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David Bowie: Aladdin Sane (RCA)
Review by Kim Fowley, Phonograph Record, June 1973
DAVID BOWIE is not a gay act. David Bowie can't dance. David Bowie has no sense of humor. David Bowie cannot write constantly familiar songs. ...
Review by Bud Scoppa, Phonograph Record, February 1977
THE NEW BOWIE album doesn't make much sense. While practically everybody else in rock is striving for cleaner and more accurately recorded sound, Bowie's Low ...
David Bowie: Young Americans (RCA)
Review by John Mendelsohn, Phonograph Record, April 1975
IN VIEW OF the fact that, in his first major American interview, Bowie assured us, "If I'm mediocre I'll get out of the business: there's ...
Review by Ron Ross, Phonograph Record, June 1973
FRESH FROM HIS second campaign in the American rock wars, our once and future pop boy fave David Bowie delivers Aladdin Sane as Phase III ...
David Bowie: The Man Who Sold the World (Mercury)
Review by Colman Andrews, Phonograph Record, March 1971
THE MAN Who Sold the World is a vaguely-sophomoric, vaguely-mystical, thoroughly logical extension of the Music Hall tradition in British pop music. This is a ...
David Bowie: The Rise and Fall of Ziggy Stardust and the Spiders From Mars (RCA)
Review by Jon Tiven, Phonograph Record, July 1972
DAVID BOWIE, Englands Answer-To-Alice-Cooper-But-Hes-For-Real, has finally made an album with positive commercial potential and consistent strength. Ziggy Stardust is the Aftermath of the Seventies, where ...
Review by Ron Ross, Phonograph Record, July 1974
RUFF-RUFF-BOW-BOW: Bowie's bewitched, bothered, bewildered and back to play – 25 eastern cities in an intense five week tour concluding mid-July with his single biggest ...
The Guess Who: The Best of The Guess Who, Vol. II
Review by Gene Sculatti, Phonograph Record, 1 March 1974
HE PLAYS PIANO as well as Nicky Hopkins Jerry Lee, When he sang 'Running Bear' he sounded like a cross between the late great Jimboy ...
Earl Slick: The Earl Slick Band: Earl Slick (Capitol)
Review by Richard Cromelin, Phonograph Record, April 1976
THE DEBUT of the Slick white Earl is promising, but the album's preoccupation with precision, correctness and conformity to prevailing hard-rock standards all but eliminate ...
Velvet Underground: 1969 — The Velvet Underground Live
Review by Ken Barnes, Phonograph Record, May 1974
THE LAST YEAR has seen sufficient scholarly exegeses on the subject of Lou Reed to see us through the decade; and the release of 1969, ...
Review by Alan Betrock, Phonograph Record, September 1973
IT'S BEEN A LONG time coming, but I think the pop revival is finally upon us. This "pop revival" has been somewhat hyped in the ...
New York Dolls: Too Much, Too Soon
Review by Ron Ross, Phonograph Record, April 1974
"WE DON'T PLAY too good, but we dance as bad as we want," Archie Bell once said by way of introduction to his fabulous Drells ...
Review by Lester Bangs, Phonograph Record, June 1973
SAN RA SURE is a good old dog to have around. He's been spooning out this same clank for years, and it's every bit as ...
Bryan Ferry: These Foolish Things (Atco)
Review by Greg Shaw, Phonograph Record, 1 April 1974
FOR WEEKS I'd been hearing how bad this album was from people whose judgment is usually reliable. How pleasant then to discover an album so ...
Review by Ron Ross, Phonograph Record, February 1973
WITHIN A DOUBLE-FOLD checkerboard of good natured psychedelia that would make sweet 1967 blush at her staying power, Peter Hammill, late of the morbidly super ...
Review by Ira Robbins, Phonograph Record, February 1975
COCKNEY REBEL is a figment of Steve Harley's semi-sane mind. ...
Dwight Twilley: Twilley Don’t Mind
Review by Bud Scoppa, Phonograph Record, August 1977
EVERYBODY KNOWS that people who write record reviews are supposed to complain every so often about what a crummy year its been for music, and ...
Review by Alan Betrock, Phonograph Record, 1 July 1974
ONE PROBLEM with 10cc's first album was that it hit you hard on first listening, but often failed to hold up to repeated playings. Perhaps ...
Review by Alan Betrock, Phonograph Record, February 1975
OUT OF THE ASHES of the New York rock scene came Kiss. They have clearly been elevated (symbolically echoing the ascent their drummer makes during ...
Review by Alan Betrock, Phonograph Record, April 1975
LIVING IN NEW YORK has never been easy for the older generation, but it's even tougher for their offspring. ...
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