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Defunkt, Raybeats, The, James Chance, James White and The Blacks: Defunkt, the Raybeats, James Chance: Funky, Punky and Chic

Report and Interview by Roy Trakin, Melody Maker, 15 March 1980

The Raybeats and Joe Bowie's Defunkt are working on New York's newest fusion: a post-No Wave music in which James Chance's punk meets George Clinton's ...

Stevie Wonder Returns With a Synthesized Howl

Report and Interview by Paul Gambaccini, Rolling Stone, 28 February 1974

LONDON — IT HAD been five months since his auto accident, five months since he had done a complete show onstage, and it was clear ...

Ronnie Spector: Cleveland International Records: Ronnie Spector Breaks Cleveland!

Report and Interview by Marty Cerf, Phonograph Record, April 1977

CLEVELAND — It's a freezing night in mid-February for this city that knows no excess in terms of its insatiable hunger for pop. Indisputably, this ...

Stevie Wonder

Report and Interview by Robin Katz, 19, July 1974

IT IS 1963. Beehive hairdos, and the Beach Boys are the all-American thing. In the shabby end of Brooklyn sits an old theatre called The ...

Lewis Taylor: Soul Enigma: Lewis Taylor Comes to America

Report and Interview by Mark Anthony Neal, PopMatters, 8 February 2006

FOR MUCH OF THE LAST DECADE, arguably the most brilliant R&B artist of this generation has toiled in relative obscurity in Britain. ...

Tina Turner

Report and Interview by Chris Heath, Smash Hits, 13 August 1986

• She was a huge star in the sixties, down the dumper in the seventies and now, at 47, she's a huge star again.• She ...

LaBelle

Report and Interview by Robin Katz, Let It Rock, July 1975

1. 'What Can I Do For You?' PHILADELPHIA, Pennsylvania. November 1974. Breakfast time (10:30). Patti LaBelle, Sarah Dash and Nona Hendryx are sitting in one corner of ...

Archie Bell and the Drells, Thom Bell, Kenny Gamble, O'Jays: Gamble & Huff: It's Got a Good Beat, and You Can Pray to It

Report and Interview by Tom Vickers, Rolling Stone, 20 May 1976

The only way for our music to go is the way the world goes. And where it goes negative, we're going to show where it ...