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Recoil: Bloodline (Mute/All formats)
Review by Betty Page, New Musical Express, 18 April 1992
ALAN WILDER is the John Major of Electro. A nice chap — if every member of the public could spend ten minutes with him, he'd ...
Depeche Mode, Fad Gadget: Ace Cinema, Brixton
Live Review by Mat Snow, New Musical Express, 8 January 1983
SOME OF the many moods of Mute were on show tonight. Label mates Depeche Mode and Fad Gadget would appear to be polar opposites, but ...
Guide by Andy Gill, New Musical Express, 5 January 1980
"Progress in the physical and mechanical sciences determines a progress in art." — Carlos Chavez, 1957 ...
Tubeway Army: Looking Through Gary Numan's Eyes
Interview by Paul Morley, New Musical Express, 9 June 1979
THE LIST went something like: 2.00pm – Jackie, 2.30pm – My Guy, 3.15pm – Patches, 4.00pm – Record Mirror, 4.45pm – Smash Hits, 5.30pm – ...
Gary Numan: Dance (Beggars Banquet)
Review by Paul Morley, New Musical Express, 5 September 1981
"These New Romantics are oh so boring I could swear I've been there once or twice before" ('Moral') ...
Retrospective by Stuart Maconie, New Musical Express, 18 January 1992
AND SO, we hear you say, tell us more about the origins and development of this exciting music you call Techno. ...
Interview by Charles Shaar Murray, New Musical Express, 2 May 1981
Life in the League with only one haircut between them ...
Fad Gadget: Fadfoolery and Frank Confessions
Interview by Paul Morley, New Musical Express, 23 January 1982
Paul Morley encounters Frank Tovey on the verge of failure, and Fad Gadget on the point of hysteria. So why is this a succesful combination? ...
Overview by Andy Gill, New Musical Express, 12 January 1980
POMP THE trouble with synthesisers is actually playing them, accepting their status as sound-generators and starting from scratch. Mechanical keyboards were included in early synth ...
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