, Sounds, 21 August 1976
ME MAM says they're not as good as 10cc and "that group who did the operetta?" "Queen?" "Yes and that one about Ground Control to ...
Tubes, The: The Tubes: Young & Rich (A&M)
Review by Richard Riegel, Creem, September 1976
JUST WHAT is going down here, huh? The defining images of our pop heroes seem destined for ever-shorter useful lives, as though we're accelerating toward ...
Tom Petty & the Heartbreakers: Tom Petty & the Heartbreakers (Shelter, import)
Review by Max Bell, New Musical Express, 1 January 1977
DONT KNOW much about these guys except that they breeze out of Los Angeles, have a great image and play very good '70's rock'n'roll which ...
Average White Band: The Average White Band: Person To Person
Review by Tony Stewart, NME, 8 January 1977
WELCOME BACK the musically credible and eminently excellent Average White Band with this defiant poke in the ear for all those people who seven months ...
David Bowie: Innovation to Innovation — David Bowie: Low (RCA Records RS 1108) *****
Review by Tim Lott, Sounds, 15 January 1977
Tim Lott plots the high contrast in the Thin One's new Low record. ...
Emmylou Harris: Luxury Liner (Warner Bros.)
Review by Roy Carr, New Musical Express, 15 January 1977
While the Hot Band get hotter, Emmylou just gets better... ...
Review by Ian MacDonald, NME, 22 January 1977
YOU'RE JUST a little girl with grey eyes and you never leave your room. ...
David Bowie: Low (RCA PL K12030)
Review by David Hancock, National RockStar, 22 January 1977
WELL IF IT'S the right speed maybe it's the wrong artist. Nope. This is David Bowie. And it's different. And it's excellent. ...
Review by Charles Shaar Murray, NME, 22 January 1977
AND YOU'RE profile to profile with The Man Who Fell To Bits. Against an incandescent orange background, the cover of David Bowie's new album reprises ...
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