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Review by Max Bell, NME, 4 January 1975
IF YOU LIKED the instant, stylised commercialism of 'Pinball', with its dilettante finger poppin'; then the album of that name might be just up your ...
Review by Max Bell, NME, 14 June 1975
UNLESS PAVLOV'S DOG prove to be a figment of Sandy Pearlman's crazed imagination, then their debut album must make them great white hopes for the ...
Tom Petty & the Heartbreakers: Tom Petty & the Heartbreakers (Shelter, import)
Review by Max Bell, New Musical Express, 1 January 1977
DONT KNOW much about these guys except that they breeze out of Los Angeles, have a great image and play very good '70's rock'n'roll which ...
Review by Max Bell, Nick Kent, New Musical Express, 2 April 1977
Igs past and present collide in sonic fury as NICK KENT & MAX BELL once more grasp for the identity of the enIGma, quest for ...
Review by Max Bell, NME, 27 August 1977
GOG AND MAGOG?! No, Dog And Maindog. A Pure Pop Person Pleads Sanity. MAX BELL Was At The Hearings. ...
Roxy Music: Manifesto (Polydor)
Review by Max Bell, NME, 10 March 1979
EXACTLY SEVEN years ago — March 1972 — something stirred in the basement at Command Studios. ...
Joy Division: Unknown Pleasures (Factory)
Review by Max Bell, NME, 14 July 1979
JUST WHEN the year's vitality was threatening to be expunged by a non-stop parade of rehashed fashions, 'ordinary geezers' with French Riviera yachts and the ...
Tom Petty & The Heartbreakers: Tom Petty: Into The Great Wide Open
Review by Max Bell, Vox, August 1991
NOW TOM PETTY has developed the taste, his second solo album finds him in experimental mood. The post-Byrds vein of downbeat romantic country pop is ...
Review by Max Bell, Vox, August 1993
WHAT WOULD YOU GIVE in exchange for your soul? U2 bartered their time for a new album, made quickly. What started out as an impromptu ...
Review by Max Bell, Uncut, February 2003
Reed shows off "heavy bear" side on two-CD tribute to 19th-century poet ...
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